Canon XC10 vs Panasonic G9
The Canon XC10 and the Panasonic Lumix DC-G9 are two enthusiast cameras that were announced, respectively, in April 2015 and November 2017. The XC10 is a fixed lens compact, while the G9 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (XC10) and a Four Thirds (G9) sensor. The Canon has a resolution of 12 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon XC10||Panasonic G9|
|Fixed lens compact camera||Mirrorless system camera|
|24-240mm f/2.8-5.6||Micro Four Thirds lenses|
|12 MP, 1" Sensor||20.2 MP, Four Thirds Sensor|
|4K/30p Video||4K/60p Video|
|ISO 160-20000||ISO 200-25600|
|No viewfinder, LCD framing||Electronic viewfinder (3680k dots)|
|3.0" LCD, 1030k dots||3.0" LCD, 1040k dots|
|Tilting touchscreen||Swivel touchscreen|
|3.8 shutter flaps per second||20 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|Not weather sealed||Weathersealed body|
|125 x 102 x 122 mm, 1040 g||137 x 97 x 92 mm, 658 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon XC10 and the Panasonic Lumix DC-G9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon XC10 and the Panasonic G9. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is somewhat larger (4 percent) than the Canon XC10. It is noteworthy in this context that the G9 is splash and dust-proof, while the XC10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XC10 has a lens built in, whereas the G9 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G9 and their specifications in the Micro Four Thirds Lens Catalog.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon XC10»||4.9 in||4.0 in||4.8 in||36.7 oz||..||n||Apr 2015||2,499||Canon XC10|
|Panasonic G9«||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||Canon G7 X Mark II|
|Canon G5 X« »||4.4 in||3.0 in||1.7 in||12.5 oz||210||n||Oct 2015||799||Canon G5 X|
|Canon G9 X« »||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529||Canon G9 X|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||Canon G7 X|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Fujifilm X30« »||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599||Fujifilm X30|
|Nikon P900« »||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599||Nikon P900|
|Olympus E-M1 III« »||5.3 in||3.6 in||2.7 in||20.5 oz||420||Y||Feb 2020||1,799||Olympus E-M1 III|
|Olympus E-M1 II« »||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ2500« »||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199||Panasonic FZ2500|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G85|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||Panasonic GH4|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon XC10 features an one-inch sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 83 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.75 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 20.2MP, the G9 offers a higher resolution than the XC10 (12MP), but the G9 nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 3.20μm for the XC10) due to its larger sensor. Moreover, the G9 is a much more recent model (by 2 years and 7 months) than the XC10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Canon XC10 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
Unlike the XC10, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon XC10 has a native sensitivity range from ISO 160 to ISO 20000. The corresponding ISO settings for the Panasonic Lumix DC-G9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon XC10||1-inch||12.0||4000||3000||4K/30p||..||..||..||..||Canon XC10|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..||Panasonic G9|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G7 X Mark II|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..||Canon G5 X|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63||Canon G9 X|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Fujifilm X30||2/3||12.0||4000||3000||1080/60p||..||..||..||..||Fujifilm X30|
|Nikon P900||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Nikon P900|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..||Olympus E-M1 III|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic FZ2500||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Panasonic FZ2500|
|Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G9 provides a faster frame rate than the XC10. It can shoot movie footage at 4K/60p, while the Canon is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XC10 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon XC10, the Panasonic G9, and comparable cameras.
|Canon XC10||none||n||3.0||1030||tilting||Y||1/2000s||3.8||n||Y||Canon XC10|
|Panasonic G9||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y||Canon G9 X|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Fujifilm X30||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Nikon P900||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 III|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic GH5||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic FZ2500||2360||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ2500|
|Panasonic G85||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GH4||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Panasonic LX100||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
One feature that is present on the G9, but is missing on the XC10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G9 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XC10 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon XC10 and the Panasonic G9 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XC10 writes its imaging data to CFast or SDXC cards, while the G9 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The G9 supports UHS-II cards (on both slots), while the XC10 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon XC10 and Panasonic Lumix DC-G9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon XC10||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon XC10|
|Panasonic G9||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G9 X|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Fujifilm X30||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Nikon P900||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Olympus E-M1 III|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic GH5||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic FZ2500||Y||stereo||mono||Y||Y||micro||2.0||Y||-||-||Panasonic FZ2500|
|Panasonic G85||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GH4||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Panasonic LX100||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
Studio photographers will appreciate that the Panasonic G9 (unlike the XC10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the XC10 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the XC10 was succeeded by the Canon XC15. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is the Canon XC10 better than the Panasonic G9 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon XC10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Ready to shoot: Has a lens built-in, whereas the G9 requires a separate lens.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in April 2015).
Reasons to prefer the Panasonic Lumix DC-G9:
- More detail: Has more megapixels (20.2 vs 12MP), which boosts linear resolution by 30%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 3.8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 7 months of technical progress since the XC10 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the G9 is the clear winner of the contest (23 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon XC10 and the Panasonic G9 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the XC10 and the G9 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D vs Canon XC10
- Canon 5DS R vs Panasonic G9
- Canon 7D vs Panasonic G9
- Canon T6 vs Canon XC10
- Canon XC10 vs Fujifilm X100
- Canon XC10 vs Nikon 1 V2
- Canon XC10 vs Sony A6000
- Canon XC10 vs Sony A6600
- Leica Digilux 3 vs Panasonic G9
- Panasonic G9 vs Panasonic GM1
- Panasonic G9 vs Panasonic S1R
- Panasonic G9 vs Sony RX100 III
Specifications: Canon XC10 vs Panasonic G9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon XC10||Panasonic G9|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-240mm f/2.8-5.6||Micro Four Thirds lenses|
|Launch Date||April 2015||November 2017|
|Launch Price||USD 2499||USD 1699|
|Sensor Specs||Canon XC10||Panasonic G9|
|Sensor Format||1" Sensor||Four Thirds Sensor|
|Sensor Size||12.8 x 9.6 mm||17.3 x 13.0 mm|
|Sensor Area||122.88 mm2||224.9 mm2|
|Sensor Diagonal||16 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||20.2 Megapixels|
|Image Resolution||4000 x 3000 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.20 μm||3.34 μm|
|Pixel Density||9.77 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||160-20000 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Image Processor||DIGIC DV5||Venus 10|
|Screen Specs||Canon XC10||Panasonic G9|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1030k dots||1040k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Canon XC10||Panasonic G9|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||3.8 shutter flaps/s||20 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CFAST or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon XC10||Panasonic G9|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon XC10||Panasonic G9|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|In-Camera Charging||USB charging||USB charging|
125 x 102 x 122 mm
(4.9 x 4.0 x 4.8 in)
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
|Camera Weight||1040 g (36.7 oz)||658 g (23.2 oz)|
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