Epson R-D1 vs Panasonic FZ100
The Epson R-D1 and the Panasonic Lumix DMC-FZ100 are two digital cameras that were revealed to the public, respectively, in March 2004 and July 2010. The R-D1 is a rangefinder-focusing mirrorless camera, while the FZ100 is a fixed lens compact. The cameras are based on an APS-C (R-D1) and a 1/2.3-inch (FZ100) sensor. The Epson has a resolution of 6 megapixels, whereas the Panasonic provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Panasonic Lumix DMC-FZ100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Epson R-D1 and the Panasonic FZ100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ100 is notably smaller (20 percent) than the Epson R-D1. In this context, it is worth noting that neither the R-D1 nor the FZ100 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ100 has a lens built in, whereas the R-D1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the R-D1 and their specifications in the Leica M Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | 142 mm | 89 mm | 40 mm | 620 g | .. | n | Mar 2004 | 2,999 | ebay.com | |
2. | Panasonic FZ100 | 124 mm | 82 mm | 92 mm | 540 g | 410 | n | Jul 2010 | 499 | ebay.com | |
3. | Canon SX30 | 123 mm | 92 mm | 108 mm | 601 g | 370 | n | Sep 2010 | 429 | ebay.com | |
4. | Canon SX40 | 123 mm | 92 mm | 108 mm | 600 g | 380 | n | Sep 2011 | 429 | ebay.com | |
5. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
6. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | 899 | ebay.com | |
7. | Leica CL | 131 mm | 78 mm | 45 mm | 403 g | 220 | n | Nov 2017 | 2,795 | ebay.com | |
8. | Leica M9 | 139 mm | 80 mm | 37 mm | 585 g | 550 | n | Sep 2009 | 7,999 | ebay.com | |
9. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
10. | Leica X Vario | 133 mm | 73 mm | 95 mm | 680 g | 450 | n | Jun 2013 | 2,850 | ebay.com | |
11. | Leica X-U Typ 113 | 140 mm | 79 mm | 88 mm | 635 g | 450 | Y | Jan 2016 | 2,950 | ebay.com | |
12. | Nikon D40 | 124 mm | 94 mm | 64 mm | 522 g | 470 | n | Nov 2006 | 499 | ebay.com | |
13. | Nikon D50 | 133 mm | 102 mm | 76 mm | 620 g | 400 | n | Apr 2005 | 749 | ebay.com | |
14. | Nikon D70 | 140 mm | 111 mm | 78 mm | 679 g | 400 | n | Jan 2004 | 999 | ebay.com | |
15. | Nikon D70s | 140 mm | 111 mm | 78 mm | 679 g | 500 | n | Apr 2005 | 899 | ebay.com | |
16. | Panasonic FZ150 | 124 mm | 82 mm | 92 mm | 528 g | 410 | n | Aug 2011 | 499 | ebay.com | |
17. | Panasonic FZ200 | 125 mm | 87 mm | 110 mm | 588 g | 540 | n | Jul 2012 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The FZ100 was launched at a lower price than the R-D1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Panasonic FZ100 a 1/2.3-inch sensor. The sensor area in the FZ100 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the FZ100 offers a 4:3 aspect.
Despite having a smaller sensor, the FZ100 offers a higher resolution of 14 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.41μm versus 7.85μm for the R-D1). However, it should be noted that the FZ100 is much more recent (by 6 years and 4 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ100 for good quality output (200 dots per inch) amounts to 21.6 x 16.2 inches or 54.9 x 41.1 cm, for very good quality (250 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm, and for excellent quality (300 dpi) 14.4 x 10.8 inches or 36.6 x 27.4 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ100 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-6400.
In terms of underlying technology, the R-D1 is build around a CCD sensor, while the FZ100 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | APS-C | 6.0 | 3008 | 2000 | none | 21.1 | 10.4 | 564 | 55 | |
2. | Panasonic FZ100 | 1/2.3 | 14.0 | 4320 | 3240 | 1080/60i | 19.4 | 10.7 | 306 | 39 | |
3. | Canon SX30 | 1/2.3 | 14.0 | 4320 | 3240 | 720/30p | 19.4 | 10.7 | 320 | 39 | |
4. | Canon SX40 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/24p | 19.6 | 10.9 | 409 | 41 | |
5. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
6. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
7. | Leica CL | APS-C | 24.1 | 6014 | 4014 | 4K/30p | 24.0 | 13.3 | 1788 | 82 | |
8. | Leica M9 | Full Frame | 18.1 | 5212 | 3472 | none | 22.5 | 11.7 | 884 | 69 | |
9. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
10. | Leica X Vario | APS-C | 16.1 | 4928 | 3272 | 1080/30p | 23.4 | 12.7 | 1320 | 78 | |
11. | Leica X-U Typ 113 | APS-C | 16.1 | 4928 | 3264 | 1080/30p | 23.8 | 13.0 | 1614 | 80 | |
12. | Nikon D40 | APS-C | 6.0 | 3008 | 2000 | none | 21.0 | 11.0 | 561 | 56 | |
13. | Nikon D50 | APS-C | 6.0 | 3008 | 2000 | none | 20.9 | 10.8 | 560 | 55 | |
14. | Nikon D70 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
15. | Nikon D70s | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 10.3 | 529 | 50 | |
16. | Panasonic FZ150 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.4 | 10.9 | 132 | 40 | |
17. | Panasonic FZ200 | 1/2.3 | 12.0 | 4000 | 3000 | 1080/60p | 19.1 | 10.8 | 114 | 37 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ100 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the FZ100 can use is 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ100 has an electronic viewfinder (202k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Epson R-D1 and Panasonic FZ100 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | optical | n | 2.0 / 235 | fixed | n | 1/2000s | 1.0/s | n | n | |
2. | Panasonic FZ100 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 11.0/s | Y | Y | |
3. | Canon SX30 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 0.6/s | Y | Y | |
4. | Canon SX40 | 202 | n | 2.7 / 230 | swivel | n | 1/3200s | 10.3/s | Y | Y | |
5. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
6. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
7. | Leica CL | 2360 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 10.0/s | n | n | |
8. | Leica M9 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.0/s | n | n | |
9. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
10. | Leica X Vario | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
11. | Leica X-U Typ 113 | optional | n | 3.0 / 920 | fixed | n | 1/2000s | 5.0/s | Y | n | |
12. | Nikon D40 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.5/s | Y | n | |
13. | Nikon D50 | optical | n | 2.0 / 130 | fixed | n | 1/4000s | 2.5/s | Y | n | |
14. | Nikon D70 | optical | n | 1.8 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
15. | Nikon D70s | optical | n | 2.0 / 130 | fixed | n | 1/8000s | 3.0/s | Y | n | |
16. | Panasonic FZ150 | 202 | n | 3.0 / 460 | swivel | n | 1/2000s | 12.0/s | Y | Y | |
17. | Panasonic FZ200 | 1312 | n | 3.0 / 460 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The FZ100 has one, while the R-D1 does not. While the built-in flash of the FZ100 is not very powerful, it can at times be useful as a fill-in light.
The FZ100 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the R-D1 does not have a selfie-screen.The R-D1 writes its imaging data to SDHC cards, while the FZ100 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Panasonic Lumix DMC-FZ100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | Y | - / - | - | - | - | - | - | - | - | |
2. | Panasonic FZ100 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon SX30 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
4. | Canon SX40 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
5. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
6. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
7. | Leica CL | Y | stereo / mono | - | - | - | - | Y | - | - | |
8. | Leica M9 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
10. | Leica X Vario | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
11. | Leica X-U Typ 113 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
12. | Nikon D40 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Nikon D50 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Nikon D70 | Y | - / - | - | - | - | 1.0 | - | - | - | |
15. | Nikon D70s | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Panasonic FZ150 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic FZ200 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
Studio photographers will appreciate that the Epson R-D1 (unlike the FZ100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R-D1 and the FZ100 have been discontinued, but can regularly be found used on ebay. The FZ100 was replaced by the Panasonic FZ150, while the R-D1 does not have a direct successor. Further information on the features and operation of the R-D1 and FZ100 can be found, respectively, in the Epson R-D1 Manual (free pdf) or the online Panasonic FZ100 Manual.
Review summary
So how do things add up? Which of the two cameras – the Epson R-D1 or the Panasonic FZ100 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Epson R-D1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).
Arguments in favor of the Panasonic Lumix DMC-FZ100:
- More detail: Has more megapixels (14 vs 6MP), which boosts linear resolution by 50%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 235k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 1 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the R-D1 necessitates an extra lens.
- More compact: Is smaller (124x82mm vs 142x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the R-D1).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 4 months of technical progress since the R-D1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FZ100 is the clear winner of the contest (16 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the R-D1 or the FZ100 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Epson R-D1 | .. | .. | .. | .. | .. | .. | Mar 2004 | 2,999 | ebay.com | |
2. | Panasonic FZ100 | .. | + | .. | .. | 4.5/5 | 4.5/5 | Jul 2010 | 499 | ebay.com | |
3. | Canon SX30 | 3/5 | + + | .. | .. | 3.5/5 | 4/5 | Sep 2010 | 429 | ebay.com | |
4. | Canon SX40 | .. | + | .. | .. | 4.5/5 | 4/5 | Sep 2011 | 429 | ebay.com | |
5. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
6. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | 899 | ebay.com | |
7. | Leica CL | .. | .. | 4.2/5 | .. | .. | 4/5 | Nov 2017 | 2,795 | ebay.com | |
8. | Leica M9 | .. | .. | .. | .. | 4.5/5 | .. | Sep 2009 | 7,999 | ebay.com | |
9. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
10. | Leica X Vario | 3/5 | .. | .. | .. | 4/5 | 4/5 | Jun 2013 | 2,850 | ebay.com | |
11. | Leica X-U Typ 113 | 3.5/5 | .. | .. | .. | .. | 3.5/5 | Jan 2016 | 2,950 | ebay.com | |
12. | Nikon D40 | .. | 81/100 | .. | + + | o | 4.5/5 | Nov 2006 | 499 | ebay.com | |
13. | Nikon D50 | .. | 78/100 | .. | + + | 4/5 | 4.5/5 | Apr 2005 | 749 | ebay.com | |
14. | Nikon D70 | .. | .. | .. | + + | .. | .. | Jan 2004 | 999 | ebay.com | |
15. | Nikon D70s | .. | .. | .. | .. | .. | 5/5 | Apr 2005 | 899 | ebay.com | |
16. | Panasonic FZ150 | 3/5 | + + | .. | 76/100 | 4/5 | 4.5/5 | Aug 2011 | 499 | ebay.com | |
17. | Panasonic FZ200 | 3/5 | + + | .. | 80/100 | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Epson R-D1 vs Fujifilm X-H2
- Epson R-D1 vs Panasonic ZS70
- Epson R-D1 vs Panasonic ZS80
- Epson R-D1 vs Pentax 645D
- Epson R-D1 vs Pentax K-5
- Epson R-D1 vs Sony RX0
- Nikon B600 vs Panasonic FZ100
- Nikon Coolpix A vs Panasonic FZ100
- Panasonic FZ100 vs Panasonic FZ150
- Panasonic FZ100 vs Panasonic LX10
- Panasonic FZ100 vs Sony A3000
- Panasonic FZ100 vs Zeiss ZX1
Specifications: Epson R-D1 vs Panasonic FZ100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Epson R-D1 | Panasonic FZ100 |
---|---|---|
Camera Type | Rangefinder camera | Fixed lens compact camera |
Camera Lens | Leica M mount lenses | 25-600mm f/2.8-5.2 |
Launch Date | March 2004 | July 2010 |
Launch Price | USD 2,999 | USD 499 |
Sensor Specs | Epson R-D1 | Panasonic FZ100 |
Sensor Technology | CCD | CMOS |
Sensor Format | APS-C Sensor | 1/2.3" Sensor |
Sensor Size | 23.7 x 15.6 mm | 6.17 x 4.55 mm |
Sensor Area | 369.72 mm2 | 28.0735 mm2 |
Sensor Diagonal | 28.4 mm | 7.7 mm |
Crop Factor | 1.5x | 5.6x |
Sensor Resolution | 6 Megapixels | 14 Megapixels |
Image Resolution | 3008 x 2000 pixels | 4320 x 3240 pixels |
Pixel Pitch | 7.85 μm | 1.41 μm |
Pixel Density | 1.63 MP/cm2 | 49.86 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 1080/60i Video |
ISO Setting | 200 - 1,600 ISO | 100 - 1,600 ISO |
ISO Boost | no Enhancement | 100 - 6,400 ISO |
Screen Specs | Epson R-D1 | Panasonic FZ100 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Resolution | 202k dots | |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 235k dots | 460k dots |
LCD Attachment | Fixed screen | Swivel screen |
Shooting Specs | Epson R-D1 | Panasonic FZ100 |
Focus System | Manual Focus | Contrast-detect AF |
Continuous Shooting | 1 shutter flaps/s | 11 shutter flaps/s |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | no |
Connectivity Specs | Epson R-D1 | Panasonic FZ100 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | no USB | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Epson R-D1 | Panasonic FZ100 |
Battery Type | Epson EU-85 | Panasonic DMW-BMB9 |
Body Dimensions |
142 x 89 x 40 mm (5.6 x 3.5 x 1.6 in) |
124 x 82 x 92 mm (4.9 x 3.2 x 3.6 in) |
Camera Weight | 620 g (21.9 oz) | 540 g (19.0 oz) |
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