Epson R-D1 vs Panasonic G7
The Epson R-D1 and the Panasonic Lumix DMC-G7 are two digital cameras that were announced, respectively, in March 2004 and May 2015. The R-D1 is a rangefinder-focusing mirrorless, while the G7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (R-D1) and a Four Thirds (G7) sensor. The Epson has a resolution of 6 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Epson R-D1 and the Panasonic G7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G7 can be obtained in two different colors (black, silver), while the R-D1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is notably smaller (15 percent) than the Epson R-D1. Moreover, the G7 is markedly lighter (34 percent) than the R-D1. In this context, it is worth noting that neither the R-D1 nor the G7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (R-D1) and the Micro Four Thirds Lens Catalog (G7).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | 142 mm | 89 mm | 40 mm | 620 g | .. | n | Mar 2004 | 2,999 | ebay.com | |
2. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
3. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | 899 | ebay.com | |
4. | Leica CL | 131 mm | 78 mm | 45 mm | 403 g | 220 | n | Nov 2017 | 2,795 | ebay.com | |
5. | Leica M9 | 139 mm | 80 mm | 37 mm | 585 g | 550 | n | Sep 2009 | 7,999 | ebay.com | |
6. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
7. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | 2,850 | ebay.com | |
8. | Leica X-U Typ 113 | 140 mm | 79 mm | 88 mm | 635 g | 450 | Y | Jan 2016 | 2,950 | ebay.com | |
9. | Nikon D40 | 124 mm | 94 mm | 64 mm | 522 g | 470 | n | Nov 2006 | 499 | ebay.com | |
10. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | 749 | ebay.com | |
11. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | 999 | ebay.com | |
12. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | 899 | ebay.com | |
13. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
14. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
15. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
16. | Panasonic GM1 | 99 mm | 55 mm | 30 mm | 204 g | 230 | n | Oct 2013 | 749 | ebay.com | |
17. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G7 was launched at a markedly lower price (by 78 percent) than the R-D1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Panasonic G7 a Four Thirds sensor. The sensor area in the G7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the G7 offers a 4:3 aspect.
Despite having a smaller sensor, the G7 offers a higher resolution of 15.8 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 7.85μm for the R-D1). However, it should be noted that the G7 is much more recent (by 11 years and 2 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic G7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).
In terms of underlying technology, the R-D1 is build around a CCD sensor, while the G7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | APS-C | 6.0 | 3008 | 2000 | none | 21.1 | 10.4 | 564 | 55 | |
2. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
3. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
4. | Leica CL | APS-C | 24.1 | 6014 | 4014 | 4K/30p | 24.0 | 13.3 | 1788 | 82 | |
5. | Leica M9 | Full Frame | 18.1 | 5212 | 3472 | none | 22.5 | 11.7 | 884 | 69 | |
6. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
7. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
8. | Leica X-U Typ 113 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.8 | 13.0 | 1614 | 80 | |
9. | Nikon D40 | APS-C | 6.0 | 3008 | 2000 | none | 21.0 | 11.0 | 561 | 56 | |
10. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
11. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
12. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
13. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
14. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
15. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
16. | Panasonic GM1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 22.3 | 11.7 | 660 | 66 | |
17. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The G7 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the G7 can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Epson R-D1 and Panasonic G7 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | optical | n | 2.0 / 235 | fixed | n | 1/2000s | 1.0/s | n | n | |
2. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
3. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
4. | Leica CL | 2360 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 10.0/s | n | n | |
5. | Leica M9 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.0/s | n | n | |
6. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
7. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
8. | Leica X-U Typ 113 | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
9. | Nikon D40 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
10. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
11. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
12. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
13. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
14. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
15. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
16. | Panasonic GM1 | none | n | 3.0 / 1036 | fixed | Y | 1/500s | 5.0/s | Y | n | |
17. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G7 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The G7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the R-D1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R-D1 writes its imaging data to SDHC cards, while the G7 uses SDXC cards. The G7 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | Y | - / - | - | - | - | - | - | - | - | |
2. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
3. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
4. | Leica CL | Y | stereo / mono | - | - | - | - | Y | - | - | |
5. | Leica M9 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
7. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Leica X-U Typ 113 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
9. | Nikon D40 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
12. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
15. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
16. | Panasonic GM1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - |
It is notable that the G7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the R-D1 does not provide wifi capability.
Studio photographers will appreciate that the Epson R-D1 (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R-D1 and the G7 have been discontinued, but can regularly be found used on ebay. The G7 was replaced by the Panasonic G85, while the R-D1 does not have a direct successor. Further information on the features and operation of the R-D1 and G7 can be found, respectively, in the Epson R-D1 Manual (free pdf) or the online Panasonic G7 Manual.
Review summary
So how do things add up? Which of the two cameras – the Epson R-D1 or the Panasonic G7 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Epson R-D1:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).
Arguments in favor of the Panasonic Lumix DMC-G7:
- More detail: Has more megapixels (15.8 vs 6MP), which boosts linear resolution by 59%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 235k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x86mm vs 142x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 210g or 34 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
- More modern: Reflects 11 years and 2 months of technical progress since the R-D1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G7 is the clear winner of the contest (19 : 3 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the R-D1 or the G7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | .. | .. | .. | .. | .. | .. | Mar 2004 | 2,999 | ebay.com | |
2. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
3. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | 899 | ebay.com | |
4. | Leica CL | .. | .. | 4.2/5 | .. | .. | 4/5 | Nov 2017 | 2,795 | ebay.com | |
5. | Leica M9 | .. | .. | .. | .. | 4.5/5 | .. | Sep 2009 | 7,999 | ebay.com | |
6. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
7. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | 2,850 | ebay.com | |
8. | Leica X-U Typ 113 | 3.5/5 | .. | .. | .. | .. | 3.5/5 | Jan 2016 | 2,950 | ebay.com | |
9. | Nikon D40 | .. | 81/100 | .. | + + | o | 4.5/5 | Nov 2006 | 499 | ebay.com | |
10. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | 749 | ebay.com | |
11. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | 999 | ebay.com | |
12. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | 899 | ebay.com | |
13. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
14. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
15. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
16. | Panasonic GM1 | 3/5 | + | .. | 78/100 | 5/5 | 4.5/5 | Oct 2013 | 749 | ebay.com | |
17. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark III vs Panasonic G7
- Canon R vs Epson R-D1
- Canon T2i vs Panasonic G7
- Epson R-D1 vs Leica X2
- Epson R-D1 vs Nikon D70
- Epson R-D1 vs Panasonic GH5s
- Epson R-D1 vs Panasonic TZ90
- Epson R-D1 vs Sony A850
- Nikon D5 vs Panasonic G7
- Olympus E-M5 vs Panasonic G7
- Panasonic G110 vs Panasonic G7
- Panasonic G7 vs Sony RX10
Specifications: Epson R-D1 vs Panasonic G7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Epson R-D1 | Panasonic G7 |
---|---|---|
Camera Type | Rangefinder camera | Mirrorless system camera |
Camera Lens | Leica M mount lenses | Micro Four Thirds lenses |
Launch Date | March 2004 | May 2015 |
Launch Price | USD 2,999 | USD 649 |
Sensor Specs | Epson R-D1 | Panasonic G7 |
Sensor Technology | CCD | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.7 x 15.6 mm | 17.3 x 13.0 mm |
Sensor Area | 369.72 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.4 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 6 Megapixels | 15.8 Megapixels |
Image Resolution | 3008 x 2000 pixels | 4592 x 3448 pixels |
Pixel Pitch | 7.85 μm | 3.77 μm |
Pixel Density | 1.63 MP/cm2 | 7.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 4K/30p Video |
ISO Setting | 200 - 1,600 ISO | 160 - 25,600 ISO |
Screen Specs | Epson R-D1 | Panasonic G7 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 235k dots | 1040k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Epson R-D1 | Panasonic G7 |
Focus System | Manual Focus | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/4000s |
Continuous Shooting | 1 shutter flaps/s | 7 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-II |
Connectivity Specs | Epson R-D1 | Panasonic G7 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | no USB | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Epson R-D1 | Panasonic G7 |
Battery Type | Epson EU-85 | Panasonic DMW-BLC12 |
Body Dimensions |
142 x 89 x 40 mm (5.6 x 3.5 x 1.6 in) |
125 x 86 x 77 mm (4.9 x 3.4 x 3.0 in) |
Camera Weight | 620 g (21.9 oz) | 410 g (14.5 oz) |
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