Contax N Digital vs Fujifilm GFX 50R
The Contax N Digital and the Fujifilm GFX 50R are two professional cameras that were officially introduced, respectively, in February 2002 and September 2018. The N Digital is a DSLR, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on a full frame (N Digital) and a medium format (GFX 50R) sensor. The Contax has a resolution of 6.1 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Contax N Digital and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Contax N Digital and the Fujifilm GFX 50R. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is notably smaller (26 percent) than the Contax N Digital. Moreover, the GFX 50R is markedly lighter (22 percent) than the N Digital. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the N Digital does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
As can be seen in the images above, the N Digital has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | 152 mm | 138 mm | 80 mm | 990 g | 100 | n | Feb 2002 | 7,399 | ebay.com | |
2. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
3. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
4. | Canon 10D | 150 mm | 107 mm | 75 mm | 850 g | 500 | n | Feb 2003 | 1,999 | ebay.com | |
5. | Canon Rebel | 142 mm | 99 mm | 72 mm | 649 g | 400 | n | Aug 2003 | 899 | ebay.com | |
6. | Canon 1Ds | 156 mm | 158 mm | 80 mm | 1265 g | 600 | Y | Sep 2002 | 8,999 | ebay.com | |
7. | Canon D60 | 150 mm | 107 mm | 75 mm | 855 g | 620 | n | Feb 2002 | 2,999 | ebay.com | |
8. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
9. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
10. | Hasselblad X1D II | 148 mm | 97 mm | 70 mm | 766 g | .. | Y | Jun 2019 | 5,750 | ebay.com | |
11. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | 4,995 | amazon.com | |
12. | Leica M10-P | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Aug 2018 | 7,995 | ebay.com | |
13. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
14. | Leica SL | 147 mm | 104 mm | 39 mm | 847 g | 400 | Y | Oct 2015 | 7,450 | ebay.com | |
15. | Leica M9 | 139 mm | 80 mm | 37 mm | 585 g | 550 | n | Sep 2009 | 7,999 | ebay.com | |
16. | Nikon D100 | 144 mm | 116 mm | 81 mm | 780 g | 370 | n | Feb 2002 | 1,999 | ebay.com | |
17. | Nikon D1X | 157 mm | 153 mm | 85 mm | 1100 g | 1200 | Y | Feb 2001 | 5,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GFX 50R was launched at a markedly lower price (by 39 percent) than the N Digital, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Contax N Digital features a full frame sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 68 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the N Digital has a native 3:2 aspect ratio, while the one in the GFX 50R offers a 4:3 aspect.
With 51.1MP, the GFX 50R offers a higher resolution than the N Digital (6.1MP), but the GFX 50R has smaller individual pixels (pixel pitch of 5.33μm versus 11.90μm for the N Digital). Yet, the GFX 50R is a much more recent model (by 16 years and 7 months) than the N Digital, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50R has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Contax N Digital are 15.2 x 10 inches or 38.6 x 25.5 cm for good quality, 12.2 x 8 inches or 30.9 x 20.4 cm for very good quality, and 10.1 x 6.7 inches or 25.7 x 17 cm for excellent quality prints.
The Contax N Digital has a native sensitivity range from ISO 50 to ISO 1600. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the N Digital is build around a CCD sensor, while the GFX 50R uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | Full Frame | 6.1 | 3040 | 2008 | none | 21.5 | 10.5 | 1283 | 59 | |
2. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
3. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
4. | Canon 10D | APS-C | 6.3 | 3072 | 2048 | none | 21.1 | 10.9 | 571 | 57 | |
5. | Canon Rebel | APS-C | 6.3 | 3072 | 2048 | none | 21.0 | 10.8 | 544 | 55 | |
6. | Canon 1Ds | Full Frame | 11.0 | 4064 | 2704 | none | 21.8 | 11.0 | 954 | 63 | |
7. | Canon D60 | APS-C | 6.3 | 3072 | 2048 | none | 20.3 | 9.8 | 301 | 47 | |
8. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
9. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
10. | Hasselblad X1D II | Medium Format | 51.3 | 8272 | 6200 | 1080/25p | 25.7 | 14.5 | 3234 | 99 | |
11. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
12. | Leica M10-P | Full Frame | 23.8 | 5952 | 3992 | none | 25.1 | 14.1 | 2739 | 93 | |
13. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
14. | Leica SL | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 13.4 | 1821 | 88 | |
15. | Leica M9 | Full Frame | 18.1 | 5212 | 3472 | none | 22.5 | 11.7 | 884 | 69 | |
16. | Nikon D100 | APS-C | 6.0 | 3008 | 2000 | none | 20.4 | 9.9 | 394 | 48 | |
17. | Nikon D1X | APS-C | 5.9 | 3008 | 1960 | none | .. | .. | .. | .. | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GFX 50R indeed provides for movie recording, while the N Digital does not. The highest resolution format that the GFX 50R can use is 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), while the N Digital has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 50R offers a wider field of view (100%) than the one in the N Digital (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 50R has a higher magnification (0.77x vs 0.73x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Contax N Digital and Fujifilm GFX 50R along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | optical | Y | 2.0 / 200 | fixed | n | 1/8000s | 4.0/s | n | n | |
2. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
3. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
4. | Canon 10D | optical | Y | 1.8 / 118 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Canon Rebel | optical | n | 1.8 / 118 | fixed | n | 1/4000s | 2.5/s | Y | n | |
6. | Canon 1Ds | optical | Y | 2.0 / 120 | fixed | n | 1/8000s | 3.0/s | n | n | |
7. | Canon D60 | optical | Y | 1.8 / 114 | fixed | n | 1/4000s | 3.0/s | Y | n | |
8. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
9. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
10. | Hasselblad X1D II | 3690 | n | 3.6 / 2360 | fixed | Y | 1/2000s | 2.7/s | n | n | |
11. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
12. | Leica M10-P | optical | n | 3.0 / 1037 | fixed | Y | 1/4000s | 5.0/s | n | n | |
13. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
14. | Leica SL | 4400 | Y | 3.0 / 1040 | fixed | Y | 1/8000s | 11.0/s | n | n | |
15. | Leica M9 | optical | n | 2.5 / 230 | fixed | n | 1/4000s | 2.0/s | n | n | |
16. | Nikon D100 | optical | Y | 1.8 / 118 | fixed | n | 1/4000s | 3.0/s | Y | n | |
17. | Nikon D1X | optical | Y | 2.0 / 120 | fixed | n | 1/16000s | 3.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the N Digital, but is missing on the GFX 50R is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The N Digital writes its imaging data to Compact Flash cards, while the GFX 50R uses SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the N Digital only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Contax N Digital and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | Y | - / - | - | - | - | FW | - | - | - | |
2. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
3. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
4. | Canon 10D | Y | - / - | - | - | - | 1.1 | - | - | - | |
5. | Canon Rebel | Y | - / - | - | - | - | 1.1 | - | - | - | |
6. | Canon 1Ds | Y | - / - | - | - | - | FW | - | - | - | |
7. | Canon D60 | Y | - / - | - | - | - | 1.1 | - | - | - | |
8. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
9. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
10. | Hasselblad X1D II | Y | stereo / mono | Y | Y | - | 3.0 | Y | - | - | |
11. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y | |
12. | Leica M10-P | Y | - / - | - | - | - | - | Y | - | - | |
13. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
14. | Leica SL | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | - | |
15. | Leica M9 | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Nikon D100 | Y | - / - | - | - | - | 1.1 | - | - | - | |
17. | Nikon D1X | Y | - / - | - | - | - | FW | - | - | - |
It is notable that the GFX 50R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the N Digital does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the N Digital and the GFX 50R have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Contax and Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Contax and Fujifilm websites.
Review summary
So what conclusions can be drawn? Is the Contax N Digital better than the Fujifilm GFX 50R or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Contax N Digital:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (4 vs 3 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- More heavily discounted: Has been available for much longer (launched in February 2002).
Advantages of the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 6.1MP), which boosts linear resolution by 183%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.73x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 200k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (161x97mm vs 152x138mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 215g or 22 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (400 versus 100) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (39 percent cheaper at launch).
- More modern: Reflects 16 years and 7 months of technical progress since the N Digital launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (26 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Contax N Digital and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the N Digital and the GFX 50R in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Contax N Digital | .. | .. | .. | .. | .. | .. | Feb 2002 | 7,399 | ebay.com | |
2. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
3. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
4. | Canon 10D | .. | .. | .. | + + | .. | .. | Feb 2003 | 1,999 | ebay.com | |
5. | Canon Rebel | .. | .. | .. | + + | .. | .. | Aug 2003 | 899 | ebay.com | |
6. | Canon 1Ds | .. | .. | .. | + + | .. | .. | Sep 2002 | 8,999 | ebay.com | |
7. | Canon D60 | .. | .. | .. | + + | o | .. | Feb 2002 | 2,999 | ebay.com | |
8. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
9. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
10. | Hasselblad X1D II | .. | .. | 4/5 | .. | 4/5 | 4/5 | Jun 2019 | 5,750 | ebay.com | |
11. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | 4,995 | amazon.com | |
12. | Leica M10-P | .. | .. | 3/5 | .. | .. | 4/5 | Aug 2018 | 7,995 | ebay.com | |
13. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
14. | Leica SL | 4/5 | .. | 4/5 | 84/100 | 4.5/5 | 4/5 | Oct 2015 | 7,450 | ebay.com | |
15. | Leica M9 | .. | .. | .. | .. | 4.5/5 | .. | Sep 2009 | 7,999 | ebay.com | |
16. | Nikon D100 | .. | .. | .. | + + | o | .. | Feb 2002 | 1,999 | ebay.com | |
17. | Nikon D1X | .. | .. | .. | + + | .. | .. | Feb 2001 | 5,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II N vs Fujifilm GFX 50R
- Canon 600D vs Fujifilm GFX 50R
- Canon T6i vs Contax N Digital
- Contax N Digital vs Fujifilm X-A5
- Contax N Digital vs Leica D-LUX Typ 109
- Contax N Digital vs Nikon D800E
- Contax N Digital vs Nikon Z8
- Contax N Digital vs Sony ZV-1
- Fujifilm GFX 100 II vs Fujifilm GFX 50R
- Fujifilm GFX 50R vs Fujifilm X-A7
- Fujifilm GFX 50R vs Fujifilm X-S20
- Fujifilm GFX 50R vs Olympus E-P1
Specifications: Contax N Digital vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Contax N Digital | Fujifilm GFX 50R |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Contax N mount lenses | Fujifilm G mount lenses |
Launch Date | February 2002 | September 2018 |
Launch Price | USD 7,399 | USD 4,499 |
Sensor Specs | Contax N Digital | Fujifilm GFX 50R |
Sensor Technology | CCD | CMOS |
Sensor Format | Full Frame Sensor | Medium Format Sensor |
Sensor Size | 36.0 x 24.0 mm | 44.0 x 33.0 mm |
Sensor Area | 864 mm2 | 1452 mm2 |
Sensor Diagonal | 43.3 mm | 55 mm |
Crop Factor | 1.0x | 0.79x |
Sensor Resolution | 6.1 Megapixels | 51.1 Megapixels |
Image Resolution | 3040 x 2008 pixels | 8256 x 6192 pixels |
Pixel Pitch | 11.90 μm | 5.33 μm |
Pixel Density | 0.71 MP/cm2 | 3.52 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 1080/30p Video |
ISO Setting | 50 - 1,600 ISO | 100 - 12,800 ISO |
ISO Boost | no Enhancement | 50 - 102,400 ISO |
Screen Specs | Contax N Digital | Fujifilm GFX 50R |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.73x | 0.77x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.2inch |
LCD Resolution | 200k dots | 2360k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Contax N Digital | Fujifilm GFX 50R |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 4 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CF cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
Connectivity Specs | Contax N Digital | Fujifilm GFX 50R |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | Firewire | USB 3.0 |
HDMI Port | no HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Contax N Digital | Fujifilm GFX 50R |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Contax 4xAA | Fujifilm NP-T125 |
Battery Life (CIPA) | 100 shots per charge | 400 shots per charge |
Body Dimensions |
152 x 138 x 80 mm (6.0 x 5.4 x 3.1 in) |
161 x 97 x 66 mm (6.3 x 3.8 x 2.6 in) |
Camera Weight | 990 g (34.9 oz) | 775 g (27.3 oz) |
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