Canon T6s vs Panasonic LX100 II
The Canon EOS Rebel T6s (called Canon 760D in some regions) and the Panasonic Lumix DC-LX100 II are two digital cameras that were officially introduced, respectively, in February 2015 and August 2018. The T6s is a DSLR, while the LX100 II is a fixed lens compact. The cameras are based on an APS-C (T6s) and a Four Thirds (LX100 II) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 16.8 MP.
As their names suggest, both the Canon EOS Rebel T6s and the Panasonic Lumix DC-LX100 II belong to Canon's Rebel line of DSLR cameras. This range of APS-C cameras, which started out with the Canon EOS Digital Rebel in 2003, has been a big commercial success and the backbone of Canon's dominance in the digital camera market. The popularity of the Rebel cameras is the result of them inheriting much of the sensor and shooting technology from earlier released professional DSLRs, while being sold at a much more budget-friendly price point. The strong brand reputation of Canon and the comprehensive EOS system of compatible lenses and accessories further contributes to the appeal of the Rebel cams, including the Canon T6s and Panasonic LX100 II. Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon T6s||Panasonic LX100 II|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-75mm f/1.7-2.8|
|24 MP, APS-C Sensor||16.8 MP, Four Thirds Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-12800 (100-25600)||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2764k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1240k dots|
|Swivel touchscreen||Fixed touchscreen|
|5 shutter flaps per second||11 shutter flaps per second|
|440 shots per battery charge||300 shots per battery charge|
|132 x 101 x 78 mm, 565 g||115 x 66 x 65 mm, 392 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6s and the Panasonic Lumix DC-LX100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T6s and the Panasonic LX100 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 II is considerably smaller (43 percent) than the Canon T6s. In this context, it is worth noting that neither the T6s nor the LX100 II are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 II has a lens built in, whereas the T6s is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T6s and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the T6s gets 440 shots out of its LP-E17 battery, while the LX100 II can take 300 images on a single charge of its DMW-BLG10 power pack. The power pack in the LX100 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon T6s»||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon T6s|
|Panasonic LX100 II«||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon T7i« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon T7i|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon T5« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon T5|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||-||Canon T4i|
|Canon T2i« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||-||Canon XSi|
|Canon XTi« »||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799||-||Canon XTi|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||-||Canon XT|
|Leica D-LUX 7« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Panasonic LX100« »||4.5 in||2.6 in||2.2 in||13.9 oz||300||n||Sep 2014||899||Panasonic LX100|
|Panasonic GH2« »||4.9 in||3.5 in||3.0 in||15.6 oz||330||n||Sep 2010||899||-||Panasonic GH2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T6s features an APS-C sensor and the Panasonic LX100 II a Four Thirds sensor. The sensor area in the LX100 II is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T6s has a native 3:2 aspect ratio, while the one in the LX100 II offers a 4:3 aspect. The LX100 II has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the T6s offers a higher resolution than the LX100 II (16.8MP), but the T6s nevertheless has marginally larger individual pixels (pixel pitch of 3.72μm versus 3.66μm for the LX100 II) due to its larger sensor. However, the LX100 II is a much more recent model (by 3 years and 6 months) than the T6s, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the LX100 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon T6s implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6s for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX100 II are 23.7 x 17.8 inch or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inch or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inch or 40.1 x 30.1 cm for excellent quality prints.
The T6s has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T6s has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-LX100 II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon T6s»||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Panasonic LX100 II«||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon T7i« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon T7i|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon T5« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon T5|
|Canon T4i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon T2i« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon T2i|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon XSi« »||APS-C||12.2||4272||2848||-||21.9||10.8||692||61||Canon XSi|
|Canon XTi« »||APS-C||10.1||3888||2592||-||22.1||11.0||664||62||Canon XTi|
|Canon XT« »||APS-C||8.0||3456||2304||-||21.8||10.8||637||60||Canon XT|
|Leica D-LUX 7« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Leica D-LUX 7|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic LX100« »||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Panasonic GH2« »||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60||Panasonic GH2|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX100 II provides a better video resolution than the T6s. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LX100 II has an electronic viewfinder (2764k dots), while the T6s has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the LX100 II offers a wider field of view (100%) than the one in the T6s (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the LX100 II has a higher magnification (0.70x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T6s, the Panasonic LX100 II, and comparable cameras.
|Canon T6s»||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6s|
|Panasonic LX100 II«||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon T7i« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon T7i|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T6i|
|Canon T5« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon T5|
|Canon T4i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon T2i« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon T2i|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon XSi« »||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon XSi|
|Canon XTi« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon XTi|
|Canon XT« »||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Leica D-LUX 7« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Panasonic LX100« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Panasonic GH2« »||1534||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH2|
One difference between the cameras concerns the presence of an on-board flash. The T6s has one, while the LX100 II does not. While the built-in flash of the T6s is not very powerful, it can at times be useful as a fill-in light.The T6s has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the LX100 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX100 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T6s and the LX100 II write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6s and Panasonic Lumix DC-LX100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon T6s»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Panasonic LX100 II«||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon T7i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon T7i|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T5|
|Canon T4i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon T2i« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon T2i|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon XSi« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon XSi|
|Canon XTi« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XTi|
|Canon XT« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XT|
|Leica D-LUX 7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic LX100« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Panasonic GH2« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic GH2|
It is notable that the T6s has a microphone port, which is missing on the LX100 II. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The LX100 II is a recent model that features in the current product line-up of Panasonic. In contrast, the T6s has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the T6s was succeeded by the Canon 77D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon T6s and the Panasonic LX100 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Rebel T6s:
- More detail: Offers more megapixels (24 vs 16.8MP) with a 22% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (440 versus 300) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in February 2015).
Reasons to prefer the Panasonic Lumix DC-LX100 II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.51x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the T6s requires a separate lens.
- More compact: Is smaller (115x66mm vs 132x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the T6s).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 3 years and 6 months of technical progress since the T6s launch.
If the count of relative strengths (bullet points above) is taken as a measure, the LX100 II emerges as the winner of the match-up (16 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6s and the Panasonic LX100 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the T6s and the LX100 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon T6s»||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon T6s|
|Panasonic LX100 II«||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon T7i« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon T7i|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon T5« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon T5|
|Canon T4i« »||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849||-||Canon T4i|
|Canon T2i« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon T2i|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon XSi« »||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799||-||Canon XSi|
|Canon XTi« »||+ +||+ +||o||4.5/5||4/5||Aug 2006||799||-||Canon XTi|
|Canon XT« »||80/100||+ +||o||o||-||Feb 2005||899||-||Canon XT|
|Leica D-LUX 7« »||-||-||-||-||4.5/5||Nov 2018||1,195||Leica D-LUX 7|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Panasonic LX100« »||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Panasonic GH2« »||+ +||79/100||4.5/5||4.5/5||5/5||Sep 2010||899||-||Panasonic GH2|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1100D vs Panasonic LX100 II
- Canon 6D Mark II vs Panasonic LX100 II
- Canon G1 X vs Panasonic LX100 II
- Canon SX730 vs Canon T6s
- Canon T6s vs Olympus E-30
- Canon T6s vs Olympus E-M10
- Canon T6s vs Sony A7R III
- Canon T6s vs Sony HX95
- Canon T6s vs Sony HX99
- Fujifilm X-Pro2 vs Panasonic LX100 II
- Panasonic GX7 vs Panasonic LX100 II
- Panasonic LX100 II vs Sony A6600
Specifications: Canon T6s vs Panasonic LX100 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6s||Panasonic LX100 II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-75mm f/1.7-2.8|
|Launch Date||February 2015||August 2018|
|Launch Price||USD 649||USD 999|
|Sensor Specs||Canon T6s||Panasonic LX100 II|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||16.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4736 x 3552 pixels|
|Pixel Pitch||3.72 μm||3.66 μm|
|Pixel Density||7.22 MP/cm2||7.48 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||200-25600 ISO|
|ISO Boost||100-25600 ISO||100-25600 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||70||..|
|DXO Color Depth (bits)||22.6||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||915||..|
|Screen Specs||Canon T6s||Panasonic LX100 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2764k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon T6s||Panasonic LX100 II|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon T6s||Panasonic LX100 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon T6s||Panasonic LX100 II|
|Battery Life (CIPA)||440 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
132 x 101 x 78 mm
(5.2 x 4.0 x 3.1 in)
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
|Camera Weight||565 g (19.9 oz)||392 g (13.8 oz)|
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