Canon T5 vs Epson R-D1
The Canon EOS Rebel T5 (called Canon 1200D in some regions) and the Epson R-D1 are two digital cameras that were announced, respectively, in February 2014 and March 2004. The T5 is a DSLR, while the R-D1 is a rangefinder-focusing mirrorless camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixels, whereas the Epson provides 6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T5 and the Epson R-D1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T5 and the Epson R-D1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Epson R-D1 is somewhat smaller (3 percent) than the Canon T5. However, the R-D1 is markedly heavier (29 percent) than the T5. In this context, it is worth noting that neither the T5 nor the R-D1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T5) and the Leica M Lens Catalog (R-D1).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|2.||Epson R-D1||142 mm||89 mm||40 mm||620 g||..||n||Mar 2004||2,999|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|5.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|6.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|7.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|8.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|9.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|10.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|12.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|13.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|14.||Leica X Vario||133 mm||73 mm||95 mm||680 g||450||n||Jun 2013||2,850|
|15.||Nikon D50||133 mm||102 mm||76 mm||620 g||400||n||Apr 2005||749|
|16.||Nikon D70s||140 mm||111 mm||78 mm||679 g||500||n||Apr 2005||899|
|17.||Nikon D70||140 mm||111 mm||78 mm||679 g||400||n||Jan 2004||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T5 was launched at a markedly lower price (by 85 percent) than the R-D1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the R-D1 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (T5) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon T5 offers a higher resolution of 17.9 megapixels, compared with 6 MP of the Epson R-D1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 7.85μm for the R-D1). However, it should be noted that the T5 is much more recent (by 9 years and 11 months) than the R-D1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon T5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T5 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Epson R-D1 are 15 x 10 inches or 38.2 x 25.4 cm for good quality, 12 x 8 inches or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inches or 25.5 x 16.9 cm for excellent quality prints.
The Canon EOS Rebel T5 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Epson R-D1 are ISO 200 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|14.||Leica X Vario||APS-C||16.1||4928||3272||1080/30p||23.4||12.7||1320||78|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The T5 indeed provides movie recording capabilities, while the R-D1 does not. The highest resolution format that the T5 can use is 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The T5 and the R-D1 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Canon T5, the Epson R-D1, and comparable cameras.
|1.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|2.||Epson R-D1||optical||n||2.0 / 235||fixed||n||1/2000s||1.0||n||n|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|7.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|8.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|11.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|12.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|13.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5||Y||n|
|14.||Leica X Vario||optional||n||3.0 / 920||fixed||n||1/2000s||5.0||Y||n|
|15.||Nikon D50||optical||n||2.0 / 130||fixed||n||1/4000s||2.5||Y||n|
|16.||Nikon D70s||optical||n||2.0 / 130||fixed||n||1/8000s||3.0||Y||n|
|17.||Nikon D70||optical||n||1.8 / 130||fixed||n||1/8000s||3.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The T5 has one, while the R-D1 does not. While the built-in flash of the T5 is not very powerful, it can at times be useful as a fill-in light.
The T5 writes its imaging data to SDXC cards, while the R-D1 uses SDHC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T5 and Epson R-D1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Epson R-D1||Y||- / -||-||-||-||-||-||-||-|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|7.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|13.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|14.||Leica X Vario||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Nikon D50||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Nikon D70s||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Nikon D70||Y||- / -||-||-||-||1.0||-||-||-|
Studio photographers will appreciate that the Epson R-D1 (unlike the T5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the T5 and the R-D1 have been discontinued, but can regularly be found used on eBay. The T5 was replaced by the Canon T6, while the R-D1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Epson websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon T5 and the Epson R-D1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS Rebel T5:
- More detail: Offers more megapixels (17.9 vs 6MP) with a 72% higher linear resolution.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 235k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 1 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 140g or 23 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (85 percent cheaper at launch).
- More modern: Reflects 9 years and 11 months of technical progress since the R-D1 launch.
Arguments in favor of the Epson R-D1:
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in March 2004).
If the count of relative strengths (bullet points above) is taken as a measure, the T5 is the clear winner of the match-up (10 : 2 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the T5 or the R-D1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|2.||Epson R-D1||..||..||..||..||..||..||Mar 2004||2,999|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|5.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|6.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|7.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|8.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|9.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|10.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|12.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|13.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|14.||Leica X Vario||3/5||..||..||..||4/5||4/5||Jun 2013||2,850|
|15.||Nikon D50||..||78/100||..||+ +||4/5||4.5/5||Apr 2005||749|
|16.||Nikon D70s||..||..||..||..||..||5/5||Apr 2005||899|
|17.||Nikon D70||..||..||..||+ +||..||..||Jan 2004||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon T5 vs Epson R-D1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T5||Epson R-D1|
|Camera Type||Digital single lens reflex||Rangefinder camera|
|Camera Lens||Canon EF mount lenses||Leica M mount lenses|
|Launch Date||February 2014||March 2004|
|Launch Price||USD 449||USD 2,999|
|Sensor Specs||Canon T5||Epson R-D1|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.7 x 15.6 mm|
|Sensor Area||332.27 mm2||369.72 mm2|
|Sensor Diagonal||26.8 mm||28.4 mm|
|Sensor Resolution||17.9 Megapixels||6 Megapixels|
|Image Resolution||5184 x 3456 pixels||3008 x 2000 pixels|
|Pixel Pitch||4.31 μm||7.85 μm|
|Pixel Density||5.39 MP/cm2||1.63 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100 - 6,400 ISO||200 - 1,600 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.9||..|
|DXO Dynamic Range (EV)||11.3||..|
|DXO Low Light (ISO)||724||..|
|Screen Specs||Canon T5||Epson R-D1|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|LCD Framing||Live View|
|Rear LCD Size||3.0inch||2.0inch|
|LCD Resolution||460k dots||235k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon T5||Epson R-D1|
|Focus System||Phase-detect AF||Manual Focus|
|Continuous Shooting||3 shutter flaps/s||1 shutter flaps/s|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon T5||Epson R-D1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||no USB|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon T5||Epson R-D1|
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
142 x 89 x 40 mm
(5.6 x 3.5 x 1.6 in)
|Camera Weight||480 g (16.9 oz)||620 g (21.9 oz)|
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