Canon T6 vs Panasonic GF7
The Canon EOS Rebel T6 (called Canon 1300D in some regions) and the Panasonic Lumix DMC-GF7 are two digital cameras that were revealed to the public, respectively, in March 2016 and January 2015. The T6 is a DSLR, while the GF7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T6) and a Four Thirds (GF7) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6 and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T6 and the Panasonic GF7. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the T6 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (47 percent) than the Canon T6. Moreover, the GF7 is substantially lighter (45 percent) than the T6. In this context, it is worth noting that neither the T6 nor the GF7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T6) and the Micro Four Thirds Lens Catalog (GF7). Mirrorless cameras, such as the GF7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|2.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|3.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|6.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|8.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|9.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|12.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|13.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|14.||Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|15.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|16.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|17.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T6 was somewhat cheaper (by 10 percent) than the GF7 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T6 features an APS-C sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T6 has a native 3:2 aspect ratio, while the one in the GF7 offers a 4:3 aspect.
With 17.9MP, the T6 offers a higher resolution than the GF7 (15.8MP), but the T6 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.77μm for the GF7) due to its larger sensor. Moreover, the T6 is a somewhat more recent model (by 1 year and 1 month) than the GF7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GF7 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Canon EOS Rebel T6 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||22.7||12.3||874||70|
|14.||Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|15.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|16.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|17.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GF7 provides a faster frame rate than the T6. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the T6 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon T6 and Panasonic GF7 along with similar information for a selection of comparators.
|1.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8/s||Y||n|
|3.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6/s||Y||n|
|6.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|8.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|12.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|13.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|14.||Panasonic GX800||none||n||3.0 / 1040||tilting||Y||1/500s||10.0/s||Y||n|
|15.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|16.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|17.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF7 has a touchscreen, while the T6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GF7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the T6 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the T6 and the GF7 write their files to SDXC cards. The GF7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6 and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic GX800||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|16.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|17.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
It is notable that the T6 has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the T6 and the GF7 have been discontinued, but can regularly be found used on eBay. The GF7 was replaced by the Panasonic GX850, while the T6 was followed by the Canon T7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is the Canon T6 better than the Panasonic GF7 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS Rebel T6:
- More detail: Offers more megapixels (17.9 vs 15.8MP) with a 8% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (500 versus 230) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Is somewhat more recent (announced 1 year and 1 month after the GF7).
Arguments in favor of the Panasonic Lumix DMC-GF7:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (107x65mm vs 129x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 219g or 45 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in January 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the GF7 emerges as the winner of the match-up (12 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6 and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the T6 and the GF7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|2.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|3.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|6.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|8.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|9.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|12.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|13.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|14.||Panasonic GX800||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|15.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649|
|16.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|17.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G7 X Mark II vs Canon T6
- Canon R6 vs Canon T6
- Canon T3 vs Panasonic GF7
- Canon T6 vs Nikon 1 V2
- Canon T6 vs Nikon D810
- Canon T6 vs Olympus E-400
- Canon T6 vs Sigma fp
- Nikon D1X vs Panasonic GF7
- Nikon D750 vs Panasonic GF7
- Nikon P7800 vs Panasonic GF7
- Olympus E-450 vs Panasonic GF7
- Panasonic GF7 vs Sony A68
Specifications: Canon T6 vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6||Panasonic GF7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2016||January 2015|
|Launch Price||USD 449||USD 499|
|Sensor Specs||Canon T6||Panasonic GF7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||15.8 Megapixels|
|Image Resolution||5184 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||4.31 μm||3.77 μm|
|Pixel Density||5.39 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 4+||Venus|
|Screen Specs||Canon T6||Panasonic GF7|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T6||Panasonic GF7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/500s|
|Continuous Shooting||3 shutter flaps/s||5.8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T6||Panasonic GF7|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon T6||Panasonic GF7|
|Battery Life (CIPA)||500 shots per charge||230 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||485 g (17.1 oz)||266 g (9.4 oz)|
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