Canon XTi vs Olympus E-M5

The Canon EOS Rebel XTi (called Canon 400D in some regions) and the Olympus OM-D E-M5 are two digital cameras that were officially introduced, respectively, in August 2006 and February 2012. The XTi is a DSLR, while the E-M5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (XTi) and a Four Thirds (E-M5) sensor. The Canon has a resolution of 10.1 megapixels, whereas the Olympus provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon XTi		Olympus E-M5
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
10.1 MP – APS-C sensor		15.9 MP – Four Thirds sensor
no Video		1080/60i Video
ISO 100-1,600		ISO 200-25,600
Optical viewfinder		Electronic viewfinder (1440k dots)
2.5" LCD – 230k dots		3.0" LCD – 610k dots
Fixed screen (not touch-sensitive)		Tilting touchscreen
3 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
370 shots per battery charge		360 shots per battery charge
127 x 84 x 65 mm, 556 g		122 x 89 x 43 mm, 425 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel XTi and the Olympus OM-D E-M5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon XTi and the Olympus E-M5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 can be obtained in two different colors (black, silver), while the XTi is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is somewhat larger (2 percent) than the Canon XTi. However, the E-M5 is markedly lighter (24 percent) than the XTi. It is noteworthy in this context that the E-M5 is splash and dust-proof, while the XTi does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (XTi) and the Micro Four Thirds Lens Catalog (E-M5). Mirrorless cameras, such as the E-M5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the XTi gets 370 shots out of its Canon NB-2LH battery, while the E-M5 can take 360 images on a single charge of its Olympus BLN-1 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon XTi	127 mm	84 mm	65 mm	556 g	370	n	Aug 2006	799	ebay.com
2.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
3.		Canon 40D	146 mm	108 mm	74 mm	822 g	750	n	Aug 2007	1,299	ebay.com
4.		Canon Rebel	142 mm	99 mm	72 mm	649 g	400	n	Aug 2003	899	ebay.com
5.		Canon T1i	129 mm	98 mm	62 mm	520 g	400	n	Mar 2009	799	ebay.com
6.		Canon T2i	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	699	ebay.com
7.		Canon T3	130 mm	100 mm	78 mm	495 g	700	n	Feb 2011	449	ebay.com
8.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
9.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
10.		Canon XS	126 mm	98 mm	65 mm	502 g	500	n	Jun 2008	449	ebay.com
11.		Canon XSi	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	799	ebay.com
12.		Canon XT	127 mm	94 mm	64 mm	540 g	400	n	Feb 2005	899	ebay.com
13.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
14.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
15.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
16.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
17.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XTi was launched at a markedly lower price (by 38 percent) than the E-M5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon XTi features an APS-C sensor and the Olympus E-M5 a Four Thirds sensor. The sensor area in the E-M5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the XTi has a native 3:2 aspect ratio, while the one in the E-M5 offers a 4:3 aspect.

Despite having a smaller sensor, the E-M5 offers a higher resolution of 15.9 megapixels, compared with 10.1 MP of the XTi. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 5.71μm for the XTi). However, it should be noted that the E-M5 is much more recent (by 5 years and 5 months) than the XTi, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

The resolution advantage of the Olympus E-M5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Canon XTi are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.

The Canon EOS Rebel XTi has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Olympus OM-D E-M5 are ISO 200 to ISO 25600 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the E-M5 has a markedly higher DXO score than the XTi (overall score 9 points higher), which will translate into better image quality. The advantage is based on 0.7 bits higher color depth, 1.3 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon XTi	APS-C	10.1	3888	2592	none	22.1	11.0	664	62
2.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
3.		Canon 40D	APS-C	10.1	3888	2592	none	22.1	11.3	703	64
4.		Canon Rebel	APS-C	6.3	3072	2048	none	21.0	10.8	544	55
5.		Canon T1i	APS-C	15.1	4752	3168	1080/20p	21.7	11.5	663	63
6.		Canon T2i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
7.		Canon T3	APS-C	12.2	4272	2848	720/30p	21.9	11.0	755	62
8.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
9.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
10.		Canon XS	APS-C	10.1	3888	2592	none	22.0	10.9	719	62
11.		Canon XSi	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
12.		Canon XT	APS-C	8.0	3456	2304	none	21.8	10.8	637	60
13.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
14.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
15.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
16.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
17.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-M5 indeed provides for movie recording, while the XTi does not. The highest resolution format that the E-M5 can use is 1080/60i.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 has an electronic viewfinder (1440k dots), while the XTi has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 offers a wider field of view (100%) than the one in the XTi (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 has a higher magnification (0.58x vs 0.49x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon XTi and Olympus E-M5 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon XTi	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
2.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
3.		Canon 40D	optical	Y	3.0 / 230	fixed	n	1/8000s	6.5/s	Y	n
4.		Canon Rebel	optical	n	1.8 / 118	fixed	n	1/4000s	2.5/s	Y	n
5.		Canon T1i	optical	n	3.0 / 920	fixed	n	1/4000s	3.4/s	Y	n
6.		Canon T2i	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
7.		Canon T3	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
8.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon XS	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon XSi	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
12.		Canon XT	optical	n	1.8 / 115	fixed	n	1/4000s	3.0/s	Y	n
13.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
14.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
15.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
16.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
17.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The XTi has one, while the E-M5 does not. While the built-in flash of the XTi is not very powerful, it can at times be useful as a fill-in light.

The XTi writes its imaging data to Compact Flash cards, while the E-M5 uses SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel XTi and Olympus OM-D E-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon XTi	Y	- / -	-	-	-	2.0	-	-	-
2.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon 40D	Y	- / -	-	-	-	2.0	-	-	-
4.		Canon Rebel	Y	- / -	-	-	-	1.1	-	-	-
5.		Canon T1i	Y	mono / mono	-	-	mini	2.0	-	-	-
6.		Canon T2i	Y	stereo / -	Y	-	mini	2.0	-	-	-
7.		Canon T3	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
9.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon XS	Y	- / -	-	-	-	2.0	-	-	-
11.		Canon XSi	Y	- / -	-	-	mini	2.0	-	-	-
12.		Canon XT	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
14.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
15.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
16.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
17.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-

Both the XTi and the E-M5 have been discontinued, but can regularly be found used on ebay. The XTi was replaced by the Canon Xsi, while the E-M5 was followed by the Olympus E-M5 II. Further information on the features and operation of the XTi and E-M5 can be found, respectively, in the Canon XTi Manual (free pdf) or the online Olympus E-M5 Manual.

Review summary

So what conclusions can be drawn? Is the Canon XTi better than the Olympus E-M5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Canon EOS Rebel XTi:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (38 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in August 2006).

Advantages of the Olympus OM-D E-M5:

• More detail: Has more megapixels (15.9 vs 10.1MP), which boosts linear resolution by 23%.
• Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
• More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
• Broader imaging potential: Can capture not only stills but also 1080/60i video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.49x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (610k vs 230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
• Less heavy: Has a lower weight (by 131g or 24 percent) and is thus easier to take along.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• More modern: Reflects 5 years and 5 months of technical progress since the XTi launch.

If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 is the clear winner of the contest (17 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon XTi and the Olympus E-M5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the XTi and the E-M5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon XTi	..	+ +	..	+ +	o	4/5	Aug 2006	799	ebay.com
2.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
3.		Canon 40D	..	+ +	..	+ +	4.5/5	4.5/5	Aug 2007	1,299	ebay.com
4.		Canon Rebel	..	..	..	+ +	..	..	Aug 2003	899	ebay.com
5.		Canon T1i	..	+ +	..	74/100	4.5/5	4.5/5	Mar 2009	799	ebay.com
6.		Canon T2i	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	699	ebay.com
7.		Canon T3	..	80/100	..	69/100	4/5	4.5/5	Feb 2011	449	ebay.com
8.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
9.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
10.		Canon XS	..	82/100	..	+ +	3.5/5	4.5/5	Jun 2008	449	ebay.com
11.		Canon XSi	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	799	ebay.com
12.		Canon XT	..	80/100	..	+ +	o	..	Feb 2005	899	ebay.com
13.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
14.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
15.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
16.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
17.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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