Canon XTi vs Panasonic LF1
The Canon EOS Rebel XTi (called Canon 400D in some regions) and the Panasonic Lumix DMC-LF1 are two digital cameras that were announced, respectively, in August 2006 and April 2013. The XTi is a DSLR, while the LF1 is a fixed lens compact. The cameras are based on an APS-C (XTi) and a 1/1.7-inch (LF1) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel XTi and the Panasonic Lumix DMC-LF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon XTi and the Panasonic LF1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LF1 is considerably smaller (40 percent) than the Canon XTi. In this context, it is worth noting that neither the XTi nor the LF1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the XTi is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the XTi and their specifications in the Canon EF Lens Catalog.
The power pack in the LF1 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|2.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|3.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|6.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|7.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|8.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|9.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|10.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|11.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|12.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|13.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|14.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|15.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|16.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|17.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LF1 was launched at a lower price than the XTi, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon XTi features an APS-C sensor and the Panasonic LF1 a 1/1.7-inch sensor. The sensor area in the LF1 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 4.5. The sensor in the XTi has a native 3:2 aspect ratio, while the one in the LF1 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the LF1 offers a higher resolution of 12 megapixels, compared with 10.1 MP of the XTi. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.89μm versus 5.71μm for the XTi). However, it should be noted that the LF1 is much more recent (by 6 years and 8 months) than the XTi, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic LF1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the LF1 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Canon XTi are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS Rebel XTi has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-LF1 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the XTi has a notably higher overall DXO score than the LF1 (overall score 10 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 1.3 bits higher color depth, 0.6 EV of lower dynamic range, and 1.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Many modern cameras cannot only take still pictures, but also record videos. The LF1 indeed provides for movie recording, while the XTi does not. The highest resolution format that the LF1 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LF1 has an electronic viewfinder (200k dots), while the XTi has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon XTi and Panasonic LF1 in connection with corresponding information for a sample of similar cameras.
|1.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|2.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0||Y||Y|
|3.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|6.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|7.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|9.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|10.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|11.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|12.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5||Y||n|
|13.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|14.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5||Y||n|
|15.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|16.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|17.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
The XTi writes its imaging data to Compact Flash cards, while the LF1 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel XTi and Panasonic Lumix DMC-LF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|6.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|10.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|11.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|15.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the XTi has a hotshoe, while the LF1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The LF1 is a recent model that features in the current product line-up of Panasonic. In contrast, the XTi has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the XTi was succeeded by the Canon Xsi. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon XTi and the Panasonic LF1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS Rebel XTi:
- Better image quality: Scores markedly higher (10 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.3 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.7 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (370 versus 250) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been available for much longer (launched in August 2006).
Advantages of the Panasonic Lumix DMC-LF1:
- More detail: Has more megapixels (12 vs 10.1MP), which boosts linear resolution by 7%.
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the XTi requires a separate lens.
- More compact: Is smaller (103x62mm vs 127x84mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the XTi).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 8 months of technical progress since the XTi launch.
If the count of individual advantages (bullet points above) is taken as a guide, the LF1 is the clear winner of the contest (16 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon XTi and the Panasonic LF1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the XTi or the LF1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|2.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|3.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|6.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|7.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|8.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|9.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|10.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|11.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|12.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|13.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|14.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|15.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|16.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|17.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G7 X vs Canon XTi
- Canon SX50 vs Panasonic LF1
- Canon SX730 vs Panasonic LF1
- Canon T1i vs Panasonic LF1
- Canon T7 vs Panasonic LF1
- Canon XTi vs Leica X-U Typ 113
- Canon XTi vs Nikon 1 V2
- Canon XTi vs Nikon Df
- Canon XTi vs Panasonic GX8
- Canon XTi vs Panasonic L10
- Fujifilm X-T2 vs Panasonic LF1
- Leica X Vario vs Panasonic LF1
Specifications: Canon XTi vs Panasonic LF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon XTi||Panasonic LF1|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-200mm f/2.0-5.9|
|Launch Date||August 2006||April 2013|
|Launch Price||USD 799||USD 499|
|Sensor Specs||Canon XTi||Panasonic LF1|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||22.2 x 14.8 mm||7.6 x 5.7 mm|
|Sensor Area||328.56 mm2||43.32 mm2|
|Sensor Diagonal||26.7 mm||9.5 mm|
|Sensor Resolution||10.1 Megapixels||12 Megapixels|
|Image Resolution||3888 x 2592 pixels||4000 x 3000 pixels|
|Pixel Pitch||5.71 μm||1.89 μm|
|Pixel Density||3.07 MP/cm2||27.70 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||80 - 6,400 ISO|
|ISO Boost||no Enhancement||80 - 12,800 ISO|
|Image Processor||DIGIC II||Venus|
|DXO Sensor Quality (score)||62||52|
|DXO Color Depth (bits)||22.1||20.8|
|DXO Dynamic Range (EV)||11.0||11.6|
|DXO Low Light (ISO)||664||211|
|Screen Specs||Canon XTi||Panasonic LF1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||200k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon XTi||Panasonic LF1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon XTi||Panasonic LF1|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon XTi||Panasonic LF1|
|Battery Life (CIPA)||370 shots per charge||250 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
127 x 84 x 65 mm
(5.0 x 3.3 x 2.6 in)
103 x 62 x 28 mm
(4.1 x 2.4 x 1.1 in)
|Camera Weight||556 g (19.6 oz)||192 g (6.8 oz)|
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