Contax N Digital versus Canon SL2
The Contax N Digital and the Canon EOS Rebel SL2 (labelled Canon 200D in some countries) are two digital cameras that were revealed to the public, respectively, in February 2002 and June 2017. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (N Digital) and an APS-C sensor. The Contax has a resolution of 6.1 megapixel, whereas the Canon provides 24 MP.
The physical size and weight of the Contax N Digital and the Canon SL2 are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the N Digital – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SL2 is considerably smaller (46 percent) than the Contax N Digital. Moreover, the SL2 is substantially lighter (54 percent) than the N Digital. In this context, it is worth noting that neither the N Digital nor the SL2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Contax N Digital (⇒ rgt)||152 mm||138 mm||80 mm||990 g||100||no||2002||7,399||discont.||check|
|Canon SL2 (⇒ lft)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon 77D (⇒ lft | rgt)||131 mm||100 mm||76 mm||540 g||600||no||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||108 mm||67 mm||35 mm||302 g||295||no||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon XC10 (⇒ lft | rgt)||125 mm||102 mm||122 mm||1040 g||..||no||2015||2,499||latest||check|
|Canon SL1 (⇒ lft | rgt)||117 mm||91 mm||69 mm||407 g||380||no||2013||549||discont.||check|
|Canon 10D (⇒ lft | rgt)||150 mm||107 mm||75 mm||850 g||500||no||2003||1,999||discont.||check|
|Canon Rebel (⇒ lft | rgt)||142 mm||99 mm||72 mm||649 g||400||no||2003||899||discont.||check|
|Canon D60 (⇒ lft | rgt)||150 mm||107 mm||75 mm||855 g||620||no||2002||2,999||discont.||check|
|Leica M10 (⇒ lft | rgt)||139 mm||80 mm||39 mm||660 g||210||no||2017||6,595||latest||check|
|Leica SL (⇒ lft | rgt)||147 mm||104 mm||39 mm||847 g||400||YES||2015||7,450||latest||check|
|Leica Digilux 3 (⇒ lft | rgt)||146 mm||87 mm||77 mm||606 g||750||no||2006||1,499||discont.||check|
|Nikon D100 (⇒ lft | rgt)||144 mm||116 mm||81 mm||780 g||370||no||2002||1,999||discont.||check|
|Olympus E-330 (⇒ lft | rgt)||140 mm||87 mm||72 mm||637 g||750||no||2006||999||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||146 mm||87 mm||64 mm||606 g||750||no||2006||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SL2 was launched at a markedly lower price (by 93 percent) than the N Digital, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Contax N Digital features a full frame sensor and the Canon SL2 an APS-C sensor. The sensor area in the SL2 is 62 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the SL2 offers a higher resolution of 24 megapixel, compared with 6.1 MP of the N Digital. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 11.90μm for the N Digital). However, it should be noted that the SL2 is much more recent (by 15 years and 4 months) than the N Digital, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Contax N Digital (⇒ rgt)||Full Frame||6.1||3040||2008||no||-||-||-||-|
|Canon SL2 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 77D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon XC10 (⇒ lft | rgt)||1-inch||12.0||4000||3000||4K/30p||-||-||-||-|
|Canon SL1 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Canon 10D (⇒ lft | rgt)||APS-C||6.3||3072||2048||no||21.1||10.9||571||57|
|Canon Rebel (⇒ lft | rgt)||APS-C||6.3||3072||2048||no||21.0||10.8||544||55|
|Canon D60 (⇒ lft | rgt)||APS-C||6.3||3072||2048||no||-||-||-||-|
|Leica M10 (⇒ lft | rgt)||Full Frame||23.8||5952||3992||no||24.4||13.2||2133||86|
|Leica SL (⇒ lft | rgt)||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Leica Digilux 3 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
|Nikon D100 (⇒ lft | rgt)||APS-C||6.0||3008||2000||no||-||-||-||-|
|Olympus E-330 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
|Panasonic L1 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
Many modern cameras cannot only take still pictures, but also record videos. The SL2 indeed provides for movie recording, while the N Digital does not. The highest resolution format that the SL2 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The N Digital and the SL2 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Contax N Digital, the Canon SL2, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Contax N Digital (⇒ rgt)||optical||YES||2.0||200||fixed||no||8000||4.0||no||no|
|Canon SL2 (⇒ lft)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 77D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon XC10 (⇒ lft | rgt)||no||no||3.0||1030||tilting||YES||2000||3.8||no||YES|
|Canon SL1 (⇒ lft | rgt)||optical||no||3.0||1040||fixed||YES||4000||4.9||9.4||no|
|Canon 10D (⇒ lft | rgt)||optical||YES||1.8||118||fixed||no||4000||3.0||13||no|
|Canon Rebel (⇒ lft | rgt)||optical||no||1.8||118||fixed||no||4000||2.5||13||no|
|Canon D60 (⇒ lft | rgt)||optical||YES||1.8||114||fixed||no||4000||3.0||12||no|
|Leica M10 (⇒ lft | rgt)||optical||no||3.0||1037||fixed||no||4000||5.0||no||no|
|Leica SL (⇒ lft | rgt)||4400||YES||3.0||1040||fixed||YES||8000||11.0||no||no|
|Leica Digilux 3 (⇒ lft | rgt)||optical||no||2.5||207||fixed||no||4000||3.0||13||no|
|Nikon D100 (⇒ lft | rgt)||optical||YES||1.8||118||fixed||no||4000||3.0||11||no|
|Olympus E-330 (⇒ lft | rgt)||optical||no||2.5||215||tilting||no||4000||3.0||13||no|
|Panasonic L1 (⇒ lft | rgt)||optical||no||2.5||207||fixed||no||4000||3.0||13||no|
The SL2 is a current model that online retailers, such as amazon, will have in stock. In contrast, the N Digital has been discontinued (but it can be found pre-owned on ebay). There has not been a direct replacement model for the N Digital from Contax.
So how do things add up? Which of the two cameras – the Contax N Digital or the Canon SL2 – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Contax N Digital:
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More heavily discounted: Has been available for much longer (launched in February 2002).
Arguments in favor of the Canon EOS Rebel SL2:
- More detail: Has more megapixels (24 vs 6.1MP), which boosts linear resolution by 98%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 200k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5 vs 4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x93mm vs 152x138mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 537g or 54 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (650 versus 100) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
- More modern: Reflects 15 years and 4 months of technical progress since the N Digital launch.
If the count of relative strengths (bullet points above) is taken as a measure, the SL2 is the clear winner of the contest (13 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the N Digital and the SL2 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Contax N Digital (⇒ rgt)||-||-||-||-||-||2002||7,399||discont.||check|
|Canon SL2 (⇒ lft)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon 77D (⇒ lft | rgt)||..||82/100 Silver||4.5/5||..||4/5||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||Rec||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon XC10 (⇒ lft | rgt)||-||80/100||-||-||-||2015||2,499||latest||check|
|Canon SL1 (⇒ lft | rgt)||Rec||78/100 Gold||4/5||4/5||4/5||2013||549||discont.||check|
|Canon 10D (⇒ lft | rgt)||-||HiRec||-||reviewed||-||2003||1,999||discont.||check|
|Canon Rebel (⇒ lft | rgt)||-||HiRec||-||reviewed||-||2003||899||discont.||check|
|Canon D60 (⇒ lft | rgt)||-||HiRec||reviewed||-||-||2002||2,999||discont.||check|
|Leica M10 (⇒ lft | rgt)||-||-||4/5||-||4.5/5||2017||6,595||latest||check|
|Leica SL (⇒ lft | rgt)||-||84/100||4.5/5||4/5||4/5||2015||7,450||latest||check|
|Leica Digilux 3 (⇒ lft | rgt)||-||-||-||-||-||2006||1,499||discont.||check|
|Nikon D100 (⇒ lft | rgt)||-||HiRec||reviewed||reviewed||-||2002||1,999||discont.||check|
|Olympus E-330 (⇒ lft | rgt)||-||Rec||reviewed||3.5/5||-||2006||999||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||85/100||Rec||-||reviewed||3.5/5||2006||999||discont.||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you do not see the camera that you are looking for, kindly get in touch, and I will try to update the database with the necessary infos.
- Canon 6D vs Olympus E-1
- Canon 77D vs Canon 60D
- Canon G1 X Mark II vs Olympus E-M10 III
- Leica Q Typ 116 vs Fujifilm X-Pro2
- Nikon D5 vs Nikon D800
- Nikon D5300 vs Canon T6s
- Nikon D7000 vs Canon 60D
- Nikon D7500 vs Nikon D3
- Nikon D80 vs Leica M8
- Panasonic GH5 vs Nikon D600
- Panasonic GH5 vs Panasonic GH4
- Sony RX10 II vs Canon 80D