Canon XT vs Sony A6600
The Canon EOS Rebel XT (called Canon 350D in some regions) and the Sony Alpha A6600 are two digital cameras that were officially introduced, respectively, in February 2005 and August 2019. The XT is a DSLR, while the A6600 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 8 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel XT and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon XT and the Sony A6600. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The XT can be obtained in two different colors (black, silver), while the A6600 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is considerably smaller (33 percent) than the Canon XT. Moreover, the A6600 is markedly lighter (7 percent) than the XT. It is noteworthy in this context that the A6600 is splash and dust-proof, while the XT does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (XT) and the Sony E-Mount Lens Catalog (A6600). Mirrorless cameras, such as the A6600, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the XT gets 400 shots out of its NB-2LH battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The power pack in the A6600 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|2.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|4.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|5.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|7.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|8.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|9.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399|
|10.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|11.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|12.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|13.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|14.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|16.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XT was launched at a markedly lower price (by 36 percent) than the A6600, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6600 is 12 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (XT) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A6600 offers a higher resolution than the XT (8MP), but the A6600 has smaller individual pixels (pixel pitch of 3.91μm versus 6.41μm for the XT). Yet, the A6600 is a much more recent model (by 14 years and 6 months) than the XT, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A6600 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6600 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon XT are 17.3 x 11.5 inches or 43.9 x 29.3 cm for good quality, 13.8 x 9.2 inches or 35.1 x 23.4 cm for very good quality, and 11.5 x 7.7 inches or 29.3 x 19.5 cm for excellent quality prints.
The A6600 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel XT has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A6600 offers substantially better image quality than the XT (overall score 22 points higher). The advantage is based on 2 bits higher color depth, 2.6 EV in additional dynamic range, and 1.2 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|14.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|16.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. The A6600 indeed provides for movie recording, while the XT does not. The highest resolution format that the A6600 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6600 has an electronic viewfinder (2359k dots), while the XT has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A6600 offers a wider field of view (100%) than the one in the XT (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A6600 has a higher magnification (0.70x vs 0.49x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon XT and Sony A6600 in connection with corresponding information for a sample of similar cameras.
|16.||Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The XT has one, while the A6600 does not. While the built-in flash of the XT is not very powerful, it can at times be useful as a fill-in light.The A6600 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XT does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6600 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A6600 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XT writes its imaging data to Compact Flash cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel XT and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|16.||Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-|
It is notable that the A6600 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the XT does not provide wifi capability.
The A6600 is a recent model that features in the current product line-up of Sony. In contrast, the XT has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the XT was succeeded by the Canon Xti. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon XT and the Sony A6600? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS Rebel XT:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2005).
Advantages of the Sony Alpha A6600:
- More detail: Has more megapixels (24 vs 8MP), which boosts linear resolution by 74%.
- Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.2 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.49x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 115k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (120x67mm vs 127x94mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (810 versus 400) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 14 years and 6 months of technical progress since the XT launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A6600 is the clear winner of the contest (28 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon XT and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the XT or the A6600 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon XT||..||80/100||+ +||o||..||Feb 2005||899|
|2.||Sony A6600||4/5||+||83/100||4.5/5||4/5||Aug 2019||1,399|
|3.||Canon 77D||4.5/5||..||82/100||4.5/5||4/5||Feb 2017||899|
|4.||Canon T6i||5/5||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|5.||Canon T6s||5/5||+||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon T4i||4/5||+ +||77/100||4.5/5||4.5/5||Jun 2012||849|
|7.||Canon T1i||..||+ +||74/100||4.5/5||4.5/5||Mar 2009||799|
|8.||Canon XSi||..||+ +||+ +||4/5||4.5/5||Jan 2008||799|
|9.||Canon 30D||..||+ +||+ +||o||..||Feb 2006||1,399|
|10.||Canon XTi||..||+ +||+ +||o||4/5||Aug 2006||799|
|11.||Canon 20D||..||..||+ +||..||..||Aug 2004||1,499|
|12.||Canon Rebel||..||..||+ +||..||..||Aug 2003||899|
|13.||Fujifilm X-T4||5/5||+ +||..||5/5||5/5||Feb 2020||1,699|
|14.||Sony A7C||3.5/5||..||86/100||4/5||4/5||Sep 2020||1,799|
|15.||Sony A6500||5/5||+ +||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|16.||Sony A77 II||4/5||..||80/100||4.5/5||5/5||May 2014||1,199|
|17.||Sony A77||5/5||91/100||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon XT vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon XT||Sony A6600|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2005||August 2019|
|Launch Price||USD 899||USD 1,399|
|Sensor Specs||Canon XT||Sony A6600|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.2 x 14.8 mm||23.5 x 15.6 mm|
|Sensor Area||328.56 mm2||366.6 mm2|
|Sensor Diagonal||26.7 mm||28.2 mm|
|Sensor Resolution||8 Megapixels||24 Megapixels|
|Image Resolution||3456 x 2304 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.41 μm||3.91 μm|
|Pixel Density||2.42 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||100 - 102,400 ISO|
|Image Processor||DIGIC II||BIONZ X|
|DXO Sensor Quality (score)||60||82|
|DXO Color Depth (bits)||21.8||23.8|
|DXO Dynamic Range (EV)||10.8||13.4|
|DXO Low Light (ISO)||637||1497|
|Screen Specs||Canon XT||Sony A6600|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.0inch|
|LCD Resolution||115k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon XT||Sony A6600|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||50 000 actuations||100 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon XT||Sony A6600|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||YES HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon XT||Sony A6600|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||810 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
127 x 94 x 64 mm
(5.0 x 3.7 x 2.5 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||540 g (19.0 oz)||503 g (17.7 oz)|
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