Canon T6 vs Panasonic LF1
The Canon EOS Rebel T6 (called Canon 1300D in some regions) and the Panasonic Lumix DMC-LF1 are two digital cameras that were officially introduced, respectively, in March 2016 and April 2013. The T6 is a DSLR, while the LF1 is a fixed lens compact. The cameras are based on an APS-C (T6) and a 1/1.7-inch (LF1) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6 and the Panasonic Lumix DMC-LF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T6 and the Panasonic LF1. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LF1 is considerably smaller (51 percent) than the Canon T6. In this context, it is worth noting that neither the T6 nor the LF1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the T6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T6 and their specifications in the Canon EF Lens Catalog.
The power pack in the LF1 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|2.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|3.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|6.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|7.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|8.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|9.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|10.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|11.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|12.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|13.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|14.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|15.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|16.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|17.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T6 features an APS-C sensor and the Panasonic LF1 a 1/1.7-inch sensor. The sensor area in the LF1 is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 4.5. The sensor in the T6 has a native 3:2 aspect ratio, while the one in the LF1 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 17.9MP, the T6 offers a higher resolution than the LF1 (12MP), but the T6 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 1.89μm for the LF1) due to its larger sensor. Moreover, the T6 is a much more recent model (by 2 years and 10 months) than the LF1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon EOS Rebel T6 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-LF1 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LF1 provides a faster frame rate than the T6. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the LF1 has an electronic viewfinder (200k dots), while the T6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon T6 and Panasonic LF1 along with similar information for a selection of comparators.
|1.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|2.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0||Y||Y|
|3.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|6.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|7.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|8.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1||Y||Y|
|10.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|11.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|13.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|14.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|15.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|16.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0||Y||Y|
|17.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
Concerning the storage of imaging data, both the T6 and the LF1 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6 and Panasonic Lumix DMC-LF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|10.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|14.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the T6 has a hotshoe, while the LF1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The LF1 is a recent model that features in the current product line-up of Panasonic. In contrast, the T6 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T6 was succeeded by the Canon T7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon T6 and the Panasonic LF1? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS Rebel T6:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (500 versus 250) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Reflects 2 years and 10 months of technical progress since the LF1 launch.
Arguments in favor of the Panasonic Lumix DMC-LF1:
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the T6 requires a separate lens.
- More compact: Is smaller (103x62mm vs 129x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the T6).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been around for much longer (launched in April 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the T6 comes out slightly ahead of the LF1 (10 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6 and the Panasonic LF1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the T6 or the LF1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|2.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|3.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|6.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|7.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|8.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|9.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|10.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|11.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|12.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|13.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|14.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|15.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|16.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|17.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II vs Canon T6
- Canon T3 vs Panasonic LF1
- Canon T6 vs Canon T6s
- Canon T6 vs Nikon D810
- Canon T6 vs Olympus E-M10
- Canon T6 vs Olympus TG-5
- Canon T6 vs Panasonic L1
- Nikon D3S vs Panasonic LF1
- Nikon D5500 vs Panasonic LF1
- Panasonic LF1 vs Panasonic TS7
- Panasonic LF1 vs Ricoh GR II
- Panasonic LF1 vs Sony A6400
Specifications: Canon T6 vs Panasonic LF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6||Panasonic LF1|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-200mm f/2.0-5.9|
|Launch Date||March 2016||April 2013|
|Launch Price||USD 449||USD 499|
|Sensor Specs||Canon T6||Panasonic LF1|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||22.3 x 14.9 mm||7.6 x 5.7 mm|
|Sensor Area||332.27 mm2||43.32 mm2|
|Sensor Diagonal||26.8 mm||9.5 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.31 μm||1.89 μm|
|Pixel Density||5.39 MP/cm2||27.70 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100 - 6,400 ISO||80 - 6,400 ISO|
|ISO Boost||100 - 12,800 ISO||80 - 12,800 ISO|
|Image Processor||DIGIC 4+||Venus|
|DXO Sensor Quality (score)||..||52|
|DXO Color Depth (bits)||..||20.8|
|DXO Dynamic Range (EV)||..||11.6|
|DXO Low Light (ISO)||..||211|
|Screen Specs||Canon T6||Panasonic LF1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||200k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon T6||Panasonic LF1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon T6||Panasonic LF1|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon T6||Panasonic LF1|
|Battery Life (CIPA)||500 shots per charge||250 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
103 x 62 x 28 mm
(4.1 x 2.4 x 1.1 in)
|Camera Weight||485 g (17.1 oz)||192 g (6.8 oz)|
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