Fujifilm GFX 100 vs Nikon D1X
The Fujifilm GFX 100 and the Nikon D1X are two professional cameras that were announced, respectively, in May 2019 and February 2001. The GFX 100 is a mirrorless interchangeable lens camera, while the D1X is a DSLR. The cameras are based on a medium format (GFX 100) and an APS-C (D1X) sensor. The Fujifilm has a resolution of 101.8 megapixels, whereas the Nikon provides 5.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 100 and the Nikon D1X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm GFX 100 and the Nikon D1X are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D1X is notably larger (7 percent) than the Fujifilm GFX 100. However, the D1X is markedly lighter (17 percent) than the GFX 100. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 100 gets 800 shots out of its NP-T125 battery, while the D1X can take 1200 images on a single charge of its EN-4 power pack. As can be seen in the images above, both cameras have a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the GFX 100 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm GFX 100||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999|
|Nikon D1X||6.2 in||6.0 in||3.3 in||38.8 oz||1200||Y||Feb 2001||5,999|
|Fujifilm X-T4||5.3 in||3.7 in||2.5 in||21.4 oz||500||Y||Feb 2020||1,699|
|Fujifilm XP140||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229|
|Fujifilm X-H1||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899|
|Fujifilm GFX 50R||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499|
|Fujifilm GFX 50S||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499|
|Nikon Z6||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999|
|Nikon D300S||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799|
|Nikon D300||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799|
|Nikon D200||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699|
|Nikon D2X||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Sep 2004||4,999|
|Nikon D1||6.2 in||6.0 in||3.3 in||38.8 oz||..||Y||Jun 1999||5,499|
|Pentax K-1 II||5.4 in||4.3 in||3.4 in||35.6 oz||670||Y||Feb 2018||1,999|
|Pentax 645Z||6.1 in||4.6 in||4.8 in||54.7 oz||650||Y||Apr 2014||8,499|
|Pentax 645D||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D1X was launched at a markedly lower price (by 40 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 100 features a medium format sensor and the Nikon D1X an APS-C sensor. The sensor area in the D1X is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 100 has a native 4:3 aspect ratio, while the one in the D1X offers a 3:2 aspect.
With 101.8MP, the GFX 100 offers a higher resolution than the D1X (5.9MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 7.92μm for the D1X). However, the GFX 100 is a much more recent model (by 18 years and 3 months) than the D1X, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Nikon D1X are 15 x 9.8 inches or 38.2 x 24.9 cm for good quality, 12 x 7.8 inches or 30.6 x 19.9 cm for very good quality, and 10 x 6.5 inches or 25.5 x 16.6 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm GFX 100 has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D1X are ISO 125 to ISO 800, with the possibility to increase the ISO range to 125-3200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|Pentax K-1 II||Full Frame||36.2||7360||4912||1080/60i||..||..||..||..|
|Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
Many modern cameras cannot only take still pictures, but also record videos. The GFX 100 indeed provides movie recording capabilities, while the D1X does not. The highest resolution format that the GFX 100 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D1X has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The adjacent table lists some of the other core features of the Fujifilm GFX 100 and Nikon D1X along with similar information for a selection of comparators.
|Fujifilm GFX 100||optional||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
|Pentax K-1 II||optical||Y||3.2||1037||full-flex||n||1/8000s||4.4||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
One feature that differentiates the GFX 100 and the D1X is in-body image stabilization (IBIS). The GFX 100 reduces the risk of handshake-induced blur with all attached lenses, while the D1X offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The GFX 100 writes its imaging data to SDXC cards, while the D1X uses Compact Flash cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the D1X only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 100 and Nikon D1X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Fujifilm GFX 100||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Pentax K-1 II||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the GFX 100 offers wifi support, while the D1X does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The GFX 100 is a recent model that features in the current product line-up of Fujifilm. In contrast, the D1X has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D1X was succeeded by the Nikon D2X. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm GFX 100 and the Nikon D1X? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm GFX 100:
- More detail: Offers more megapixels (101.8 vs 5.9MP) with a 306% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 18 years and 3 months of technical progress since the D1X launch.
Advantages of the Nikon D1X:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- Less heavy: Has a lower weight (by 220g or 17 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (1200 versus 800) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2001).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the match-up (22 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 100 and the Nikon D1X place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GFX 100 and the D1X in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm GFX 100||+ +||90/100||5/5||4.5/5||4.5/5||May 2019||9,999|
|Nikon D1X||..||+ +||..||o||..||Feb 2001||5,999|
|Fujifilm X-T4||+ +||..||5/5||..||5/5||Feb 2020||1,699|
|Fujifilm XP140||+||..||3.5/5||..||4/5||Feb 2019||229|
|Fujifilm X-H1||+||86/100||4.5/5||..||4.5/5||Feb 2018||1,899|
|Fujifilm GFX 50R||..||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499|
|Fujifilm GFX 50S||..||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Nikon Z6||..||..||4.5/5||4.5/5||5/5||Aug 2018||1,999|
|Nikon D300S||+ +||82/100||4/5||5/5||4.5/5||Jul 2009||1,799|
|Nikon D300||+ +||+ +||5/5||o||4.5/5||Aug 2007||1,799|
|Nikon D200||+ +||+ +||o||5/5||..||Nov 2005||1,699|
|Nikon D2X||..||+ +||..||o||..||Sep 2004||4,999|
|Nikon D1||..||+ +||..||..||..||Jun 1999||5,499|
|Pentax K-1 II||..||79/100||4.5/5||4.5/5||4.5/5||Feb 2018||1,999|
|Pentax 645Z||..||..||4.5/5||5/5||5/5||Apr 2014||8,499|
|Pentax 645D||..||..||..||4.5/5||..||Mar 2010||9,995|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1000D vs Nikon D1X
- Canon 1300D vs Nikon D1X
- Canon R vs Fujifilm GFX 100
- Fujifilm GFX 100 vs Hasselblad X1D II
- Fujifilm GFX 100 vs Nikon D3
- Fujifilm GFX 100 vs Panasonic FZ1000
- Fujifilm GFX 100 vs Panasonic GM1
- Fujifilm GFX 100 vs Sony A9 II
- Fujifilm X-Pro2 vs Nikon D1X
- Leica D-LUX Typ 109 vs Nikon D1X
- Nikon D1X vs Olympus E-M1 II
- Nikon D1X vs Olympus E-PL8
Specifications: Fujifilm GFX 100 vs Nikon D1X
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 100||Nikon D1X|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm G mount lenses||Nikon F mount lenses|
|Launch Date||May 2019||February 2001|
|Launch Price||USD 9,999||USD 5,999|
|Sensor Specs||Fujifilm GFX 100||Nikon D1X|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||43.8 x 32.9 mm||23.7 x 15.6 mm|
|Sensor Area||1441.02 mm2||369.72 mm2|
|Sensor Diagonal||54.8 mm||28.4 mm|
|Sensor Resolution||101.8 Megapixels||5.9 Megapixels|
|Image Resolution||11648 x 8736 pixels||3008 x 1960 pixels|
|Pixel Pitch||3.76 μm||7.92 μm|
|Pixel Density||7.06 MP/cm2||1.59 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||100 - 12,800 ISO||125 - 800 ISO|
|ISO Boost||50 - 102,400 ISO||125 - 3,200 ISO|
|Screen Specs||Fujifilm GFX 100||Nikon D1X|
|Viewfinder Type||Viewfinder optional||Optical viewfinder|
|Viewfinder Field of View||96%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.2inch||2.0inch|
|LCD Resolution||2360k dots||120k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 100||Nikon D1X|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Fujifilm GFX 100||Nikon D1X|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.1||Firewire|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm GFX 100||Nikon D1X|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||800 shots per charge||1200 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
157 x 153 x 85 mm
(6.2 x 6.0 x 3.3 in)
|Camera Weight||1320 g (46.6 oz)||1100 g (38.8 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.