Canon T5i vs Nikon D4S
The Canon EOS Rebel T5i (called Canon 700D in some regions) and the Nikon D4S are two digital cameras that were revealed to the public, respectively, in March 2013 and February 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (T5i) and a full frame (D4S) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Nikon provides 16.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T5i and the Nikon D4S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon T5i and the Nikon D4S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D4S is considerably larger (89 percent) than the Canon T5i. Moreover, the D4S is substantially heavier (133 percent) than the T5i. It is noteworthy in this context that the D4S is splash and dust-proof, while the T5i does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T5i) and the Nikon Lens Catalog (D4S).
Concerning battery life, the T5i gets 440 shots out of its LP-E8 battery, while the D4S can take 3020 images on a single charge of its EN-EL18a power pack. As can be seen in the images above, the D4S has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the T5i, Canon provides the BG-E8 vertical grip as an optional accessory (see here on eBay).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|2.||Nikon D4S||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499|
|3.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|4.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|5.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|8.||Canon M||109 mm||66 mm||32 mm||298 g||230||n||Jul 2012||599|
|9.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|11.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|12.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|13.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|14.||Nikon D750||141 mm||113 mm||78 mm||750 g||1230||Y||Sep 2014||2,299|
|15.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|16.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|17.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T5i was launched at a markedly lower price (by 90 percent) than the D4S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T5i features an APS-C sensor and the Nikon D4S a full frame sensor. The sensor area in the D4S is 159 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon T5i offers a higher resolution of 17.9 megapixels, compared with 16.2 MP of the Nikon D4S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 7.29μm for the D4S). Moreover, it should be noted that the D4S is a somewhat more recent model (by 11 months) than the T5i, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Canon T5i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T5i for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Nikon D4S are 24.6 x 16.4 inches or 62.6 x 41.7 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.3 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.8 cm for excellent quality prints.
The T5i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T5i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon D4S are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-409600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the D4S offers substantially better image quality than the T5i (overall score 28 points higher). The advantage is based on 2.7 bits higher color depth, 2.1 EV in additional dynamic range, and 2.2 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Nikon D4S||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89|
|13.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|14.||Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|15.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|16.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|17.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the D4S provides a faster frame rate than the T5i. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The T5i and the D4S are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the D4S offers a wider field of view (100%) than the one in the T5i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D4S has a higher magnification (0.70x vs 0.53x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T5i and Nikon D4S along with similar information for a selection of comparators.
|1.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Nikon D4S||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|3.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|4.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|8.||Canon M||none||n||3.0 / 1040||fixed||Y||1/4000s||4.3/s||n||n|
|9.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|11.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|12.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|13.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|14.||Nikon D750||optical||Y||3.2 / 1229||tilting||n||1/4000s||6.0/s||Y||n|
|15.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0/s||Y||n|
|16.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5/s||n||n|
|17.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The T5i has one, while the D4S does not. While the built-in flash of the T5i is not very powerful, it can at times be useful as a fill-in light.The T5i has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D4S does not have a selfie-screen.
The Nikon D4S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The T5i writes its imaging data to SDXC cards, while the D4S uses Compact Flash or XQD cards. The D4S features dual card slots, which can be very useful in case a memory card fails. In contrast, the T5i only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T5i and Nikon D4S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Nikon D4S||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|3.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon M||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|14.||Nikon D750||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|15.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|16.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|17.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
It is notable that the D4S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The T5i lacks such a headphone port.
Studio photographers will appreciate that the Nikon D4S (unlike the T5i) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the T5i and the D4S have been discontinued, but can regularly be found used on eBay. The T5i was replaced by the Canon T6i, while the D4S was followed by the Nikon D5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Which of the two cameras – the Canon T5i or the Nikon D4S – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS Rebel T5i:
- More detail: Offers more megapixels (17.9 vs 16.2MP) with a 5% higher linear resolution.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (133x100mm vs 160x157mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 770g or 57 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in March 2013).
Arguments in favor of the Nikon D4S:
- Better image quality: Scores substantially higher (28 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.7 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.2 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.53x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (3020 versus 440) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the D4S is the clear winner of the contest (19 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T5i and the Nikon D4S place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the T5i or the D4S. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|2.||Nikon D4S||5/5||..||..||..||4.5/5||4.5/5||Feb 2014||6,499|
|3.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|4.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|5.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|8.||Canon M||3/5||+||..||..||4/5||4/5||Jul 2012||599|
|9.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|11.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|12.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|13.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|14.||Nikon D750||5/5||+ +||4/5||90/100||4.5/5||4.5/5||Sep 2014||2,299|
|15.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|16.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|17.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1000D vs Canon T5i
- Canon T100 vs Canon T5i
- Canon T5i vs Panasonic LX100 II
- Canon T5i vs Panasonic S1R
- Canon T5i vs Ricoh GR III
- Canon T5i vs Sony HX400V
- Leica X-U Typ 113 vs Nikon D4S
- Nikon 1 V3 vs Nikon D4S
- Nikon D40 vs Nikon D4S
- Nikon D4S vs Nikon Df
- Nikon D4S vs Panasonic LX7
- Nikon D4S vs Panasonic ZS100
Specifications: Canon T5i vs Nikon D4S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T5i||Nikon D4S|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Nikon F mount lenses|
|Launch Date||March 2013||February 2014|
|Launch Price||USD 649||USD 6,499|
|Sensor Specs||Canon T5i||Nikon D4S|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||36.0 x 23.9 mm|
|Sensor Area||332.27 mm2||860.4 mm2|
|Sensor Diagonal||26.8 mm||43.2 mm|
|Sensor Resolution||17.9 Megapixels||16.2 Megapixels|
|Image Resolution||5184 x 3456 pixels||4928 x 3280 pixels|
|Pixel Pitch||4.31 μm||7.29 μm|
|Pixel Density||5.39 MP/cm2||1.88 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 409,600 ISO|
|Image Processor||DIGIC 5||EXPEED 4|
|DXO Sensor Quality (score)||61||89|
|DXO Color Depth (bits)||21.7||24.4|
|DXO Dynamic Range (EV)||11.2||13.3|
|DXO Low Light (ISO)||681||3074|
|Screen Specs||Canon T5i||Nikon D4S|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon T5i||Nikon D4S|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||400 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon T5i||Nikon D4S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon T5i||Nikon D4S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||3020 shots per charge|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
160 x 157 x 91 mm
(6.3 x 6.2 x 3.6 in)
|Camera Weight||580 g (20.5 oz)||1350 g (47.6 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.