Contax N Digital vs Panasonic FZ300
The Contax N Digital and the Panasonic Lumix DMC-FZ300 (labelled Panasonic FZ330 in some countries) are two digital cameras that were revealed to the public, respectively, in February 2002 and July 2015. The N Digital is a DSLR, while the FZ300 is a fixed lens compact. The cameras are based on a full frame (N Digital) and a 1/2.3-inch (FZ300) sensor. The Contax has a resolution of 6.1 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Contax N Digital and the Panasonic Lumix DMC-FZ300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Contax N Digital and the Panasonic FZ300. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ300 is considerably smaller (42 percent) than the Contax N Digital. It is noteworthy in this context that the FZ300 is splash and dust-proof, while the N Digital does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ300 has a lens built in, whereas the N Digital is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
As can be seen in the images above, the N Digital has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Contax N Digital||152 mm||138 mm||80 mm||990 g||100||n||Feb 2002||7,399|
|2.||Panasonic FZ300||132 mm||92 mm||117 mm||691 g||380||Y||Jul 2015||599|
|3.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|4.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999|
|5.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|6.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|7.||Canon D60||150 mm||107 mm||75 mm||855 g||620||n||Feb 2002||2,999|
|8.||Leica M10-P||139 mm||80 mm||39 mm||660 g||210||Y||Aug 2018||7,995|
|9.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|10.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|11.||Leica M9||139 mm||80 mm||37 mm||585 g||..||n||Sep 2009||7,999|
|12.||Nikon D100||144 mm||116 mm||81 mm||780 g||370||n||Feb 2002||1,999|
|13.||Nikon D1X||157 mm||153 mm||85 mm||1100 g||1200||Y||Feb 2001||5,999|
|14.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|15.||Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|16.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|17.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The FZ300 was launched at a lower price than the N Digital, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Contax N Digital features a full frame sensor and the Panasonic FZ300 a 1/2.3-inch sensor. The sensor area in the FZ300 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the N Digital has a native 3:2 aspect ratio, while the one in the FZ300 offers a 4:3 aspect.
Despite having a smaller sensor, the FZ300 offers a higher resolution of 12 megapixels, compared with 6.1 MP of the N Digital. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 11.90μm for the N Digital). However, it should be noted that the FZ300 is much more recent (by 13 years and 4 months) than the N Digital, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ300 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Contax N Digital are 15.2 x 10 inches or 38.6 x 25.5 cm for good quality, 12.2 x 8 inches or 30.9 x 20.4 cm for very good quality, and 10.1 x 6.7 inches or 25.7 x 17 cm for excellent quality prints.
The Contax N Digital has a native sensitivity range from ISO 50 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ300 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Contax N Digital||Full Frame||6.1||3040||2008||none||21.5||10.5||1283||59|
|6.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|8.||Leica M10-P||Full Frame||23.8||5952||3992||none||25.1||14.1||2739||93|
|9.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|10.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|11.||Leica M9||Full Frame||18.1||5212||3472||none||22.5||11.7||884||69|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ300 indeed provides for movie recording, while the N Digital does not. The highest resolution format that the FZ300 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ300 has an electronic viewfinder (1440k dots), while the N Digital has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ300 offers a wider field of view (100%) than the one in the N Digital (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the N Digital has a higher magnification (0.73x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Contax N Digital and Panasonic FZ300 in connection with corresponding information for a sample of similar cameras.
|1.||Contax N Digital||optical||Y||2.0 / 200||fixed||n||1/8000s||4.0/s||n||n|
|2.||Panasonic FZ300||1440||n||3.0 / 1040||swivel||Y||1/4000s||12.0/s||Y||Y|
|3.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|4.||Canon 10D||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|6.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0/s||n||n|
|7.||Canon D60||optical||Y||1.8 / 114||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Leica M10-P||optical||n||3.0 / 1037||fixed||Y||1/4000s||5.0/s||n||n|
|9.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0/s||n||n|
|10.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0/s||n||n|
|11.||Leica M9||optical||n||2.5 / 230||fixed||n||1/4000s||2.0/s||n||n|
|12.||Nikon D100||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Nikon D1X||optical||Y||2.0 / 120||fixed||n||1/16000s||3.0/s||n||n|
|14.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|15.||Panasonic FZ150||202||n||3.0 / 460||swivel||n||1/2000s||12.0/s||Y||Y|
|16.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|17.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the N Digital, but is missing on the FZ300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ300 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the N Digital does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The N Digital writes its imaging data to Compact Flash cards, while the FZ300 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Contax N Digital and Panasonic Lumix DMC-FZ300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Contax N Digital||Y||- / -||-||-||-||FW||-||-||-|
|2.||Panasonic FZ300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon 10D||Y||- / -||-||-||-||1.1||-||-||-|
|5.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|6.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|7.||Canon D60||Y||- / -||-||-||-||1.1||-||-||-|
|8.||Leica M10-P||Y||- / -||-||-||-||-||Y||-||-|
|9.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|10.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|11.||Leica M9||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Nikon D100||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Nikon D1X||Y||- / -||-||-||-||FW||-||-||-|
|14.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Panasonic FZ150||Y||stereo / -||-||-||mini||2.0||-||-||-|
|16.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the N Digital does not provide wifi capability.
Studio photographers will appreciate that the Contax N Digital (unlike the FZ300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ300 is a recent model that features in the current product line-up of Panasonic. In contrast, the N Digital has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the N Digital from Contax. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Contax and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Contax N Digital and the Panasonic FZ300? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Contax N Digital:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2002).
Advantages of the Panasonic Lumix DMC-FZ300:
- More detail: Has more megapixels (12 vs 6.1MP), which boosts linear resolution by 37%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 200k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the N Digital requires a separate lens.
- More compact: Is smaller (132x92mm vs 152x138mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the N Digital).
- Longer lasting: Gets more shots (380 versus 100) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 13 years and 4 months of technical progress since the N Digital launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ300 is the clear winner of the contest (23 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Contax N Digital and the Panasonic FZ300 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the N Digital and the FZ300 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Contax N Digital||..||..||..||..||..||..||Feb 2002||7,399|
|2.||Panasonic FZ300||..||+ +||..||..||4.5/5||4.5/5||Jul 2015||599|
|3.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549|
|4.||Canon 10D||..||..||..||+ +||..||..||Feb 2003||1,999|
|5.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|6.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999|
|7.||Canon D60||..||..||..||+ +||o||..||Feb 2002||2,999|
|8.||Leica M10-P||..||..||3/5||..||..||4/5||Aug 2018||7,995|
|9.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|10.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|11.||Leica M9||..||..||..||..||4.5/5||..||Sep 2009||7,999|
|12.||Nikon D100||..||..||..||+ +||o||..||Feb 2002||1,999|
|13.||Nikon D1X||..||..||..||+ +||..||..||Feb 2001||5,999|
|14.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|15.||Panasonic FZ150||3/5||+ +||..||76/100||4/5||4.5/5||Aug 2011||499|
|16.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499|
|17.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Panasonic FZ300
- Canon 6D vs Contax N Digital
- Canon M100 vs Contax N Digital
- Contax N Digital vs Leica S Typ 006
- Contax N Digital vs Olympus E-5
- Contax N Digital vs Olympus E-600
- Contax N Digital vs Sony RX100
- Leica D-LUX 7 vs Panasonic FZ300
- Nikon D40 vs Panasonic FZ300
- Olympus E-500 vs Panasonic FZ300
- Panasonic FZ300 vs Ricoh GR
- Panasonic FZ300 vs Sony A5100
Specifications: Contax N Digital vs Panasonic FZ300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Contax N Digital||Panasonic FZ300|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Contax N mount lenses||25-600mm f/2.8|
|Launch Date||February 2002||July 2015|
|Launch Price||USD 7,399||USD 599|
|Sensor Specs||Contax N Digital||Panasonic FZ300|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||6.1 Megapixels||12 Megapixels|
|Image Resolution||3040 x 2008 pixels||4000 x 3000 pixels|
|Pixel Pitch||11.90 μm||1.53 μm|
|Pixel Density||0.71 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||50 - 1,600 ISO||100 - 6,400 ISO|
|DXO Sensor Quality (score)||..||38|
|DXO Color Depth (bits)||..||19.3|
|DXO Dynamic Range (EV)||..||11.0|
|DXO Low Light (ISO)||..||97|
|Screen Specs||Contax N Digital||Panasonic FZ300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||200k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Contax N Digital||Panasonic FZ300|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||4 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Contax N Digital||Panasonic FZ300|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Contax N Digital||Panasonic FZ300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||100 shots per charge||380 shots per charge|
152 x 138 x 80 mm
(6.0 x 5.4 x 3.1 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||990 g (34.9 oz)||691 g (24.4 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.