Canon XTi vs Panasonic LX7
The Canon EOS Rebel XTi (called Canon 400D in some regions) and the Panasonic Lumix DMC-LX7 are two digital cameras that were revealed to the public, respectively, in August 2006 and July 2012. The XTi is a DSLR, while the LX7 is a fixed lens compact. The cameras are based on an APS-C (XTi) and a 1/1.7-inch (LX7) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel XTi and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon XTi and the Panasonic LX7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The LX7 can be obtained in two different colors (black, white), while the XTi is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably smaller (29 percent) than the Canon XTi. In this context, it is worth noting that neither the XTi nor the LX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX7 has a lens built in, whereas the XTi is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the XTi and their specifications in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|2.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|3.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|6.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|7.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|8.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|12.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|13.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|14.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|15.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|16.||Panasonic GF3||108 mm||67 mm||32 mm||264 g||300||n||Jun 2011||549|
|17.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a lower price than the XTi, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon XTi features an APS-C sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 4.65. The sensor in the XTi has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 10.1MP, the XTi offers a slightly higher resolution than the LX7 (10MP), but the XTi nevertheless has larger individual pixels (pixel pitch of 5.71μm versus 2.05μm for the LX7) due to its larger sensor. However, the LX7 is a much more recent model (by 5 years and 10 months) than the XTi, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Canon EOS Rebel XTi has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the XTi provides substantially higher image quality than the LX7, with an overall score that is 12 points higher. This advantage is based on 1.4 bits higher color depth, 0.7 EV of lower dynamic range, and 2.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|15.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|16.||Panasonic GF3||Four Thirds||12.0||4000||3000||1080/60i||20.6||10.0||458||49|
Many modern cameras are not only capable of taking still images, but can also record movies. The LX7 indeed provides for movie recording, while the XTi does not. The highest resolution format that the LX7 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the XTi has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The table below summarizes some of the other core capabilities of the Canon XTi and Panasonic LX7 in connection with corresponding information for a sample of similar cameras.
|1.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|3.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|6.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|7.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|9.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|10.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|11.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|12.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|14.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|15.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0/s||Y||n|
|16.||Panasonic GF3||none||n||3.0 / 460||fixed||Y||1/4000s||3.2/s||Y||n|
|17.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XTi writes its imaging data to Compact Flash cards, while the LX7 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel XTi and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|9.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|14.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GF3||-||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
Both the XTi and the LX7 have been discontinued, but can regularly be found used on eBay. The XTi was replaced by the Canon Xsi, while the LX7 was followed by the Panasonic LX10. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon XTi better than the Panasonic LX7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS Rebel XTi:
- Better image quality: Scores substantially higher (12 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.4 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.2 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (370 versus 330) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2006).
Advantages of the Panasonic Lumix DMC-LX7:
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the XTi requires a separate lens.
- More compact: Is smaller (111x68mm vs 127x84mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the XTi).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 10 months of technical progress since the XTi launch.
If the number of relative strengths (bullet points above) is taken as a guide, the LX7 is the clear winner of the contest (13 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon XTi and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the XTi and the LX7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|2.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|3.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|6.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|7.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|8.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|9.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|12.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|13.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|14.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|15.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|16.||Panasonic GF3||3/5||82/100||..||71/100||4.5/5||4/5||Jun 2011||549|
|17.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G15 vs Canon XTi
- Canon SX530 vs Panasonic LX7
- Canon XTi vs Leica SL2
- Canon XTi vs Nikon W150
- Canon XTi vs Pentax K-1
- Canon XTi vs Sony A7R IV
- Canon XTi vs Sony H200
- Fujifilm X-T4 vs Panasonic LX7
- Kodak S-1 vs Panasonic LX7
- Olympus E-PM2 vs Panasonic LX7
- Panasonic LX7 vs Sony A5000
- Panasonic LX7 vs Sony A68
Specifications: Canon XTi vs Panasonic LX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon XTi||Panasonic LX7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-90mm f/1.4-2.3|
|Launch Date||August 2006||July 2012|
|Launch Price||USD 799||USD 499|
|Sensor Specs||Canon XTi||Panasonic LX7|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||22.2 x 14.8 mm||7.44 x 5.58 mm|
|Sensor Area||328.56 mm2||41.5152 mm2|
|Sensor Diagonal||26.7 mm||9.3 mm|
|Sensor Resolution||10.1 Megapixels||10 Megapixels|
|Image Resolution||3888 x 2592 pixels||3648 x 2736 pixels|
|Pixel Pitch||5.71 μm||2.05 μm|
|Pixel Density||3.07 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||80 - 6,400 ISO|
|ISO Boost||no Enhancement||80 - 12,800 ISO|
|Image Processor||DIGIC II||Venus|
|DXO Sensor Quality (score)||62||50|
|DXO Color Depth (bits)||22.1||20.7|
|DXO Dynamic Range (EV)||11.0||11.7|
|DXO Low Light (ISO)||664||147|
|Screen Specs||Canon XTi||Panasonic LX7|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon XTi||Panasonic LX7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon XTi||Panasonic LX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon XTi||Panasonic LX7|
|Battery Life (CIPA)||370 shots per charge||330 shots per charge|
127 x 84 x 65 mm
(5.0 x 3.3 x 2.6 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||556 g (19.6 oz)||298 g (10.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.