Canon T7 vs Pentax K-500
The Canon EOS Rebel T7 (called Canon 2000D in some regions) and the Pentax K-500 are two digital cameras that were revealed to the public, respectively, in February 2018 and June 2013. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T7 and the Pentax K-500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T7 and the Pentax K-500. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-500 is somewhat smaller (3 percent) than the Canon T7. However, the K-500 is substantially heavier (36 percent) than the T7. In this context, it is worth noting that neither the T7 nor the K-500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|2.||Pentax K-500||130 mm||97 mm||71 mm||646 g||710||n||Jun 2013||549|
|3.||Canon SL3||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|4.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon SL2||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|7.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|8.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|9.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|10.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|11.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|12.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|13.||Pentax K-S1||121 mm||93 mm||70 mm||558 g||410||n||Aug 2014||749|
|14.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|15.||Pentax K-30||130 mm||97 mm||71 mm||650 g||410||Y||May 2012||849|
|16.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|17.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T7 was launched at a somewhat lower price (by 18 percent) than the K-500, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-500 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (T7) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the Canon T7 offers a higher resolution of 24 megapixels, compared with 16.1 MP of the Pentax K-500. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 4.77μm for the K-500). However, it should be noted that the T7 is much more recent (by 4 years and 8 months) than the K-500, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon T7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Pentax K-500 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The Canon EOS Rebel T7 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Pentax K-500 are ISO 100 to ISO 51200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|16.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The T7 and the K-500 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-500 offers a wider field of view (100%) than the one in the T7 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-500 has a higher magnification (0.61x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T7 and Pentax K-500 along with similar information for a selection of comparators.
|16.||Pentax K-5 II||optical||Y||3.0||921||fixed||n||1/8000s||7.0||Y||Y|
One feature that differentiates the K-500 and the T7 is in-body image stabilization (IBIS). The K-500 reduces the risk of handshake-induced blur with all attached lenses, while the T7 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The Pentax K-500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T7 and the K-500 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T7 and Pentax K-500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|16.||Pentax K-5 II||Y||stereo||mono||Y||-||mini||2.0||-||-||-|
It is notable that the T7 offers wifi support, while the K-500 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The T7 is a recent model that features in the current product line-up of Canon. In contrast, the K-500 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the K-500 from Pentax. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So what conclusions can be drawn? Is the Canon T7 better than the Pentax K-500 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS Rebel T7:
- More detail: Offers more megapixels (24 vs 16.1MP) with a 22% higher linear resolution.
- Less heavy: Is lighter (by 171g or 26 percent) and hence easier to carry around.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced segment (18 percent cheaper at launch).
- More modern: Reflects 4 years and 8 months of technical progress since the K-500 launch.
Arguments in favor of the Pentax K-500:
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.61x vs 0.50x).
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (710 versus 500) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been around for much longer (launched in June 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the K-500 emerges as the winner of the match-up (8 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T7 and the Pentax K-500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the T7 or the K-500 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T7||..||o||..||3.5/5||3.5/5||Feb 2018||449|
|2.||Pentax K-500||..||..||..||4.5/5||4.5/5||Jun 2013||549|
|3.||Canon SL3||..||o||79/100||4/5||4/5||Apr 2019||599|
|4.||Canon T100||..||o||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon 77D||4.5/5||..||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon SL2||4/5||+ +||78/100||4.5/5||4.5/5||Jun 2017||549|
|7.||Canon T7i||4.5/5||..||80/100||4.5/5||4/5||Feb 2017||749|
|8.||Canon T6||4/5||o||73/100||4/5||4/5||Mar 2016||449|
|9.||Canon T6i||5/5||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|10.||Canon T6s||5/5||+||77/100||4.5/5||4.5/5||Feb 2015||649|
|11.||Canon T5||3/5||+||..||4/5||4.5/5||Feb 2014||449|
|12.||Canon T3||..||80/100||69/100||4/5||4.5/5||Feb 2011||449|
|13.||Pentax K-S1||4/5||..||..||4.5/5||4/5||Aug 2014||749|
|14.||Pentax K-50||5/5||..||..||5/5||4.5/5||Jun 2013||599|
|15.||Pentax K-30||4/5||..||78/100||4.5/5||4.5/5||May 2012||849|
|16.||Pentax K-5 II||5/5||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|17.||Pentax K-5||4/5||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon T7 vs Pentax K-500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T7||Pentax K-500|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Pentax K mount lenses|
|Launch Date||February 2018||June 2013|
|Launch Price||USD 449||USD 549|
|Sensor Specs||Canon T7||Pentax K-500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||16.1 Megapixels|
|Image Resolution||6000 x 4000 pixels||4928 x 3264 pixels|
|Pixel Pitch||3.72 μm||4.77 μm|
|Pixel Density||7.22 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4+||PRIME M|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||13.1|
|DXO Low Light (ISO)||..||1087|
|Screen Specs||Canon T7||Pentax K-500|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon T7||Pentax K-500|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/6000s|
|Continuous Shooting||3 shutter flaps/s||6 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon T7||Pentax K-500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon T7||Pentax K-500|
|Battery Life (CIPA)||500 shots per charge||710 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
130 x 97 x 71 mm
(5.1 x 3.8 x 2.8 in)
|Camera Weight||475 g (16.8 oz)||646 g (22.8 oz)|
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