Epson R-D1 vs Panasonic GM5
The Epson R-D1 and the Panasonic Lumix DMC-GM5 are two digital cameras that were revealed to the public, respectively, in March 2004 and September 2014. The R-D1 is a rangefinder-focusing mirrorless, while the GM5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (R-D1) and a Four Thirds (GM5) sensor. The Epson has a resolution of 6 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Panasonic Lumix DMC-GM5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Epson R-D1 and the Panasonic GM5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The GM5 can be obtained in two different colors (black, silver), while the R-D1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GM5 is considerably smaller (53 percent) than the Epson R-D1. Moreover, the GM5 is substantially lighter (66 percent) than the R-D1. In this context, it is worth noting that neither the R-D1 nor the GM5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (R-D1) and the Micro Four Thirds Lens Catalog (GM5).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | 142 mm | 89 mm | 40 mm | 620 g | .. | n | Mar 2004 | 2,999 | ebay.com | |
2. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
3. | Canon 300D | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | 899 | ebay.com | |
4. | Canon 350D | 127 mm | 94 mm | 64 mm | 540 g | 400 | n | Feb 2005 | 899 | ebay.com | |
5. | Leica M8 | 139 mm | 80 mm | 37 mm | 591 g | 550 | n | Sep 2006 | 5,499 | ebay.com | |
6. | Leica M9 | 139 mm | 80 mm | 37 mm | 585 g | 550 | n | Sep 2009 | 7,999 | ebay.com | |
7. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
8. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | 2,850 | ebay.com | |
9. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | 749 | ebay.com | |
10. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | 999 | ebay.com | |
11. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | 899 | ebay.com | |
12. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
13. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
14. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
15. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
16. | Panasonic GM1 | 99 mm | 55 mm | 30 mm | 204 g | 230 | n | Oct 2013 | 749 | ebay.com | |
17. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GM5 was launched at a markedly lower price (by 75 percent) than the R-D1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Panasonic GM5 a Four Thirds sensor. The sensor area in the GM5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the GM5 offers a 4:3 aspect.
Despite having a smaller sensor, the GM5 offers a higher resolution of 15.8 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 7.85μm for the R-D1). However, it should be noted that the GM5 is much more recent (by 10 years and 6 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic GM5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GM5 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-GM5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the R-D1 is build around a CCD sensor, while the GM5 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | APS-C | 6.0 | 3008 | 2000 | none | 21.1 | 10.4 | 564 | 55 | |
2. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
3. | Canon 300D | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
4. | Canon 350D | APS-C | 8.0 | 3456 | 2304 | none | 21.8 | 10.8 | 637 | 60 | |
5. | Leica M8 | APS-H | 10.4 | 3936 | 2630 | none | 21.1 | 11.3 | 663 | 59 | |
6. | Leica M9 | Full Frame | 18.1 | 5212 | 3472 | none | 22.5 | 11.7 | 884 | 69 | |
7. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
8. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
9. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
10. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
11. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
12. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
13. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
14. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
15. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
16. | Panasonic GM1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 22.3 | 11.7 | 660 | 66 | |
17. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The GM5 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the GM5 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GM5 has an electronic viewfinder (1166k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Epson R-D1, the Panasonic GM5, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | optical | n | 2.0 / 235 | fixed | n | 1/2000s | 1.0/s | n | n | |
2. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
3. | Canon 300D | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
4. | Canon 350D | optical | n | 1.8 / 115 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Leica M8 | optical | n | 2.5 / 230 | fixed | n | 1/8000s | 2.0/s | n | n | |
6. | Leica M9 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.0/s | n | n | |
7. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
8. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
9. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
10. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
11. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
12. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
13. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
14. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
15. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
16. | Panasonic GM1 | none | n | 3.0 / 1036 | fixed | Y | 1/500s | 5.0/s | Y | n | |
17. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GM5 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R-D1 writes its imaging data to SDHC cards, while the GM5 uses SDXC cards. The GM5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Panasonic Lumix DMC-GM5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | Y | - / - | - | - | - | - | - | - | - | |
2. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon 300D | Y | - / - | - | - | - | 1.1 | - | - | - | |
4. | Canon 350D | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Leica M8 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Leica M9 | Y | - / - | - | - | - | 2.0 | - | - | - | |
7. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
8. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
11. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
14. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
15. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
16. | Panasonic GM1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the GM5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the R-D1 does not provide wifi capability.
Studio photographers will appreciate that the Epson R-D1 (unlike the GM5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R-D1 and the GM5 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Epson and Panasonic. Further information on the features and operation of the R-D1 and GM5 can be found, respectively, in the Epson R-D1 Manual (free pdf) or the online Panasonic GM5 Manual.
Review summary
So what conclusions can be drawn? Is there a clear favorite between the Epson R-D1 and the Panasonic GM5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Epson R-D1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/500s) to freeze action.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).
Reasons to prefer the Panasonic Lumix DMC-GM5:
- More detail: Has more megapixels (15.8 vs 6MP), which boosts linear resolution by 59%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 235k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5.8 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (99x60mm vs 142x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 409g or 66 percent) and is thus easier to take along.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More modern: Reflects 10 years and 6 months of technical progress since the R-D1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GM5 is the clear winner of the contest (15 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R-D1 or the GM5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | .. | .. | .. | .. | .. | .. | Mar 2004 | 2,999 | ebay.com | |
2. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
3. | Canon 300D | .. | .. | .. | + + | .. | .. | Aug 2003 | 899 | ebay.com | |
4. | Canon 350D | .. | 80/100 | .. | + + | o | .. | Feb 2005 | 899 | ebay.com | |
5. | Leica M8 | .. | .. | .. | + + | .. | .. | Sep 2006 | 5,499 | ebay.com | |
6. | Leica M9 | .. | .. | .. | .. | 4.5/5 | .. | Sep 2009 | 7,999 | ebay.com | |
7. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
8. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | 2,850 | ebay.com | |
9. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | 749 | ebay.com | |
10. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | 999 | ebay.com | |
11. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | 899 | ebay.com | |
12. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
13. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
14. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
15. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
16. | Panasonic GM1 | 3/5 | + | .. | 78/100 | 5/5 | 4.5/5 | Oct 2013 | 749 | ebay.com | |
17. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark III vs Epson R-D1
- Canon SX530 vs Epson R-D1
- Canon XS vs Panasonic GM5
- Epson R-D1 vs Nikon B700
- Epson R-D1 vs Panasonic GX85
- Epson R-D1 vs Sony A1
- Epson R-D1 vs Sony A99
- Leica V-LUX 5 vs Panasonic GM5
- Nikon 1 J4 vs Panasonic GM5
- Nikon D2H vs Panasonic GM5
- Nikon D600 vs Panasonic GM5
- Panasonic GM5 vs Sony RX100 VII
Specifications: Epson R-D1 vs Panasonic GM5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Epson R-D1 | Panasonic GM5 |
---|---|---|
Camera Type | Rangefinder camera | Mirrorless system camera |
Camera Lens | Leica M mount lenses | Micro Four Thirds lenses |
Launch Date | March 2004 | September 2014 |
Launch Price | USD 2,999 | USD 749 |
Sensor Specs | Epson R-D1 | Panasonic GM5 |
Sensor Technology | CCD | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.7 x 15.6 mm | 17.3 x 13.0 mm |
Sensor Area | 369.72 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.4 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 6 Megapixels | 15.8 Megapixels |
Image Resolution | 3008 x 2000 pixels | 4592 x 3448 pixels |
Pixel Pitch | 7.85 μm | 3.77 μm |
Pixel Density | 1.63 MP/cm2 | 7.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 200 - 1,600 ISO | 200 - 25,600 ISO |
ISO Boost | no Enhancement | 100 - 25,600 ISO |
DXO Sensor Quality (score) | .. | 66 |
DXO Color Depth (bits) | .. | 22.1 |
DXO Dynamic Range (EV) | .. | 11.7 |
DXO Low Light (ISO) | .. | 721 |
Screen Specs | Epson R-D1 | Panasonic GM5 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.46x | |
Viewfinder Resolution | 1166k dots | |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 235k dots | 921k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Epson R-D1 | Panasonic GM5 |
Focus System | Manual Focus | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/500s |
Continuous Shooting | 1 shutter flaps/s | 5.8 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Epson R-D1 | Panasonic GM5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | no USB | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Epson R-D1 | Panasonic GM5 |
Battery Type | Epson EU-85 | Panasonic DMW-BLH7 |
Body Dimensions |
142 x 89 x 40 mm (5.6 x 3.5 x 1.6 in) |
99 x 60 x 36 mm (3.9 x 2.4 x 1.4 in) |
Camera Weight | 620 g (21.9 oz) | 211 g (7.4 oz) |
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