Contax N Digital vs Panasonic G5
The Contax N Digital and the Panasonic Lumix DMC-G5 are two digital cameras that were revealed to the public, respectively, in February 2002 and July 2012. The N Digital is a DSLR, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (N Digital) and a Four Thirds (G5) sensor. The Contax has a resolution of 6.1 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Contax N Digital and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Contax N Digital and the Panasonic G5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the N Digital is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is considerably smaller (53 percent) than the Contax N Digital. Moreover, the G5 is substantially lighter (60 percent) than the N Digital. In this context, it is worth noting that neither the N Digital nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
As can be seen in the images above, the N Digital has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | 152 mm | 138 mm | 80 mm | 990 g | 100 | n | Feb 2002 | 7,399 | ebay.com | |
2. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
3. | Canon 10D | 150 mm | 107 mm | 75 mm | 850 g | 500 | n | Feb 2003 | 1,999 | ebay.com | |
4. | Canon 300D | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | 899 | ebay.com | |
5. | Canon D60 | 150 mm | 107 mm | 75 mm | 855 g | 620 | n | Feb 2002 | 2,999 | ebay.com | |
6. | Canon XC10 | 125 mm | 102 mm | 122 mm | 1040 g | 370 | n | Apr 2015 | 2,499 | ebay.com | |
7. | Leica M9 | 139 mm | 80 mm | 37 mm | 585 g | 550 | n | Sep 2009 | 7,999 | ebay.com | |
8. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
9. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
10. | Nikon D1X | 157 mm | 153 mm | 85 mm | 1100 g | 1200 | Y | Feb 2001 | 5,999 | ebay.com | |
11. | Nikon D100 | 144 mm | 116 mm | 81 mm | 780 g | 370 | n | Feb 2002 | 1,999 | ebay.com | |
12. | Panasonic FZ1000 | 137 mm | 99 mm | 131 mm | 831 g | 360 | n | Jun 2014 | 899 | ebay.com | |
13. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
14. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
15. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
16. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
17. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5 was launched at a markedly lower price (by 92 percent) than the N Digital, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Contax N Digital features a full frame sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the N Digital has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.
Despite having a smaller sensor, the G5 offers a higher resolution of 15.9 megapixels, compared with 6.1 MP of the N Digital. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 11.90μm for the N Digital). However, it should be noted that the G5 is much more recent (by 10 years and 4 months) than the N Digital, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic G5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Contax N Digital are 15.2 x 10 inches or 38.6 x 25.5 cm for good quality, 12.2 x 8 inches or 30.9 x 20.4 cm for very good quality, and 10.1 x 6.7 inches or 25.7 x 17 cm for excellent quality prints.
The Contax N Digital has a native sensitivity range from ISO 50 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
In terms of underlying technology, the N Digital is build around a CCD sensor, while the G5 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | Full Frame | 6.1 | 3040 | 2008 | none | 21.5 | 10.5 | 1283 | 59 | |
2. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
3. | Canon 10D | APS-C | 6.3 | 3072 | 2048 | none | 21.1 | 10.9 | 571 | 57 | |
4. | Canon 300D | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
5. | Canon D60 | APS-C | 6.3 | 3072 | 2048 | none | 20.3 | 9.8 | 301 | 47 | |
6. | Canon XC10 | 1-inch | 12.0 | 4000 | 3000 | 4K/30p | 21.7 | 11.8 | 197 | 61 | |
7. | Leica M9 | Full Frame | 18.1 | 5212 | 3472 | none | 22.5 | 11.7 | 884 | 69 | |
8. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
9. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
10. | Nikon D1X | APS-C | 5.9 | 3008 | 1960 | none | .. | .. | .. | .. | |
11. | Nikon D100 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 9.9 | 394 | 48 | |
12. | Panasonic FZ1000 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 11.7 | 517 | 64 | |
13. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
14. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
15. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
16. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
17. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The G5 indeed provides for movie recording, while the N Digital does not. The highest resolution format that the G5 can use is 1080/60p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), while the N Digital has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G5 offers a wider field of view (100%) than the one in the N Digital (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the N Digital has a higher magnification (0.73x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Contax N Digital and Panasonic G5 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | optical | Y | 2.0 / 200 | fixed | n | 1/8000s | 4.0/s | n | n | |
2. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
3. | Canon 10D | optical | Y | 1.8 / 118 | fixed | n | 1/4000s | 3.0/s | Y | n | |
4. | Canon 300D | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
5. | Canon D60 | optical | Y | 1.8 / 114 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Canon XC10 | none | n | 3.0 / 1030 | tilting | Y | 1/2000s | 3.8/s | n | Y | |
7. | Leica M9 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.0/s | n | n | |
8. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
9. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
10. | Nikon D1X | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 3.0/s | n | n | |
11. | Nikon D100 | optical | Y | 1.8 / 118 | fixed | n | 1/4000s | 3.0/s | Y | n | |
12. | Panasonic FZ1000 | 2359 | n | 3.0 / 921 | swivel | n | 1/4000s | 12.0/s | Y | Y | |
13. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
14. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
15. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
16. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
17. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the N Digital, but is missing on the G5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The G5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the N Digital does not have a selfie-screen.The N Digital writes its imaging data to Compact Flash cards, while the G5 uses SDXC cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Contax N Digital and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | Y | - / - | - | - | - | FW | - | - | - | |
2. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
3. | Canon 10D | Y | - / - | - | - | - | 1.1 | - | - | - | |
4. | Canon 300D | Y | - / - | - | - | - | 1.1 | - | - | - | |
5. | Canon D60 | Y | - / - | - | - | - | 1.1 | - | - | - | |
6. | Canon XC10 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | Y | - | |
7. | Leica M9 | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
9. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
10. | Nikon D1X | Y | - / - | - | - | - | FW | - | - | - | |
11. | Nikon D100 | Y | - / - | - | - | - | 1.1 | - | - | - | |
12. | Panasonic FZ1000 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - | |
13. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
14. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
15. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
16. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
Studio photographers will appreciate that the Contax N Digital (unlike the G5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the N Digital and the G5 have been discontinued, but can regularly be found used on ebay. The G5 was replaced by the Panasonic G6, while the N Digital does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Contax and Panasonic websites.
Review summary
So how do things add up? Is there a clear favorite between the Contax N Digital and the Panasonic G5? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Contax N Digital:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2002).
Advantages of the Panasonic Lumix DMC-G5:
- More detail: Has more megapixels (15.9 vs 6.1MP), which boosts linear resolution by 58%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 200k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x83mm vs 152x138mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 594g or 60 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (320 versus 100) out of a single battery charge.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More modern: Reflects 10 years and 4 months of technical progress since the N Digital launch.
If the number of relative strengths (bullet points above) is taken as a guide, the G5 is the clear winner of the contest (17 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Contax N Digital and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the N Digital or the G5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | .. | .. | .. | .. | .. | .. | Feb 2002 | 7,399 | ebay.com | |
2. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
3. | Canon 10D | .. | .. | .. | + + | .. | .. | Feb 2003 | 1,999 | ebay.com | |
4. | Canon 300D | .. | .. | .. | + + | .. | .. | Aug 2003 | 899 | ebay.com | |
5. | Canon D60 | .. | .. | .. | + + | o | .. | Feb 2002 | 2,999 | ebay.com | |
6. | Canon XC10 | .. | .. | .. | 80/100 | .. | .. | Apr 2015 | 2,499 | ebay.com | |
7. | Leica M9 | .. | .. | .. | .. | 4.5/5 | .. | Sep 2009 | 7,999 | ebay.com | |
8. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
9. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
10. | Nikon D1X | .. | .. | .. | + + | .. | .. | Feb 2001 | 5,999 | ebay.com | |
11. | Nikon D100 | .. | .. | .. | + + | o | .. | Feb 2002 | 1,999 | ebay.com | |
12. | Panasonic FZ1000 | 4/5 | + + | .. | 82/100 | 4.5/5 | 4.5/5 | Jun 2014 | 899 | ebay.com | |
13. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
14. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
15. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
16. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
17. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G15 vs Contax N Digital
- Canon M50 Mark II vs Panasonic G5
- Canon R vs Panasonic G5
- Canon SL1 vs Panasonic G5
- Canon SX60 vs Panasonic G5
- Canon T100 vs Contax N Digital
- Canon T7 vs Contax N Digital
- Contax N Digital vs Panasonic ZS200
- Contax N Digital vs Sony A6500
- Contax N Digital vs Sony NEX-5N
- Nikon 1 J5 vs Panasonic G5
- Olympus E-PL6 vs Panasonic G5
Specifications: Contax N Digital vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Contax N Digital | Panasonic G5 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Contax N mount lenses | Micro Four Thirds lenses |
Launch Date | February 2002 | July 2012 |
Launch Price | USD 7,399 | USD 599 |
Sensor Specs | Contax N Digital | Panasonic G5 |
Sensor Technology | CCD | CMOS |
Sensor Format | Full Frame Sensor | Four Thirds Sensor |
Sensor Size | 36.0 x 24.0 mm | 17.3 x 13.0 mm |
Sensor Area | 864 mm2 | 224.9 mm2 |
Sensor Diagonal | 43.3 mm | 21.6 mm |
Crop Factor | 1.0x | 2.0x |
Sensor Resolution | 6.1 Megapixels | 15.9 Megapixels |
Image Resolution | 3040 x 2008 pixels | 4608 x 3456 pixels |
Pixel Pitch | 11.90 μm | 3.76 μm |
Pixel Density | 0.71 MP/cm2 | 7.08 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 50 - 1,600 ISO | 160 - 12,800 ISO |
DXO Sensor Quality (score) | .. | 61 |
DXO Color Depth (bits) | .. | 21.4 |
DXO Dynamic Range (EV) | .. | 11.6 |
DXO Low Light (ISO) | .. | 618 |
Screen Specs | Contax N Digital | Panasonic G5 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.73x | 0.70x |
Viewfinder Resolution | 1440k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.0inch |
LCD Resolution | 200k dots | 920k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Contax N Digital | Panasonic G5 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 4 shutter flaps/s | 6 shutter flaps/s |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
Connectivity Specs | Contax N Digital | Panasonic G5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | Firewire | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Wifi Support | no Wifi | no Wifi |
Body Specs | Contax N Digital | Panasonic G5 |
Battery Type | Contax 4xAA | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 100 shots per charge | 320 shots per charge |
Body Dimensions |
152 x 138 x 80 mm (6.0 x 5.4 x 3.1 in) |
120 x 83 x 71 mm (4.7 x 3.3 x 2.8 in) |
Camera Weight | 990 g (34.9 oz) | 396 g (14.0 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.