Fujifilm GFX 100 vs Nikon W300
The Fujifilm GFX 100 and the Nikon Coolpix W300 are two digital cameras that were announced, respectively, in May 2019 and May 2017. The GFX 100 is a mirrorless interchangeable lens camera, while the W300 is a fixed lens compact. The cameras are based on a medium format (GFX 100) and a 1/2.3-inch (W300) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Nikon Coolpix W300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 100 and the Nikon W300. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The W300 can be obtained in three different colors (black, orange, yellow), while the GFX 100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon W300 is considerably smaller (67 percent) than the Fujifilm GFX 100. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the W300 is water-proof up to 30m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the W300 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the W300 can take 280 images on a single charge of its EN-EL12 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|2.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389|
|3.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|4.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|5.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229|
|6.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899|
|7.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|8.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|9.||Olympus TG-5||113 mm||66 mm||32 mm||250 g||340||Y||May 2017||449|
|10.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449|
|11.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|12.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|13.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|14.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279|
|15.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999|
|16.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|17.||Sony HX80||102 mm||58 mm||36 mm||245 g||390||n||Mar 2016||349|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The W300 was launched at a lower price than the GFX 100, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Nikon W300 a 1/2.3-inch sensor. The sensor area in the W300 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 101.8MP, the GFX 100 offers a higher resolution than the W300 (15.9MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.33μm for the W300) due to its larger sensor. Moreover, the GFX 100 is a somewhat more recent model (by 1 year and 11 months) than the W300, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon W300 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Coolpix W300 are ISO 125 to ISO 1600, with the possibility to increase the ISO range to 125-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|3.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|7.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|8.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|11.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|12.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|13.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|15.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The GFX 100 and the W300 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The adjacent table lists some of the other core features of the Fujifilm GFX 100 and Nikon W300 along with similar information for a selection of comparators.
|1.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|2.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0||Y||Y|
|3.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|4.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0||n||Y|
|5.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0||Y||Y|
|6.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0||n||Y|
|7.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|8.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
|9.||Olympus TG-5||none||n||3.0 / 460||fixed||n||1/2000s||20.0||Y||Y|
|10.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0||Y||Y|
|11.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4||n||Y|
|12.||Pentax 645Z||optical||Y||3.2 / 1037||tilting||n||1/4000s||3.0||n||n|
|13.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1||n||n|
|14.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0||Y||n|
|15.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0||Y||Y|
|17.||Sony HX80||638||n||3.0 / 922||tilting||n||1/2000s||10.0||Y||Y|
One feature that is present on the GFX 100, but is missing on the W300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100 and the W300 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the W300 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the W300 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Nikon Coolpix W300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|2.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|3.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|6.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|7.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|8.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|9.||Olympus TG-5||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|12.||Pentax 645Z||Y||stereo / mono||Y||-||mini||3.0||-||-||-|
|13.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
|14.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|15.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony HX80||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GFX 100 has a hotshoe, while the W300 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the W300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the W300 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the GFX 100 and the W300 are recent models that are part of the current product line-up. The W300 replaced the earlier Nikon AW130, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what is the bottom line? Which of the two cameras – the Fujifilm GFX 100 or the Nikon W300 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm GFX 100:
- More detail: Offers more megapixels (101.8 vs 15.9MP) with a 153% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (800 versus 280) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Is somewhat more recent (announced 1 year and 11 months after the W300).
Arguments in favor of the Nikon Coolpix W300:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GFX 100 necessitates an extra lens.
- More compact: Is smaller (112x66mm vs 156x144mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 30m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in May 2017).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 100 is the clear winner of the match-up (26 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Nikon W300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the GFX 100 or the W300 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999|
|2.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389|
|3.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|4.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|5.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229|
|6.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899|
|7.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|8.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|9.||Olympus TG-5||..||+ +||..||..||4/5||4/5||May 2017||449|
|10.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449|
|11.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|12.||Pentax 645Z||5/5||..||..||..||4.5/5||5/5||Apr 2014||8,499|
|13.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995|
|14.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279|
|15.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999|
|16.||Sony WX800||..||..||..||..||..||..||Oct 2018||399|
|17.||Sony HX80||..||..||..||..||..||..||Mar 2016||349|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark III vs Fujifilm GFX 100
- Canon SX420 vs Fujifilm GFX 100
- Canon XSi vs Nikon W300
- Fujifilm GFX 100 vs Nikon P1000
- Fujifilm GFX 100 vs Panasonic GF3
- Fujifilm GFX 100 vs Panasonic TZ95
- Fujifilm GFX 100 vs Sony NEX-5R
- Fujifilm X-E1 vs Nikon W300
- Nikon W300 vs Olympus E-520
- Nikon W300 vs Panasonic GF5
- Nikon W300 vs Panasonic GX85
- Nikon W300 vs Sony HX90V
Specifications: Fujifilm GFX 100 vs Nikon W300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100||Nikon W300|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm G mount lenses||24-120mm f/2.8-4.9|
|Launch Date||May 2019||May 2017|
|Launch Price||USD 9,999||USD 389|
|Sensor Specs||Fujifilm GFX 100||Nikon W300|
|Sensor Format||Medium Format Sensor||1/2.3" Sensor|
|Sensor Size||43.8 x 32.9 mm||6.17 x 4.55 mm|
|Sensor Area||1441.02 mm2||28.0735 mm2|
|Sensor Diagonal||54.8 mm||7.7 mm|
|Sensor Resolution||101.8 Megapixels||15.9 Megapixels|
|Image Resolution||11648 x 8736 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.76 μm||1.33 μm|
|Pixel Density||7.06 MP/cm2||56.73 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||125 - 1,600 ISO|
|ISO Boost||50 - 102,400 ISO||125 - 6,400 ISO|
|Screen Specs||Fujifilm GFX 100||Nikon W300|
|Viewfinder Type||Viewfinder optional||no viewfinder|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||921k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 100||Nikon W300|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm GFX 100||Nikon W300|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Fujifilm GFX 100||Nikon W300|
|Environmental Sealing||Weathersealed body||Waterproof body (30m)|
|Battery Life (CIPA)||800 shots per charge||280 shots per charge|
|In-Camera Charging||USB charging||USB charging|
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
112 x 66 x 29 mm
(4.4 x 2.6 x 1.1 in)
|Camera Weight||1320 g (46.6 oz)||231 g (8.1 oz)|
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