Fujifilm GFX 100 vs Nikon P950
The Fujifilm GFX 100 and the Nikon Coolpix P950 are two digital cameras that were officially introduced, respectively, in May 2019 and January 2020. The GFX 100 is a mirrorless interchangeable lens camera, while the P950 is a fixed lens compact. The cameras are based on a medium format (GFX 100) and a 1/2.3-inch (P950) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Nikon Coolpix P950? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 100 and the Nikon P950 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon P950 is considerably smaller (31 percent) than the Fujifilm GFX 100. It is worth mentioning in this context that the GFX 100 is splash and dust resistant, while the P950 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the P950 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the P950 can take 290 images on a single charge of its EN-EL20a power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|2.||Nikon P950||140 mm||110 mm||150 mm||1005 g||290||n||Jan 2020||799|
|3.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|4.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|5.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|6.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229|
|7.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899|
|8.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|9.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|10.||Leica V-LUX 2||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849|
|11.||Nikon B600||122 mm||82 mm||99 mm||500 g||280||n||Jan 2019||349|
|12.||Nikon A1000||114 mm||72 mm||41 mm||330 g||250||n||Jan 2019||429|
|13.||Nikon P1000||146 mm||119 mm||181 mm||1415 g||250||n||Jul 2018||999|
|14.||Nikon P900||140 mm||103 mm||137 mm||899 g||360||n||Mar 2015||599|
|15.||Pentax K-1 II||137 mm||110 mm||86 mm||1010 g||670||Y||Feb 2018||1,999|
|16.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|17.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The P950 was launched at a lower price than the GFX 100, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Nikon P950 a 1/2.3-inch sensor. The sensor area in the P950 is 98 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 101.8MP, the GFX 100 offers a higher resolution than the P950 (15.9MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.33μm for the P950) due to its larger sensor. However, the P950 is a somewhat more recent model (by 7 months) than the GFX 100, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon P950 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon Coolpix P950 are ISO 100 to ISO 6400, with the possibility to increase the ISO range to 100-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||25.7||14.5||3227||99|
|3.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||25.8||14.7||3391||100|
|4.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|8.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|9.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|10.||Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||19.4||10.7||321||39|
|15.||Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||25.1||14.0||2698||93|
|16.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|17.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the P950 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The table below summarizes some of the other core capabilities of the Fujifilm GFX 100 and Nikon P950 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm GFX 100||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|2.||Nikon P950||2359||n||3.2 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|3.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0/s||n||Y|
|4.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|5.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|6.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|7.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|8.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|9.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|10.||Leica V-LUX 2||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|11.||Nikon B600||none||n||3.0 / 921||fixed||n||1/4000s||7.4/s||Y||Y|
|12.||Nikon A1000||1166||n||3.0 / 1036||tilting||Y||1/4000s||7.0/s||Y||Y|
|13.||Nikon P1000||2359||n||3.2 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|14.||Nikon P900||921||n||3.0 / 921||swivel||n||1/4000s||7.0/s||Y||Y|
|15.||Pentax K-1 II||optical||Y||3.2 / 1037||full-flex||n||1/8000s||4.4/s||n||Y|
|16.||Pentax 645Z||optical||Y||3.2 / 1037||tilting||n||1/4000s||3.0/s||n||n|
|17.||Pentax 645D||optical||Y||3.0 / 921||fixed||n||1/4000s||1.1/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the GFX 100, but is missing on the P950 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The P950 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 and the Nikon P950 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 100 and the P950 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the P950 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the P950 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Nikon Coolpix P950 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 100||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|2.||Nikon P950||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|3.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|5.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|8.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|9.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|10.||Leica V-LUX 2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon B600||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|12.||Nikon A1000||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|13.||Nikon P1000||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|14.||Nikon P900||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Pentax K-1 II||Y||stereo / mono||Y||Y||micro||2.0||Y||-||-|
|16.||Pentax 645Z||Y||stereo / mono||Y||-||mini||3.0||-||-||-|
|17.||Pentax 645D||Y||stereo / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the P950) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 100 and the P950 are recent models that are part of the current product line-up. The P950 replaced the earlier Nikon P900, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm GFX 100 and the Nikon P950? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm GFX 100:
- More detail: Offers more megapixels (101.8 vs 15.9MP) with a 153% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (800 versus 290) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More heavily discounted: Has been on the market for longer (launched in May 2019).
Reasons to prefer the Nikon Coolpix P950:
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the GFX 100 necessitates an extra lens.
- More compact: Is smaller (140x110mm vs 156x144mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the GFX 100).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (7 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (20 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Nikon P950 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 100 or the P950. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 100||4.5/5||+ +||4.8/5||90/100||5/5||4.5/5||May 2019||9,999|
|2.||Nikon P950||..||..||3/5||..||4/5||4/5||Jan 2020||799|
|3.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|4.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999|
|5.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|6.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229|
|7.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899|
|8.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|9.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|10.||Leica V-LUX 2||..||..||..||..||..||..||Sep 2010||849|
|11.||Nikon B600||..||+||..||..||3.5/5||3/5||Jan 2019||349|
|12.||Nikon A1000||..||+ +||3.5/5||..||3.5/5||3/5||Jan 2019||429|
|13.||Nikon P1000||..||+||3.5/5||73/100||3.5/5||3.5/5||Jul 2018||999|
|14.||Nikon P900||..||..||..||77/100||4/5||4/5||Mar 2015||599|
|15.||Pentax K-1 II||..||..||4.5/5||79/100||4.5/5||4.5/5||Feb 2018||1,999|
|16.||Pentax 645Z||5/5||..||..||..||4.5/5||5/5||Apr 2014||8,499|
|17.||Pentax 645D||5/5||..||..||..||..||..||Mar 2010||9,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 7D vs Nikon P950
- Canon G9 X vs Fujifilm GFX 100
- Canon R6 vs Fujifilm GFX 100
- Canon SX730 vs Fujifilm GFX 100
- Fujifilm GFX 100 vs Leica X1
- Fujifilm GFX 100 vs Olympus E-PL9
- Fujifilm GFX 100 vs Panasonic G80
- Leica C-LUX vs Nikon P950
- Nikon P950 vs Olympus E-M1X
- Nikon P950 vs Panasonic TS7
- Nikon P950 vs Pentax KP
- Nikon P950 vs Sony ZV-E10
Specifications: Fujifilm GFX 100 vs Nikon P950
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100||Nikon P950|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm G mount lenses||24-2000mm f/2.8-6.5|
|Launch Date||May 2019||January 2020|
|Launch Price||USD 9,999||USD 799|
|Sensor Specs||Fujifilm GFX 100||Nikon P950|
|Sensor Format||Medium Format Sensor||1/2.3" Sensor|
|Sensor Size||43.8 x 32.9 mm||6.17 x 4.55 mm|
|Sensor Area||1441.02 mm2||28.0735 mm2|
|Sensor Diagonal||54.8 mm||7.7 mm|
|Sensor Resolution||101.8 Megapixels||15.9 Megapixels|
|Image Resolution||11648 x 8736 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.76 μm||1.33 μm|
|Pixel Density||7.06 MP/cm2||56.73 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 12,800 ISO|
|Screen Specs||Fujifilm GFX 100||Nikon P950|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||90%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2360k dots||921k dots|
|LCD Attachment||Fully flexible screen||Swivel screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 100||Nikon P950|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm GFX 100||Nikon P950|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm GFX 100||Nikon P950|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||290 shots per charge|
|In-Camera Charging||USB charging||USB charging|
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
140 x 110 x 150 mm
(5.5 x 4.3 x 5.9 in)
|Camera Weight||1320 g (46.6 oz)||1005 g (35.5 oz)|
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