Canon T5 vs Pentax K-5
The Canon EOS Rebel T5 (called Canon 1200D in some regions) and the Pentax K-5 are two digital cameras that were revealed to the public, respectively, in February 2014 and September 2010. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixels, whereas the Pentax provides 16.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T5 and the Pentax K-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T5 and the Pentax K-5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 is somewhat smaller (2 percent) than the Canon T5. However, the K-5 is substantially heavier (58 percent) than the T5. It is noteworthy in this context that the K-5 is splash and dust-proof, while the T5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|2.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|5.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|6.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|7.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|8.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|9.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|12.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|13.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|14.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599|
|15.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|16.||Pentax K-30||130 mm||97 mm||71 mm||650 g||410||Y||May 2012||849|
|17.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T5 was launched at a markedly lower price (by 59 percent) than the K-5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-5 is 12 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (T5) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon T5 offers a higher resolution of 17.9 megapixels, compared with 16.1 MP of the Pentax K-5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 4.81μm for the K-5). However, it should be noted that the T5 is much more recent (by 3 years and 4 months) than the K-5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon T5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T5 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Pentax K-5 are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.
The Canon EOS Rebel T5 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Pentax K-5 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the K-5 offers substantially better image quality than the T5 (overall score 19 points higher). The advantage is based on 1.8 bits higher color depth, 2.8 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|13.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|17.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the T5 provides a higher frame rate than the K-5. It can shoot video footage at 1080/30p, while the Pentax is limited to 1080/25p.
Apart from body and sensor, cameras can and do differ across a range of features. The T5 and the K-5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-5 offers a wider field of view (100%) than the one in the T5 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-5 has a higher magnification (0.61x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T5, the Pentax K-5, and comparable cameras.
|1.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|2.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|7.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|8.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|11.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|12.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|13.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||n||Y|
|14.||Pentax K-50||optical||n||3.0 / 921||fixed||n||1/6000s||6.0||Y||Y|
|15.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3||Y||Y|
|16.||Pentax K-30||optical||n||3.0 / 921||fixed||n||1/6000s||6.0||Y||Y|
|17.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0||Y||Y|
One feature that differentiates the K-5 and the T5 is in-body image stabilization (IBIS). The K-5 reduces the risk of handshake-induced blur with all attached lenses, while the T5 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The Pentax K-5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T5 and the K-5 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T5 and Pentax K-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|14.||Pentax K-50||Y||mono / mono||-||-||micro||2.0||-||-||-|
|15.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|16.||Pentax K-30||Y||mono / mono||-||-||-||2.0||-||-||-|
|17.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the K-5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The T5 does not feature such a mic input.
Studio photographers will appreciate that the Pentax K-5 (unlike the T5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the T5 and the K-5 have been discontinued, but can regularly be found used on eBay. The K-5 was replaced by the Pentax K-5 II, while the T5 was followed by the Canon T6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon T5 and the Pentax K-5? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Rebel T5:
- More detail: Offers more megapixels (17.9 vs 16.1MP) with a 5% higher linear resolution.
- Better video: Provides higher movie framerates (1080/30p versus 1080/25p).
- Less heavy: Is lighter (by 280g or 37 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More modern: Reflects 3 years and 4 months of technical progress since the K-5 launch.
Advantages of the Pentax K-5:
- Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.8 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.61x vs 0.50x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (740 versus 500) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the count of relative strengths (bullet points above) is taken as a measure, the K-5 is the clear winner of the contest (17 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T5 and the Pentax K-5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the T5 and the K-5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|2.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|5.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|6.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|7.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|8.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|9.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|12.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|13.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|14.||Pentax K-50||5/5||..||..||..||5/5||4.5/5||Jun 2013||599|
|15.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|16.||Pentax K-30||4/5||..||..||78/100||4.5/5||4.5/5||May 2012||849|
|17.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G3 X vs Pentax K-5
- Canon SX50 vs Canon T5
- Canon T5 vs Fujifilm X100
- Canon T5 vs Panasonic GF1
- Canon T5 vs Panasonic TS7
- Canon T5 vs Panasonic ZS200
- Canon T5 vs Sony RX1R II
- Leica M-E Typ 240 vs Pentax K-5
- Nikon P1000 vs Pentax K-5
- Olympus E-5 vs Pentax K-5
- Olympus E-PL1 vs Pentax K-5
- Pentax K-3 II vs Pentax K-5
Specifications: Canon T5 vs Pentax K-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T5||Pentax K-5|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Pentax K mount lenses|
|Launch Date||February 2014||September 2010|
|Launch Price||USD 449||USD 1,099|
|Sensor Specs||Canon T5||Pentax K-5|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.7 x 15.7 mm|
|Sensor Area||332.27 mm2||372.09 mm2|
|Sensor Diagonal||26.8 mm||28.4 mm|
|Sensor Resolution||17.9 Megapixels||16.1 Megapixels|
|Image Resolution||5184 x 3456 pixels||4928 x 3264 pixels|
|Pixel Pitch||4.31 μm||4.81 μm|
|Pixel Density||5.39 MP/cm2||4.32 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/25p Video|
|ISO Setting||100 - 6,400 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 12,800 ISO||80 - 51,200 ISO|
|Image Processor||DIGIC 4||PRIME II|
|DXO Sensor Quality (score)||63||82|
|DXO Color Depth (bits)||21.9||23.7|
|DXO Dynamic Range (EV)||11.3||14.1|
|DXO Low Light (ISO)||724||1162|
|Screen Specs||Canon T5||Pentax K-5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||460k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon T5||Pentax K-5|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||7 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon T5||Pentax K-5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon T5||Pentax K-5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||740 shots per charge|
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
131 x 97 x 73 mm
(5.2 x 3.8 x 2.9 in)
|Camera Weight||480 g (16.9 oz)||760 g (26.8 oz)|
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