Epson R-D1 vs Olympus E-520

The Epson R-D1 and the Olympus E-520 are two digital cameras that were revealed to the public, respectively, in March 2004 and May 2008. The R-D1 is a rangefinder-focusing mirrorless camera, while the E-520 is a DSLR. The cameras are based on an APS-C (R-D1) and a Four Thirds (E-520) sensor. The Epson has a resolution of 6 megapixels, whereas the Olympus provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Epson R-D1		Olympus E-520
Rangefinder camera		Digital single lens reflex
Leica M mount lenses		Four Thirds lenses
6 MP – APS-C sensor		10 MP – Four Thirds sensor
no Video		no Video
ISO 200-1,600		ISO 100-1,600
Optical viewfinder		Optical viewfinder
2.0" LCD – 235k dots		2.7" LCD – 215k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
1 shutter flaps per second		3.5 shutter flaps per second
no shake reduction		In-body stabilization
142 x 89 x 40 mm, 620 g		136 x 92 x 68 mm, 535 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Olympus E-520? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Epson R-D1 and the Olympus E-520 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-520 is somewhat smaller (1 percent) than the Epson R-D1. Moreover, the E-520 is markedly lighter (14 percent) than the R-D1. In this context, it is worth noting that neither the R-D1 nor the E-520 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Leica M Lens Catalog (R-D1) and the Four Thirds Lens Catalog (E-520).

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Epson R-D1	142 mm	89 mm	40 mm	620 g	..	n	Mar 2004	2,999	ebay.com
2.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
3.		Canon Rebel	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	899	ebay.com
4.		Leica CL	131 mm	78 mm	45 mm	403 g	220	n	Nov 2017	2,795	ebay.com
5.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
6.		Leica X-U Typ 113	140 mm	79 mm	88 mm	635 g	450	Y	Jan 2016	2,950	ebay.com
7.		Leica X Vario	133 mm	73 mm	95 mm	680 g	450	n	Jun 2013	2,850	ebay.com
8.		Leica M9	139 mm	80 mm	37 mm	585 g	550	n	Sep 2009	7,999	ebay.com
9.		Nikon D40	124 mm	94 mm	64 mm	522 g	470	n	Nov 2006	499	ebay.com
10.		Nikon D50	133 mm	102 mm	76 mm	620 g	400	n	Apr 2005	749	ebay.com
11.		Nikon D70s	140 mm	111 mm	78 mm	679 g	500	n	Apr 2005	899	ebay.com
12.		Nikon D70	140 mm	111 mm	78 mm	679 g	400	n	Jan 2004	999	ebay.com
13.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
14.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
15.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
16.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
17.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-520 was launched at a markedly lower price (by 77 percent) than the R-D1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Epson R-D1 features an APS-C sensor and the Olympus E-520 a Four Thirds sensor. The sensor area in the E-520 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the R-D1 has a native 3:2 aspect ratio, while the one in the E-520 offers a 4:3 aspect.

Despite having a smaller sensor, the E-520 offers a higher resolution of 10 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.74μm versus 7.85μm for the R-D1). However, it should be noted that the E-520 is much more recent (by 4 years and 2 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Olympus E-520 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-520 for good quality output (200 dots per inch) amounts to 18.2 x 13.7 inches or 46.3 x 34.7 cm, for very good quality (250 dpi) 14.6 x 10.9 inches or 37.1 x 27.8 cm, and for excellent quality (300 dpi) 12.2 x 9.1 inches or 30.9 x 23.2 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.

The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Olympus E-520 are ISO 100 to ISO 1600 (no boost).

In terms of underlying technology, the R-D1 is build around a CCD sensor, while the E-520 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Epson R-D1	APS-C	6.0	3008	2000	none	21.1	10.4	564	55
2.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
3.		Canon Rebel	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
4.		Leica CL	APS-C	24.1	6014	4014	4K/30p	24.0	13.3	1788	82
5.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
6.		Leica X-U Typ 113	APS-C	16.1	4928	3264	1080/30p	23.8	13.0	1614	80
7.		Leica X Vario	APS-C	16.1	4928	3272	1080/30p	23.4	12.7	1320	78
8.		Leica M9	Full Frame	18.1	5212	3472	none	22.5	11.7	884	69
9.		Nikon D40	APS-C	6.0	3008	2000	none	21.0	11.0	561	56
10.		Nikon D50	APS-C	6.0	3008	2000	none	20.9	10.8	560	55
11.		Nikon D70s	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
12.		Nikon D70	APS-C	6.0	3008	2000	none	20.4	10.3	529	50
13.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
14.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
15.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
16.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
17.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
Note: DXO values in italics represent estimates based on sensor size and age.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The R-D1 and the E-520 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Epson R-D1, the Olympus E-520, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Epson R-D1	optical	n	2.0 / 235	fixed	n	1/2000s	1.0/s	n	n
2.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
3.		Canon Rebel	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
4.		Leica CL	2360	Y	3.0 / 1040	fixed	Y	1/8000s	10.0/s	n	n
5.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
6.		Leica X-U Typ 113	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
7.		Leica X Vario	optional	n	3.0 / 920	fixed	n	1/2000s	5.0/s	Y	n
8.		Leica M9	optical	n	2.5 / 230	fixed	n	1/4000s	2.0/s	n	n
9.		Nikon D40	optical	n	2.5 / 230	fixed	n	1/4000s	2.5/s	Y	n
10.		Nikon D50	optical	n	2.0 / 130	fixed	n	1/4000s	2.5/s	Y	n
11.		Nikon D70s	optical	n	2.0 / 130	fixed	n	1/8000s	3.0/s	Y	n
12.		Nikon D70	optical	n	1.8 / 130	fixed	n	1/8000s	3.0/s	Y	n
13.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
14.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
15.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
16.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
17.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The E-520 has one, while the R-D1 does not. While the built-in flash of the E-520 is not very powerful, it can at times be useful as a fill-in light.

The R-D1 writes its imaging data to SDHC cards, while the E-520 uses Compact Flash or xD Picture cards. The E-520 features dual card slots, which can be very useful in case a memory card fails. In contrast, the R-D1 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Olympus E-520 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Epson R-D1	Y	- / -	-	-	-	-	-	-	-
2.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
3.		Canon Rebel	Y	- / -	-	-	-	1.1	-	-	-
4.		Leica CL	Y	stereo / mono	-	-	-	-	Y	-	-
5.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
6.		Leica X-U Typ 113	Y	stereo / mono	-	-	-	2.0	-	-	-
7.		Leica X Vario	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Leica M9	Y	- / -	-	-	-	2.0	-	-	-
9.		Nikon D40	Y	- / -	-	-	-	2.0	-	-	-
10.		Nikon D50	Y	- / -	-	-	-	2.0	-	-	-
11.		Nikon D70s	Y	- / -	-	-	-	2.0	-	-	-
12.		Nikon D70	Y	- / -	-	-	-	1.0	-	-	-
13.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
15.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
16.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
17.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-

Studio photographers will appreciate that the Epson R-D1 (unlike the E-520) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the R-D1 and the E-520 have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Epson and Olympus. Further information on the features and operation of the R-D1 and E-520 can be found, respectively, in the Epson R-D1 Manual (free pdf) or the online Olympus E-520 Manual.

Review summary

So how do things add up? Is the Epson R-D1 better than the Olympus E-520 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Epson R-D1:

• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been available for much longer (launched in March 2004).

Reasons to prefer the Olympus E-520:

• More detail: Has more megapixels (10 vs 6MP), which boosts linear resolution by 26%.
• Larger screen: Has a bigger rear LCD (2.7" vs 2.0") for image review and settings control.
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Faster burst: Shoots at higher frequency (3.5 vs 1 flaps/sec) to capture the decisive moment.
• Less heavy: Has a lower weight (by 85g or 14 percent) and is thus easier to take along.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was introduced into a lower priced category (77 percent cheaper at launch).
• More modern: Reflects 4 years and 2 months of technical progress since the R-D1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the E-520 is the clear winner of the contest (10 : 2 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the R-D1 and the E-520 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Epson R-D1	..	..	..	..	..	..	Mar 2004	2,999	ebay.com
2.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
3.		Canon Rebel	..	..	..	+ +	..	..	Aug 2003	899	ebay.com
4.		Leica CL	..	..	4.2/5	..	..	4/5	Nov 2017	2,795	ebay.com
5.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
6.		Leica X-U Typ 113	3.5/5	..	..	..	..	3.5/5	Jan 2016	2,950	ebay.com
7.		Leica X Vario	3/5	..	..	..	4/5	4/5	Jun 2013	2,850	ebay.com
8.		Leica M9	..	..	..	..	4.5/5	..	Sep 2009	7,999	ebay.com
9.		Nikon D40	..	81/100	..	+ +	o	4.5/5	Nov 2006	499	ebay.com
10.		Nikon D50	..	78/100	..	+ +	4/5	4.5/5	Apr 2005	749	ebay.com
11.		Nikon D70s	..	..	..	..	..	5/5	Apr 2005	899	ebay.com
12.		Nikon D70	..	..	..	+ +	..	..	Jan 2004	999	ebay.com
13.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
14.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
15.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
16.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
17.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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