Canon T7 vs Sony A7 II
The Canon EOS Rebel T7 (called Canon 2000D in some regions) and the Sony Alpha A7 II are two digital cameras that were officially introduced, respectively, in February 2018 and November 2014. The T7 is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T7) and a full frame (A7 II) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T7 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T7 and the Sony A7 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is notably smaller (6 percent) than the Canon T7. However, the A7 II is markedly heavier (26 percent) than the T7. It is noteworthy in this context that the A7 II is splash and dust-proof, while the T7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T7) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the T7 gets 500 shots out of its LP-E10 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon T7||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449|
|Sony A7 II||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999|
|Canon SL3||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599|
|Canon T100||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399|
|Canon 77D||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899|
|Canon SL2||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549|
|Canon T7i||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749|
|Canon T6||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449|
|Canon T6i||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749|
|Canon T6s||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649|
|Canon T5||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449|
|Canon T3||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449|
|Sony A7C||4.9 in||2.8 in||2.4 in||18.0 oz||740||Y||Sep 2020||1,799|
|Sony A9 II||5.1 in||3.8 in||3.0 in||23.9 oz||690||Y||Oct 2019||4,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A7||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699|
|Sony A7R||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T7 was launched at a markedly lower price (by 78 percent) than the A7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T7 features an APS-C sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 158 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A7 II has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A7 II has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.72μm for the T7), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the T7 is much more recent (by 3 years and 3 months) than the A7 II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T7 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7C||Full Frame||24.0||6000||4000||4K/30p||..||..||..||..|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7 II provides a faster frame rate than the T7. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the T7 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7 II offers a wider field of view (100%) than the one in the T7 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7 II has a higher magnification (0.71x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon T7 and Sony A7 II in connection with corresponding information for a sample of similar cameras.
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The T7 has one, while the A7 II does not. While the built-in flash of the T7 is not very powerful, it can at times be useful as a fill-in light.
The T7 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The A7 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T7 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T7 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the A7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The T7 lacks such a headphone port.
The T7 is a recent model that features in the current product line-up of Canon. In contrast, the A7 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7 II was succeeded by the Sony A7 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon T7 or the Sony A7 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS Rebel T7:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 124g or 21 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 350) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
- More modern: Reflects 3 years and 3 months of technical progress since the A7 II launch.
Reasons to prefer the Sony Alpha A7 II:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.50x).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in November 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (17 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T7 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the T7 and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon T7||o||..||3.5/5||..||3.5/5||Feb 2018||449|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Canon SL3||o||79/100||4/5||..||4/5||Apr 2019||599|
|Canon T100||o||..||3.5/5||..||3.5/5||Feb 2018||399|
|Canon 77D||..||82/100||4.5/5||4.5/5||4/5||Feb 2017||899|
|Canon SL2||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549|
|Canon T7i||..||80/100||4.5/5||4/5||4/5||Feb 2017||749|
|Canon T6||o||73/100||4/5||3.5/5||4/5||Mar 2016||449|
|Canon T6i||..||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749|
|Canon T6s||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649|
|Canon T5||+||..||4/5||4/5||4.5/5||Feb 2014||449|
|Canon T3||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449|
|Sony A7C||..||86/100||..||..||4/5||Sep 2020||1,799|
|Sony A9 II||..||90/100||5/5||..||5/5||Oct 2019||4,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A7||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699|
|Sony A7R||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon T7 vs Sony A7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T7||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2018||November 2014|
|Launch Price||USD 449||USD 1,999|
|Sensor Specs||Canon T7||Sony A7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.8 x 23.9 mm|
|Sensor Area||332.27 mm2||855.62 mm2|
|Sensor Diagonal||26.8 mm||43 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||5.97 μm|
|Pixel Density||7.22 MP/cm2||2.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||50 - 51,200 ISO|
|Image Processor||DIGIC 4+||BIONZ X|
|DXO Sensor Quality (score)||..||90|
|DXO Color Depth (bits)||..||24.9|
|DXO Dynamic Range (EV)||..||13.6|
|DXO Low Light (ISO)||..||2449|
|Screen Specs||Canon T7||Sony A7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon T7||Sony A7 II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T7||Sony A7 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon T7||Sony A7 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||475 g (16.8 oz)||599 g (21.1 oz)|
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