Canon T6 vs Panasonic GF1
The Canon EOS Rebel T6 (called Canon 1300D in some regions) and the Panasonic Lumix DMC-GF1 are two digital cameras that were officially introduced, respectively, in March 2016 and September 2009. The T6 is a DSLR, while the GF1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T6) and a Four Thirds (GF1) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6 and the Panasonic Lumix DMC-GF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T6 and the Panasonic GF1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF1 is considerably smaller (35 percent) than the Canon T6. Moreover, the GF1 is markedly lighter (21 percent) than the T6. In this context, it is worth noting that neither the T6 nor the GF1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T6) and the Micro Four Thirds Lens Catalog (GF1). Mirrorless cameras, such as the GF1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|2.||Panasonic GF1||119 mm||71 mm||36 mm||385 g||380||n||Sep 2009||749|
|3.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|6.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|10.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|11.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|12.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|13.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|14.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|15.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|16.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|17.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The T6 was launched at a markedly lower price (by 40 percent) than the GF1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T6 features an APS-C sensor and the Panasonic GF1 a Four Thirds sensor. The sensor area in the GF1 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T6 has a native 3:2 aspect ratio, while the one in the GF1 offers a 4:3 aspect.
With 17.9MP, the T6 offers a higher resolution than the GF1 (12MP), but the T6 has marginally smaller individual pixels (pixel pitch of 4.31μm versus 4.33μm for the GF1). However, the T6 is a much more recent model (by 6 years and 6 months) than the GF1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon EOS Rebel T6 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-GF1 are ISO 100 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GF1||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|13.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|14.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|15.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|16.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|17.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the T6 provides a higher video resolution than the GF1. It can shoot video footage at 1080/30p, while the Panasonic is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the T6 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF1 relies on live view and the rear LCD for framing. That said, the GF1 can be equipped with an optional viewfinder – the DMW-LVF1. The adjacent table lists some of the other core features of the Canon T6 and Panasonic GF1 along with similar information for a selection of comparators.
|1.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Panasonic GF1||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|3.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|11.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|12.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|14.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|15.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|16.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|17.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The T6 writes its imaging data to SDXC cards, while the GF1 uses SDHC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6 and Panasonic Lumix DMC-GF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic GF1||Y||mono / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|17.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the T6 offers wifi support, while the GF1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the T6 and the GF1 have been discontinued, but can regularly be found used on eBay. The GF1 was replaced by the Panasonic DMC-GF2, while the T6 was followed by the Canon T7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon T6 and the Panasonic GF1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS Rebel T6:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Longer lasting: Can take more shots (500 versus 380) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More modern: Reflects 6 years and 6 months of technical progress since the GF1 launch.
Arguments in favor of the Panasonic Lumix DMC-GF1:
- More compact: Is smaller (119x71mm vs 129x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 100g or 21 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been around for much longer (launched in September 2009).
If the count of individual advantages (bullet points above) is taken as a guide, the T6 is the clear winner of the match-up (13 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6 and the Panasonic GF1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the T6 and the GF1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|2.||Panasonic GF1||..||85/100||..||69/100||4.5/5||4.5/5||Sep 2009||749|
|3.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|6.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|10.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|11.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|12.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|13.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|14.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|15.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|16.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|17.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1100D vs Panasonic GF1
- Canon 1200D vs Canon T6
- Canon 250D vs Canon T6
- Canon 77D vs Canon T6
- Canon T6 vs Fujifilm X-H1
- Canon T6 vs Olympus E-510
- Canon T6 vs Sony WX800
- Nikon D5000 vs Panasonic GF1
- Panasonic GF1 vs Panasonic GX80
- Panasonic GF1 vs Samsung NX500
- Panasonic GF1 vs Sony A7R IV
- Panasonic GF1 vs Sony HX99
Specifications: Canon T6 vs Panasonic GF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6||Panasonic GF1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2016||September 2009|
|Launch Price||USD 449||USD 749|
|Sensor Specs||Canon T6||Panasonic GF1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.31 μm||4.33 μm|
|Pixel Density||5.39 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 3,200 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4+||Venus HD|
|DXO Sensor Quality (score)||..||54|
|DXO Color Depth (bits)||..||21.2|
|DXO Dynamic Range (EV)||..||10.3|
|DXO Low Light (ISO)||..||513|
|Screen Specs||Canon T6||Panasonic GF1|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon T6||Panasonic GF1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon T6||Panasonic GF1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon T6||Panasonic GF1|
|Battery Life (CIPA)||500 shots per charge||380 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
119 x 71 x 36 mm
(4.7 x 2.8 x 1.4 in)
|Camera Weight||485 g (17.1 oz)||385 g (13.6 oz)|
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