Canon XSi vs Panasonic G85
The Canon EOS Rebel XSi (called Canon 450D in some regions) and the Panasonic Lumix DMC-G85 (labelled Panasonic G80 in some countries) are two digital cameras that were officially introduced, respectively, in January 2008 and September 2016. The XSi is a DSLR, while the G85 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (XSi) and a Four Thirds (G85) sensor. The Canon has a resolution of 12.2 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel XSi and the Panasonic Lumix DMC-G85? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon XSi and the Panasonic G85 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G85 is notably smaller (10 percent) than the Canon XSi. Moreover, the G85 is slightly lighter (4 percent) than the XSi. It is noteworthy in this context that the G85 is splash and dust-proof, while the XSi does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (XSi) and the Micro Four Thirds Lens Catalog (G85). Mirrorless cameras, such as the G85, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|2.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|3.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|4.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|5.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|6.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|7.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|8.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|9.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|10.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299|
|11.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|12.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|13.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|14.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|15.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|16.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|17.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The XSi was launched at a somewhat lower price (by 11 percent) than the G85, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon XSi features an APS-C sensor and the Panasonic G85 a Four Thirds sensor. The sensor area in the G85 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the XSi has a native 3:2 aspect ratio, while the one in the G85 offers a 4:3 aspect.
Despite having a smaller sensor, the G85 offers a higher resolution of 15.8 megapixels, compared with 12.2 MP of the XSi. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 5.19μm for the XSi). However, it should be noted that the G85 is much more recent (by 8 years and 7 months) than the XSi, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G85 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G85 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G85 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Canon XSi are 21.4 x 14.2 inches or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inches or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inches or 36.2 x 24.1 cm for excellent quality prints.
The Canon EOS Rebel XSi has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-G85 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the G85 has a markedly higher DXO score than the XSi (overall score 10 points higher), which will translate into better image quality. The advantage is based on 0.9 bits higher color depth, 1.7 EV in additional dynamic range, and 0.1 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|13.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|14.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|15.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|16.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1273||75|
|17.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The G85 indeed provides for movie recording, while the XSi does not. The highest resolution format that the G85 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G85 has an electronic viewfinder (2360k dots), while the XSi has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G85 offers a wider field of view (100%) than the one in the XSi (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G85 has a higher magnification (0.74x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon XSi, the Panasonic G85, and comparable cameras.
|1.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|2.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|3.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|8.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|9.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|10.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5||Y||n|
|11.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|13.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|14.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|15.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|16.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|17.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G85 has a touchscreen, while the XSi has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G85 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XSi does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G85 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G85 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XSi writes its imaging data to SDHC cards, while the G85 uses SDXC cards. The G85 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the XSi cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel XSi and Panasonic Lumix DMC-G85 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|8.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|14.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|17.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
It is notable that the G85 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the XSi does not provide wifi capability.
Both the XSi and the G85 have been discontinued, but can regularly be found used on eBay. The XSi was replaced by the Canon T1i, while the G85 was followed by the Panasonic G95. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is the Canon XSi better than the Panasonic G85 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS Rebel XSi:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (500 versus 330) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (11 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2008).
Reasons to prefer the Panasonic Lumix DMC-G85:
- More detail: Has more megapixels (15.8 vs 12.2MP), which boosts linear resolution by 12%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.7 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.54x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 8 years and 7 months of technical progress since the XSi launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G85 is the clear winner of the contest (21 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon XSi and the Panasonic G85 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the XSi or the G85. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|2.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|3.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|4.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|5.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|6.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|7.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|8.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|9.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|10.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299|
|11.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|12.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|13.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|14.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|15.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|16.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|17.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon SL3 vs Canon XSi
- Canon XSi vs Fujifilm X-E3
- Canon XSi vs Nikon 1 V1
- Canon XSi vs Nikon D5300
- Canon XSi vs Sony A7
- Canon XSi vs Sony A77 II
- Fujifilm X-Pro2 vs Panasonic G85
- Fujifilm X-T4 vs Panasonic G85
- Nikon D3500 vs Panasonic G85
- Nikon Z fc vs Panasonic G85
- Panasonic G85 vs Panasonic GM5
- Panasonic G85 vs Pentax MX-1
Specifications: Canon XSi vs Panasonic G85
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon XSi||Panasonic G85|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2008||September 2016|
|Launch Price||USD 799||USD 899|
|Sensor Specs||Canon XSi||Panasonic G85|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.2 x 14.8 mm||17.3 x 13.0 mm|
|Sensor Area||328.56 mm2||224.9 mm2|
|Sensor Diagonal||26.7 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||15.8 Megapixels|
|Image Resolution||4272 x 2848 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.19 μm||3.77 μm|
|Pixel Density||3.70 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||DIGIC 3||Venus|
|DXO Sensor Quality (score)||61||71|
|DXO Color Depth (bits)||21.9||22.8|
|DXO Dynamic Range (EV)||10.8||12.5|
|DXO Low Light (ISO)||692||656|
|Screen Specs||Canon XSi||Panasonic G85|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon XSi||Panasonic G85|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3.5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon XSi||Panasonic G85|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon XSi||Panasonic G85|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||330 shots per charge|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
|Camera Weight||524 g (18.5 oz)||505 g (17.8 oz)|
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