Canon XC10 vs Sony A7 II
The Canon XC10 and the Sony Alpha A7 II are two enthusiast cameras that were announced, respectively, in April 2015 and November 2014. The XC10 is a fixed lens compact, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (XC10) and a full frame (A7 II) sensor. The Canon has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon XC10 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon XC10 and the Sony A7 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is somewhat smaller (4 percent) than the Canon XC10. It is noteworthy in this context that the A7 II is splash and dust-proof, while the XC10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XC10 has a lens built in, whereas the A7 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the XC10 gets .. shots out of its LP-E6N battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon XC10||4.9 in||4.0 in||4.8 in||36.7 oz||..||n||Apr 2015||2,499|
|Sony A7 II||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999|
|Canon G7 X Mark II||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699|
|Canon G5 X||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799|
|Canon G9 X||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529|
|Canon G1 X Mark II||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799|
|Canon G7 X||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699|
|Canon SX60||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549|
|Fujifilm X30||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599|
|Nikon P900||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599|
|Panasonic FZ2500||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Panasonic LX100||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899|
|Sony A7C||4.9 in||2.8 in||2.4 in||18.0 oz||740||Y||Sep 2020||1,799|
|Sony A9 II||5.1 in||3.8 in||3.0 in||23.9 oz||690||Y||Oct 2019||4,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A7||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699|
|Sony A7R||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon XC10 features an one-inch sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 596 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.75 and 1.0. The sensor in the XC10 has a native 4:3 aspect ratio, while the one in the A7 II offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the A7 II offers a higher resolution than the XC10 (12MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.20μm for the XC10) due to its larger sensor. However, the XC10 is a somewhat more recent model (by 4 months) than the A7 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon XC10 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon XC10 has a native sensitivity range from ISO 160 to ISO 20000. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the XC10 provides a higher video resolution than the A7 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XC10 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon XC10 and Sony A7 II along with similar information for a selection of comparators.
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The XC10 has a touchscreen, while the A7 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Canon XC10 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XC10 writes its imaging data to CFast or SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The XC10 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7 II only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon XC10 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
Both the XC10 and the A7 II have been discontinued, but can regularly be found used on eBay. The A7 II was replaced by the Sony A7 III, while the XC10 was followed by the Canon XC15. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon XC10 and the Sony A7 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon XC10:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A7 II requires a separate lens.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 4 months after the A7 II).
Arguments in favor of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1030k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3.8 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More heavily discounted: Has been on the market for longer (launched in November 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (13 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon XC10 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the XC10 and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon XC10||..||80/100||..||..||..||Apr 2015||2,499|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Canon G7 X Mark II||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon G5 X||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon G9 X||+ +||..||4.5/5||4/5||4.5/5||Oct 2015||529|
|Canon G1 X Mark II||+||77/100||4/5||4/5||4.5/5||Feb 2014||799|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Canon SX60||+ +||75/100||4/5||..||4.5/5||Sep 2014||549|
|Fujifilm X30||..||76/100||4.5/5||4/5||4.5/5||Aug 2014||599|
|Nikon P900||..||77/100||4/5||4.5/5||4/5||Mar 2015||599|
|Panasonic FZ2500||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Panasonic LX100||+ +||85/100||5/5||4/5||5/5||Sep 2014||899|
|Sony A7C||..||86/100||4/5||..||4/5||Sep 2020||1,799|
|Sony A9 II||..||90/100||5/5||..||5/5||Oct 2019||4,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A7||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699|
|Sony A7R||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon XC10 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon XC10||Sony A7 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-240mm f/2.8-5.6||Sony E mount lenses|
|Launch Date||April 2015||November 2014|
|Launch Price||USD 2,499||USD 1,999|
|Sensor Specs||Canon XC10||Sony A7 II|
|Sensor Format||1" Sensor||Full Frame Sensor|
|Sensor Size||12.8 x 9.6 mm||35.8 x 23.9 mm|
|Sensor Area||122.88 mm2||855.62 mm2|
|Sensor Diagonal||16 mm||43 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.20 μm||5.97 μm|
|Pixel Density||9.77 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||160 - 20,000 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||50 - 51,200 ISO|
|Image Processor||DIGIC DV5||BIONZ X|
|DXO Sensor Quality (score)||..||90|
|DXO Color Depth (bits)||..||24.9|
|DXO Dynamic Range (EV)||..||13.6|
|DXO Low Light (ISO)||..||2449|
|Screen Specs||Canon XC10||Sony A7 II|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1030k dots||1230k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon XC10||Sony A7 II|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||3.8 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CFAST or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon XC10||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon XC10||Sony A7 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|In-Camera Charging||USB charging||USB charging|
125 x 102 x 122 mm
(4.9 x 4.0 x 4.8 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||1040 g (36.7 oz)||599 g (21.1 oz)|
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