Canon XT vs Sony NEX-5N
The Canon EOS Rebel XT (called Canon 350D in some regions) and the Sony Alpha NEX-5N are two digital cameras that were officially introduced, respectively, in February 2005 and August 2011. The XT is a DSLR, while the NEX-5N is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 8 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel XT and the Sony Alpha NEX-5N? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon XT and the Sony NEX-5N is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5N is considerably smaller (45 percent) than the Canon XT. Moreover, the NEX-5N is substantially lighter (50 percent) than the XT. In this context, it is worth noting that neither the XT nor the NEX-5N are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (XT) and the Sony E-Mount Lens Catalog (NEX-5N). Mirrorless cameras, such as the NEX-5N, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|2.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|4.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|5.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|7.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|8.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|9.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|10.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|11.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|12.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|13.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|14.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|15.||Sony NEX-C3||110 mm||60 mm||33 mm||225 g||400||n||Jun 2011||599|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The NEX-5N was launched at a somewhat lower price (by 22 percent) than the XT, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-5N is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (XT) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 16MP, the NEX-5N offers a higher resolution than the XT (8MP), but the NEX-5N has smaller individual pixels (pixel pitch of 4.78μm versus 6.41μm for the XT). Yet, the NEX-5N is a much more recent model (by 6 years and 6 months) than the XT, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-5N implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-5N for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Canon XT are 17.3 x 11.5 inches or 43.9 x 29.3 cm for good quality, 13.8 x 9.2 inches or 35.1 x 23.4 cm for very good quality, and 11.5 x 7.7 inches or 29.3 x 19.5 cm for excellent quality prints.
The Canon EOS Rebel XT has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha NEX-5N are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the NEX-5N offers substantially better image quality than the XT (overall score 17 points higher). The advantage is based on 1.8 bits higher color depth, 1.9 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The NEX-5N indeed provides for movie recording, while the XT does not. The highest resolution format that the NEX-5N can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the XT has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-5N relies on live view and the rear LCD for framing. That said, the NEX-5N can be equipped with an optional viewfinder – the FDA-EV1S. The following table reports on some other key feature differences and similarities of the Canon XT, the Sony NEX-5N, and comparable cameras.
|1.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|2.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|3.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|4.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|7.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|8.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|9.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0||Y||n|
|10.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|11.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0||Y||n|
|12.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5||Y||n|
|13.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0||n||n|
|14.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||Y||n|
|15.||Sony NEX-C3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5||n||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The XT has one, while the NEX-5N does not. While the built-in flash of the XT is not very powerful, it can at times be useful as a fill-in light.The NEX-5N has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XT does not have a selfie-screen.
The XT writes its imaging data to Compact Flash cards, while the NEX-5N uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel XT and Sony Alpha NEX-5N and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|9.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|14.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony NEX-C3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
Both the XT and the NEX-5N have been discontinued, but can regularly be found used on eBay. The XT was replaced by the Canon Xti, while the NEX-5N was followed by the Sony NEX-5R. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon XT and the Sony NEX-5N? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS Rebel XT:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in February 2005).
Arguments in favor of the Sony Alpha NEX-5N:
- More detail: Has more megapixels (16 vs 8MP), which boosts linear resolution by 42%.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 115k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x59mm vs 127x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 271g or 50 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (460 versus 400) out of a single battery charge.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (22 percent cheaper at launch).
- More modern: Reflects 6 years and 6 months of technical progress since the XT launch.
If the number of relative strengths (bullet points above) is taken as a guide, the NEX-5N is the clear winner of the contest (18 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon XT and the Sony NEX-5N place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the XT or the NEX-5N perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|2.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699|
|3.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|4.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|5.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|7.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|8.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|9.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399|
|10.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|11.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499|
|12.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|13.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|14.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599|
|15.||Sony NEX-C3||3/5||+ +||..||74/100||4.5/5||4/5||Jun 2011||599|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon XT vs Sony NEX-5N
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon XT||Sony NEX-5N|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2005||August 2011|
|Launch Price||USD 899||USD 699|
|Sensor Specs||Canon XT||Sony NEX-5N|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.2 x 14.8 mm||23.4 x 15.6 mm|
|Sensor Area||328.56 mm2||365.04 mm2|
|Sensor Diagonal||26.7 mm||28.1 mm|
|Sensor Resolution||8 Megapixels||16 Megapixels|
|Image Resolution||3456 x 2304 pixels||4912 x 3264 pixels|
|Pixel Pitch||6.41 μm||4.78 μm|
|Pixel Density||2.42 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC II||BIONZ|
|DXO Sensor Quality (score)||60||77|
|DXO Color Depth (bits)||21.8||23.6|
|DXO Dynamic Range (EV)||10.8||12.7|
|DXO Low Light (ISO)||637||1079|
|Screen Specs||Canon XT||Sony NEX-5N|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.0inch|
|LCD Resolution||115k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon XT||Sony NEX-5N|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon XT||Sony NEX-5N|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon XT||Sony NEX-5N|
|Battery Life (CIPA)||400 shots per charge||460 shots per charge|
127 x 94 x 64 mm
(5.0 x 3.7 x 2.5 in)
111 x 59 x 38 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||540 g (19.0 oz)||269 g (9.5 oz)|
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