Canon T5i vs Olympus E-M5
The Canon EOS Rebel T5i (called Canon 700D in some regions) and the Olympus OM-D E-M5 are two digital cameras that were revealed to the public, respectively, in March 2013 and February 2012. The T5i is a DSLR, while the E-M5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T5i) and a Four Thirds (E-M5) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T5i and the Olympus OM-D E-M5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T5i and the Olympus E-M5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The E-M5 can be obtained in two different colors (black, silver), while the T5i is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is notably smaller (18 percent) than the Canon T5i. Moreover, the E-M5 is markedly lighter (27 percent) than the T5i. It is noteworthy in this context that the E-M5 is splash and dust-proof, while the T5i does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T5i) and the Micro Four Thirds Lens Catalog (E-M5). Mirrorless cameras, such as the E-M5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649||ebay.com|
|2.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299||ebay.com|
|3.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||ebay.com|
|4.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|5.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|6.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|7.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||ebay.com|
|8.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599||ebay.com|
|9.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|10.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||ebay.com|
|11.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||ebay.com|
|12.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||ebay.com|
|13.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||ebay.com|
|14.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|15.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||ebay.com|
|16.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|17.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The T5i was launched at a markedly lower price (by 50 percent) than the E-M5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T5i features an APS-C sensor and the Olympus E-M5 a Four Thirds sensor. The sensor area in the E-M5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T5i has a native 3:2 aspect ratio, while the one in the E-M5 offers a 4:3 aspect.
With 17.9MP, the T5i offers a higher resolution than the E-M5 (15.9MP), but the T5i nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the E-M5) due to its larger sensor. Moreover, the T5i is a somewhat more recent model (by 1 year and 1 month) than the E-M5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T5i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T5i for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Olympus E-M5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The T5i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T5i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus OM-D E-M5 are ISO 200 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the E-M5 has a markedly higher DXO score than the T5i (overall score 10 points higher), which will translate into better image quality. The advantage is based on 1.1 bits higher color depth, 1.1 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|13.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|14.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|15.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|16.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|17.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M5 provides a faster frame rate than the T5i. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M5 has an electronic viewfinder (1440k dots), while the T5i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 offers a wider field of view (100%) than the one in the T5i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 has a higher magnification (0.58x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon T5i and Olympus E-M5 in connection with corresponding information for a sample of similar cameras.
|1.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0/s||n||Y|
|3.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|4.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|8.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|9.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|11.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|12.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|13.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|15.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|17.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The T5i has one, while the E-M5 does not. While the built-in flash of the T5i is not very powerful, it can at times be useful as a fill-in light.The T5i has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-M5 does not have a selfie-screen.
Concerning the storage of imaging data, both the T5i and the E-M5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T5i and Olympus OM-D E-M5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|16.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
It is notable that the T5i has a microphone port, which is missing on the E-M5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the T5i and the E-M5 have been discontinued, but can regularly be found used on ebay. The E-M5 was replaced by the Olympus E-M5 II, while the T5i was followed by the Canon T6i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So how do things add up? Is the Canon T5i better than the Olympus E-M5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS Rebel T5i:
- More detail: Offers more megapixels (17.9 vs 15.9MP) with a 8% higher linear resolution.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 610k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (440 versus 360) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 1 month after the E-M5).
Arguments in favor of the Olympus OM-D E-M5:
- Better image quality: Scores markedly higher (10 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.53x).
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x89mm vs 133x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 155g or 27 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been on the market for longer (launched in February 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 emerges as the winner of the match-up (14 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T5i and the Olympus E-M5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the T5i or the E-M5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649||ebay.com|
|2.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299||ebay.com|
|3.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749||ebay.com|
|4.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|5.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|6.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|7.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549||ebay.com|
|8.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599||ebay.com|
|9.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|10.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599||ebay.com|
|11.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699||ebay.com|
|12.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799||ebay.com|
|13.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199||ebay.com|
|14.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|15.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399||ebay.com|
|16.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|17.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 10D vs Olympus E-M5
- Canon 1Ds Mark II vs Olympus E-M5
- Canon 600D vs Olympus E-M5
- Canon G16 vs Canon T5i
- Canon R3 vs Canon T5i
- Canon S120 vs Canon T5i
- Canon SL3 vs Canon T5i
- Canon T100 vs Olympus E-M5
- Canon T5i vs Fujifilm X-E4
- Canon T5i vs Pentax MX-1
- Fujifilm X-A2 vs Olympus E-M5
- Nikon W300 vs Olympus E-M5
Specifications: Canon T5i vs Olympus E-M5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T5i||Olympus E-M5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2013||February 2012|
|Launch Price||USD 649||USD 1,299|
|Sensor Specs||Canon T5i||Olympus E-M5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||15.9 Megapixels|
|Image Resolution||5184 x 3456 pixels||4608 x 3456 pixels|
|Pixel Pitch||4.31 μm||3.76 μm|
|Pixel Density||5.39 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 5||TruePic VI|
|DXO Sensor Quality (score)||61||71|
|DXO Color Depth (bits)||21.7||22.8|
|DXO Dynamic Range (EV)||11.2||12.3|
|DXO Low Light (ISO)||681||826|
|Screen Specs||Canon T5i||Olympus E-M5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||610k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon T5i||Olympus E-M5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||9 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon T5i||Olympus E-M5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon T5i||Olympus E-M5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||360 shots per charge|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
122 x 89 x 43 mm
(4.8 x 3.5 x 1.7 in)
|Camera Weight||580 g (20.5 oz)||425 g (15.0 oz)|
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