Epson R-D1 vs Panasonic G9
The Epson R-D1 and the Panasonic Lumix DC-G9 are two enthusiast cameras that were revealed to the public, respectively, in March 2004 and November 2017. The R-D1 is a fixed lens compact, while the G9 is a rangefinder-style mirrorless. The cameras are based on an APS-C (R-D1) and a Four Thirds (G9) sensor. The Epson has a resolution of 6 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Epson R-D1||Panasonic G9|
|Rangefinder camera||Mirrorless system camera|
|Leica M mount lenses||Micro Four Thirds lenses|
|6 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|no Video||4K/60p Video|
|ISO 200-1600||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (3680k dots)|
|2.0" LCD, 235k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|1 shutter flaps per second||20 shutter flaps per second|
|No shake reduction||In-body stabilization|
|Not weather sealed||Weathersealed body|
|142 x 89 x 40 mm, 620 g||137 x 97 x 92 mm, 658 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Panasonic Lumix DC-G9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Epson R-D1 and the Panasonic G9 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is notably larger (5 percent) than the Epson R-D1. Moreover, the G9 is markedly heavier (6 percent) than the R-D1. It is noteworthy in this context that the G9 is splash and dust-proof, while the R-D1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (R-D1) and the Micro Four Thirds Lens Catalog (G9).
The power pack in the G9 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Epson R-D1»||5.6 in||3.5 in||1.6 in||21.9 oz||..||n||Mar 2004||2,999||Epson R-D1|
|Panasonic G9«||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||Canon Rebel|
|Leica CL« »||5.2 in||3.1 in||1.8 in||14.2 oz||220||n||Nov 2017||2,795||Leica CL|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica X-U Typ 113« »||5.5 in||3.1 in||3.5 in||22.4 oz||450||Y||Jan 2016||2,950||Leica X-U Typ 113|
|Leica X Vario« »||5.2 in||2.9 in||3.7 in||24.0 oz||450||n||Jun 2013||2,850||Leica X Vario|
|Leica M9« »||5.5 in||3.1 in||1.5 in||20.6 oz||..||n||Sep 2009||7,999||Leica M9|
|Nikon D40« »||4.9 in||3.7 in||2.5 in||18.4 oz||470||n||Nov 2006||499||Nikon D40|
|Nikon D50« »||5.2 in||4.0 in||3.0 in||21.9 oz||400||n||Apr 2005||749||Nikon D50|
|Nikon D70s« »||5.5 in||4.4 in||3.1 in||24.0 oz||500||n||Apr 2005||899||Nikon D70s|
|Nikon D70« »||5.5 in||4.4 in||3.1 in||24.0 oz||400||n||Jan 2004||999||Nikon D70|
|Olympus E-M1 III« »||5.3 in||3.6 in||2.7 in||20.5 oz||420||Y||Feb 2020||1,799||Olympus E-M1 III|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G85|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||Panasonic GH4|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G9 was launched at a markedly lower price (by 43 percent) than the R-D1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
Despite having a smaller sensor, the G9 offers a higher resolution of 20.2 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 7.85μm for the R-D1). However, it should be noted that the G9 is much more recent (by 13 years and 8 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Epson R-D1 are 15 x 10 inch or 38.2 x 25.4 cm for good quality, 12 x 8 inch or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inch or 25.5 x 16.9 cm for excellent quality prints.
Unlike the R-D1, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DC-G9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Epson R-D1||APS-C||6.0||3008||2000||none||..||..||..||..||Epson R-D1|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..||Panasonic G9|
|Canon Rebel||APS-C||6.3||3072||2048||none||21.0||10.8||544||55||Canon Rebel|
|Leica CL||APS-C||24.1||6014||4014||4K/30p||..||..||..||..||Leica CL|
|Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86||Leica M10|
|Leica X-U Typ 113||APS-C||16.1||4928||3264||1080/30p||..||..||..||..||Leica X-U Typ 113|
|Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78||Leica X Vario|
|Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69||Leica M9|
|Nikon D40||APS-C||6.0||3008||2000||none||21.0||11.0||561||56||Nikon D40|
|Nikon D50||APS-C||6.0||3008||2000||none||20.9||10.8||560||55||Nikon D50|
|Nikon D70s||APS-C||6.0||3008||2000||none||20.4||10.3||529||50||Nikon D70s|
|Nikon D70||APS-C||6.0||3008||2000||none||20.4||10.3||529||50||Nikon D70|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Olympus E-M1 III|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
Many modern cameras are not only capable of taking still images, but can also record movies. The G9 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the G9 can use is 4K/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Epson R-D1 and Panasonic G9 in connection with corresponding information for a sample of similar cameras.
|Epson R-D1||optical||n||2.0||235||fixed||n||1/2000s||1.0||n||n||Epson R-D1|
|Panasonic G9||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Canon Rebel||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Leica CL||2360||Y||3.0||1040||fixed||Y||1/8000s||10.0||n||n||Leica CL|
|Leica M10||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica X-U Typ 113||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X-U Typ 113|
|Leica X Vario||optional||n||3.0||920||fixed||n||1/2000s||5.0||Y||n||Leica X Vario|
|Leica M9||optical||n||2.5||230||fixed||n||1/4000s||2.0||n||n||Leica M9|
|Nikon D40||optical||n||2.5||230||fixed||n||1/4000s||2.5||Y||n||Nikon D40|
|Nikon D50||optical||n||2.0||130||fixed||n||1/4000s||2.5||Y||n||Nikon D50|
|Nikon D70s||optical||n||2.0||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70s|
|Nikon D70||optical||n||1.8||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70|
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 III|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic G85||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GH4||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G9 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G9 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the R-D1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R-D1 writes its imaging data to SDHC cards, while the G9 uses SDXC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the R-D1 only has one slot. The G9 supports UHS-II cards (on both slots), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Panasonic Lumix DC-G9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Epson R-D1||Y||none||none||-||-||none||none||-||-||-||Epson R-D1|
|Panasonic G9||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Canon Rebel||Y||none||none||-||-||none||1.1||-||-||-||Canon Rebel|
|Leica CL||Y||stereo||mono||-||-||none||none||Y||-||-||Leica CL|
|Leica M10||Y||none||none||-||-||none||none||Y||-||-||Leica M10|
|Leica X-U Typ 113||Y||stereo||mono||-||-||none||2.0||-||-||-||Leica X-U Typ 113|
|Leica X Vario||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica X Vario|
|Leica M9||Y||none||none||-||-||none||2.0||-||-||-||Leica M9|
|Nikon D40||Y||none||none||-||-||none||2.0||-||-||-||Nikon D40|
|Nikon D50||Y||none||none||-||-||none||2.0||-||-||-||Nikon D50|
|Nikon D70s||Y||none||none||-||-||none||2.0||-||-||-||Nikon D70s|
|Nikon D70||Y||none||none||-||-||none||1.0||-||-||-||Nikon D70|
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Olympus E-M1 III|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic G85||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GH4||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
It is notable that the G9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the R-D1 does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the R-D1 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the R-D1 from Epson. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Epson and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Epson R-D1 and the Panasonic G9? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Epson R-D1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More heavily discounted: Has been available for much longer (launched in March 2004).
Advantages of the Panasonic Lumix DC-G9:
- More detail: Has more megapixels (20.2 vs 6MP), which boosts linear resolution by 79%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Broader imaging potential: Can capture not only stills but also 4K/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 235k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
- More modern: Reflects 13 years and 8 months of technical progress since the R-D1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G9 is the clear winner of the contest (23 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the R-D1 and the G9 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon D30 vs Epson R-D1
- Canon D60 vs Epson R-D1
- Canon M200 vs Panasonic G9
- Epson R-D1 vs Olympus E-PL8
- Epson R-D1 vs Panasonic GF6
- Epson R-D1 vs Pentax K-3 II
- Leica M-E Typ 240 vs Panasonic G9
- Leica V-LUX 4 vs Panasonic G9
- Panasonic G9 vs Pentax K-70
- Panasonic G9 vs Sony A9
- Panasonic G9 vs Sony HX80
- Panasonic G9 vs Sony WX800
Specifications: Epson R-D1 vs Panasonic G9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Epson R-D1||Panasonic G9|
|Camera Type||Rangefinder camera||Mirrorless system camera|
|Camera Lens||Leica M mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2004||November 2017|
|Launch Price||USD 2999||USD 1699|
|Sensor Specs||Epson R-D1||Panasonic G9|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.7 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||369.72 mm2||224.9 mm2|
|Sensor Diagonal||28.4 mm||21.6 mm|
|Sensor Resolution||6 Megapixels||20.2 Megapixels|
|Image Resolution||3008 x 2000 pixels||5184 x 3888 pixels|
|Pixel Pitch||7.85 μm||3.34 μm|
|Pixel Density||1.63 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/60p Video|
|ISO Setting||200-1600 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Screen Specs||Epson R-D1||Panasonic G9|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||235k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Epson R-D1||Panasonic G9|
|Focus System||Manual Focus||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||1 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Epson R-D1||Panasonic G9|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB no||USB 3.0|
|HDMI Port||no HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Epson R-D1||Panasonic G9|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|In-Camera Charging||no USB charging||USB charging|
142 x 89 x 40 mm
(5.6 x 3.5 x 1.6 in)
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
|Camera Weight||620 g (21.9 oz)||658 g (23.2 oz)|
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