Epson R-D1 vs Panasonic FZ82
The Epson R-D1 and the Panasonic Lumix DC-FZ82 (labelled Panasonic FZ80 in some countries) are two digital cameras that were officially introduced, respectively, in March 2004 and January 2017. The R-D1 is a rangefinder-focusing mirrorless camera, while the FZ82 is a fixed lens compact. The cameras are based on an APS-C (R-D1) and a 1/2.3-inch (FZ82) sensor. The Epson has a resolution of 6 megapixels, whereas the Panasonic provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Panasonic Lumix DC-FZ82? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Epson R-D1 and the Panasonic FZ82 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ82 is somewhat smaller (3 percent) than the Epson R-D1. In this context, it is worth noting that neither the R-D1 nor the FZ82 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ82 has a lens built in, whereas the R-D1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the R-D1 and their specifications in the Leica M Lens Catalog.
The power pack in the FZ82 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | 142 mm | 89 mm | 40 mm | 620 g | .. | n | Mar 2004 | 2,999 | ebay.com | |
2. | Panasonic FZ82 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | 399 | amazon.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | 399 | ebay.com | |
5. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | 899 | ebay.com | |
6. | Leica CL | 131 mm | 78 mm | 45 mm | 403 g | 220 | n | Nov 2017 | 2,795 | ebay.com | |
7. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
8. | Leica X-U Typ 113 | 140 mm | 79 mm | 88 mm | 635 g | 450 | Y | Jan 2016 | 2,950 | ebay.com | |
9. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | 2,850 | ebay.com | |
10. | Leica M9 | 139 mm | 80 mm | 37 mm | 585 g | 550 | n | Sep 2009 | 7,999 | ebay.com | |
11. | Nikon D40 | 124 mm | 94 mm | 64 mm | 522 g | 470 | n | Nov 2006 | 499 | ebay.com | |
12. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | 749 | ebay.com | |
13. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | 899 | ebay.com | |
14. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | 999 | ebay.com | |
15. | Panasonic FT7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | 449 | ebay.com | |
16. | Panasonic TZ90 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
17. | Sony HX350 | 130 mm | 93 mm | 103 mm | 652 g | 300 | n | Dec 2016 | 449 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ82 was launched at a lower price than the R-D1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Panasonic FZ82 a 1/2.3-inch sensor. The sensor area in the FZ82 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the FZ82 offers a 4:3 aspect.
Despite having a smaller sensor, the FZ82 offers a higher resolution of 18 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 7.85μm for the R-D1). However, it should be noted that the FZ82 is much more recent (by 12 years and 9 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ82 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ82 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ82 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inches or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inches or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inches or 41.5 x 31.1 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DC-FZ82 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
In terms of underlying technology, the R-D1 is build around a CCD sensor, while the FZ82 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | APS-C | 6.0 | 3008 | 2000 | none | 21.1 | 10.4 | 564 | 55 | |
2. | Panasonic FZ82 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
5. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
6. | Leica CL | APS-C | 24.1 | 6014 | 4014 | 4K/30p | 24.0 | 13.3 | 1788 | 82 | |
7. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
8. | Leica X-U Typ 113 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.8 | 13.0 | 1614 | 80 | |
9. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
10. | Leica M9 | Full Frame | 18.1 | 5212 | 3472 | none | 22.5 | 11.7 | 884 | 69 | |
11. | Nikon D40 | APS-C | 6.0 | 3008 | 2000 | none | 21.0 | 11.0 | 561 | 56 | |
12. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
13. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
14. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
15. | Panasonic FT7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
16. | Panasonic TZ90 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
17. | Sony HX350 | 1/2.3 | 19.9 | 5152 | 3864 | 1080/60p | 20.5 | 11.9 | 896 | 49 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ82 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the FZ82 can use is 4K/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ82 has an electronic viewfinder (1166k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Epson R-D1, the Panasonic FZ82, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | optical | n | 2.0 / 235 | fixed | n | 1/2000s | 1.0/s | n | n | |
2. | Panasonic FZ82 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
5. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
6. | Leica CL | 2360 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 10.0/s | n | n | |
7. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
8. | Leica X-U Typ 113 | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
9. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
10. | Leica M9 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.0/s | n | n | |
11. | Nikon D40 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
12. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
13. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
14. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
15. | Panasonic FT7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
16. | Panasonic TZ90 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
17. | Sony HX350 | 202 | n | 3.0 / 922 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ82 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ82 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The R-D1 writes its imaging data to SDHC cards, while the FZ82 uses SDXC cards. The FZ82 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Panasonic Lumix DC-FZ82 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | Y | - / - | - | - | - | - | - | - | - | |
2. | Panasonic FZ82 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
6. | Leica CL | Y | stereo / mono | - | - | - | - | Y | - | - | |
7. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
8. | Leica X-U Typ 113 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
9. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Leica M9 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Nikon D40 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
15. | Panasonic FT7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Panasonic TZ90 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
17. | Sony HX350 | - | stereo / mono | - | - | micro | 2.0 | - | - | - |
It is notable that the FZ82 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the R-D1 does not provide wifi capability.
Studio photographers will appreciate that the Epson R-D1 (unlike the FZ82) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ82 is a recent model that features in the current product line-up of Panasonic. In contrast, the R-D1 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the R-D1 from Epson. Further information on the features and operation of the R-D1 and FZ82 can be found, respectively, in the Epson R-D1 Manual (free pdf) or the online Panasonic FZ82 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Epson R-D1 and the Panasonic FZ82? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Epson R-D1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).
Reasons to prefer the Panasonic Lumix DC-FZ82:
- More detail: Has more megapixels (18 vs 6MP), which boosts linear resolution by 69%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 235k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the R-D1 necessitates an extra lens.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R-D1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 12 years and 9 months of technical progress since the R-D1 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ82 is the clear winner of the contest (18 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R-D1 or the FZ82. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | .. | .. | .. | .. | .. | .. | Mar 2004 | 2,999 | ebay.com | |
2. | Panasonic FZ82 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | 399 | amazon.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | 399 | ebay.com | |
5. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | 899 | ebay.com | |
6. | Leica CL | .. | .. | 4.2/5 | .. | .. | 4/5 | Nov 2017 | 2,795 | ebay.com | |
7. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
8. | Leica X-U Typ 113 | 3.5/5 | .. | .. | .. | .. | 3.5/5 | Jan 2016 | 2,950 | ebay.com | |
9. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | 2,850 | ebay.com | |
10. | Leica M9 | .. | .. | .. | .. | 4.5/5 | .. | Sep 2009 | 7,999 | ebay.com | |
11. | Nikon D40 | .. | 81/100 | .. | + + | o | 4.5/5 | Nov 2006 | 499 | ebay.com | |
12. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | 749 | ebay.com | |
13. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | 899 | ebay.com | |
14. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | 999 | ebay.com | |
15. | Panasonic FT7 | .. | + | .. | .. | 3.5/5 | 3.5/5 | May 2018 | 449 | ebay.com | |
16. | Panasonic TZ90 | .. | + + | 4/5 | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
17. | Sony HX350 | .. | .. | .. | .. | .. | 4/5 | Dec 2016 | 449 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Epson R-D1
- Canon G7 X vs Epson R-D1
- Canon SX420 vs Panasonic FZ82
- Epson R-D1 vs Leica C-LUX
- Epson R-D1 vs Leica M8
- Epson R-D1 vs Nikon D2H
- Epson R-D1 vs Ricoh GR III
- Nikon D200 vs Panasonic FZ82
- Olympus E-PL10 vs Panasonic FZ82
- Panasonic FZ82 vs Sony A6000
- Panasonic FZ82 vs Sony A7C
- Panasonic FZ82 vs Sony NEX-5R
Specifications: Epson R-D1 vs Panasonic FZ82
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Epson R-D1 | Panasonic FZ82 |
---|---|---|
Camera Type | Rangefinder camera | Fixed lens compact camera |
Camera Lens | Leica M mount lenses | 20-1200mm f/2.8-5.9 |
Launch Date | March 2004 | January 2017 |
Launch Price | USD 2,999 | USD 399 |
Sensor Specs | Epson R-D1 | Panasonic FZ82 |
Sensor Technology | CCD | BSI-CMOS |
Sensor Format | APS-C Sensor | 1/2.3" Sensor |
Sensor Size | 23.7 x 15.6 mm | 6.17 x 4.55 mm |
Sensor Area | 369.72 mm2 | 28.0735 mm2 |
Sensor Diagonal | 28.4 mm | 7.7 mm |
Crop Factor | 1.5x | 5.6x |
Sensor Resolution | 6 Megapixels | 18 Megapixels |
Image Resolution | 3008 x 2000 pixels | 4896 x 3672 pixels |
Pixel Pitch | 7.85 μm | 1.25 μm |
Pixel Density | 1.63 MP/cm2 | 64.04 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 4K/30p Video |
ISO Setting | 200 - 1,600 ISO | 80 - 3,200 ISO |
ISO Boost | no Enhancement | 80 - 6,400 ISO |
Screen Specs | Epson R-D1 | Panasonic FZ82 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.46x | |
Viewfinder Resolution | 1166k dots | |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 235k dots | 1040k dots |
LCD Attachment | Fixed screen | Fixed screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Epson R-D1 | Panasonic FZ82 |
Focus System | Manual Focus | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/2000s |
Continuous Shooting | 1 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Epson R-D1 | Panasonic FZ82 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | no USB | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Epson R-D1 | Panasonic FZ82 |
Battery Type | Epson EU-85 | Panasonic DMW-BMB9 |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
142 x 89 x 40 mm (5.6 x 3.5 x 1.6 in) |
130 x 94 x 119 mm (5.1 x 3.7 x 4.7 in) |
Camera Weight | 620 g (21.9 oz) | 616 g (21.7 oz) |
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