Epson R-D1 vs Fujifilm X-T20
The Epson R-D1 and the Fujifilm X-T20 are two digital cameras that were officially introduced, respectively, in March 2004 and January 2017. The R-D1 is a rangefinder-focusing mirrorless, while the X-T20 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Epson has a resolution of 6 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Epson R-D1 and the Fujifilm X-T20? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Epson R-D1 and the Fujifilm X-T20 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-T20 can be obtained in two different colors (black, silver), while the R-D1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T20 is notably smaller (23 percent) than the Epson R-D1. Moreover, the X-T20 is substantially lighter (38 percent) than the R-D1. In this context, it is worth noting that neither the R-D1 nor the X-T20 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Leica M Lens Catalog (R-D1) and the Fujinon X Lens Catalog (X-T20).
The power pack in the X-T20 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Epson R-D1||142 mm||89 mm||40 mm||620 g||..||n||Mar 2004||2,999|
|2.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|3.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|4.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|5.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|6.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|7.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|8.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|9.||Leica CL||131 mm||78 mm||45 mm||403 g||220||n||Nov 2017||2,795|
|10.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|11.||Leica X-U Typ 113||140 mm||79 mm||88 mm||635 g||450||Y||Jan 2016||2,950|
|12.||Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|13.||Leica M9||139 mm||80 mm||37 mm||585 g||..||n||Sep 2009||7,999|
|14.||Nikon D40||124 mm||94 mm||64 mm||522 g||470||n||Nov 2006||499|
|15.||Nikon D50||133 mm||102 mm||76 mm||620 g||400||n||Apr 2005||749|
|16.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899|
|17.||Nikon D70||140 mm||111 mm||78 mm||679 g||400||n||Jan 2004||999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T20 was launched at a markedly lower price (by 70 percent) than the R-D1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-T20 is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the X-T20 offers a higher resolution of 24 megapixels, compared with 6 MP of the R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 7.85μm for the R-D1). However, it should be noted that the X-T20 is much more recent (by 12 years and 10 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-T20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-T20 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T20 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The X-T20 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Epson R-D1 has a native sensitivity range from ISO 200 to ISO 1600. The corresponding ISO settings for the Fujifilm X-T20 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|10.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|11.||Leica X-U Typ 113||APS-C||16.1||4928||3264||1080/30p||23.8||13.0||1614||80|
|12.||Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|13.||Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The X-T20 indeed provides for movie recording, while the R-D1 does not. The highest resolution format that the X-T20 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-T20 has an electronic viewfinder (2360k dots), while the R-D1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Epson R-D1, the Fujifilm X-T20, and comparable cameras.
|1.||Epson R-D1||optical||n||2.0 / 235||fixed||n||1/2000s||1.0/s||n||n|
|2.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|3.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|4.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|6.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|7.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|8.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|9.||Leica CL||2360||Y||3.0 / 1040||fixed||Y||1/8000s||10.0/s||n||n|
|10.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|11.||Leica X-U Typ 113||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|12.||Leica X Vario||optional||n||3.0 / 920||fixed||n||1/2000s||5.0/s||Y||n|
|13.||Leica M9||optical||n||2.5 / 230||fixed||n||1/4000s||2.0/s||n||n|
|14.||Nikon D40||optical||n||2.5 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|15.||Nikon D50||optical||n||2.0 / 130||fixed||n||1/4000s||2.5/s||Y||n|
|16.||Nikon D70s||optical||n||2.0 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|17.||Nikon D70||optical||n||1.8 / 130||fixed||n||1/8000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-T20 has a touchscreen, while the R-D1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-T20 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T20 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The R-D1 writes its imaging data to SDHC cards, while the X-T20 uses SDXC cards. The X-T20 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the R-D1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Epson R-D1 and Fujifilm X-T20 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Epson R-D1||Y||- / -||-||-||-||-||-||-||-|
|2.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|4.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Leica CL||Y||stereo / mono||-||-||-||-||Y||-||-|
|10.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|11.||Leica X-U Typ 113||Y||stereo / mono||-||-||-||2.0||-||-||-|
|12.||Leica X Vario||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Leica M9||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Nikon D40||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Nikon D50||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Nikon D70s||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Nikon D70||Y||- / -||-||-||-||1.0||-||-||-|
It is notable that the X-T20 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the R-D1 does not provide wifi capability.
Studio photographers will appreciate that the Epson R-D1 (unlike the X-T20) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the R-D1 and the X-T20 have been discontinued, but can regularly be found used on eBay. The X-T20 was replaced by the Fujifilm X-T100, while the R-D1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Epson and Fujifilm websites.
So what is the bottom line? Is there a clear favorite between the Epson R-D1 and the Fujifilm X-T20? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Epson R-D1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2004).
Arguments in favor of the Fujifilm X-T20:
- More detail: Has more megapixels (24 vs 6MP), which boosts linear resolution by 100%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 235k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (118x83mm vs 142x89mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 237g or 38 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (70 percent cheaper at launch).
- More modern: Reflects 12 years and 10 months of technical progress since the R-D1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the X-T20 is the clear winner of the contest (21 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the R-D1 or the X-T20. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Epson R-D1||..||..||..||..||..||..||Mar 2004||2,999|
|2.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|3.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|4.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|5.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|6.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599|
|7.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|8.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|9.||Leica CL||..||..||4.2/5||..||..||4/5||Nov 2017||2,795|
|10.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|11.||Leica X-U Typ 113||3.5/5||..||..||..||..||3.5/5||Jan 2016||2,950|
|12.||Leica X Vario||3/5||..||..||..||4/5||4/5||Jun 2013||2,850|
|13.||Leica M9||..||..||..||..||4.5/5||..||Sep 2009||7,999|
|14.||Nikon D40||..||81/100||..||+ +||o||4.5/5||Nov 2006||499|
|15.||Nikon D50||..||78/100||..||+ +||4/5||4.5/5||Apr 2005||749|
|16.||Nikon D70s||..||..||..||..||..||5/5||Apr 2005||899|
|17.||Nikon D70||..||..||..||+ +||..||..||Jan 2004||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark III vs Epson R-D1
- Canon T3i vs Fujifilm X-T20
- Epson R-D1 vs Leica M Typ 262
- Epson R-D1 vs Olympus E-1
- Epson R-D1 vs Panasonic G1
- Epson R-D1 vs Panasonic GX1
- Epson R-D1 vs Sony A900
- Fujifilm X-T20 vs Nikon P950
- Fujifilm X-T20 vs Sony A1
- Fujifilm X-T20 vs Sony A7 III
- Fujifilm X-T20 vs Sony HX350
- Fujifilm X-T20 vs Sony RX10 II
Specifications: Epson R-D1 vs Fujifilm X-T20
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Epson R-D1||Fujifilm X-T20|
|Camera Type||Rangefinder camera||Mirrorless system camera|
|Camera Lens||Leica M mount lenses||Fujifilm X mount lenses|
|Launch Date||March 2004||January 2017|
|Launch Price||USD 2,999||USD 899|
|Sensor Specs||Epson R-D1||Fujifilm X-T20|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.7 x 15.6 mm||23.6 x 15.6 mm|
|Sensor Area||369.72 mm2||368.16 mm2|
|Sensor Diagonal||28.4 mm||28.3 mm|
|Sensor Resolution||6 Megapixels||24 Megapixels|
|Image Resolution||3008 x 2000 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.85 μm||3.92 μm|
|Pixel Density||1.63 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||200 - 1,600 ISO||200 - 12,800 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|Screen Specs||Epson R-D1||Fujifilm X-T20|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||235k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Epson R-D1||Fujifilm X-T20|
|Focus System||Manual Focus||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||1 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Epson R-D1||Fujifilm X-T20|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||no USB||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Epson R-D1||Fujifilm X-T20|
|In-Camera Charging||no USB charging||USB charging|
142 x 89 x 40 mm
(5.6 x 3.5 x 1.6 in)
118 x 83 x 41 mm
(4.6 x 3.3 x 1.6 in)
|Camera Weight||620 g (21.9 oz)||383 g (13.5 oz)|
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