Canon T4i vs Panasonic GX1
The Canon EOS Rebel T4i (called Canon 650D in some regions) and the Panasonic Lumix DMC-GX1 are two digital cameras that were announced, respectively, in June 2012 and November 2011. The T4i is a DSLR, while the GX1 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T4i) and a Four Thirds (GX1) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T4i and the Panasonic Lumix DMC-GX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T4i and the Panasonic GX1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX1 is considerably smaller (41 percent) than the Canon T4i. Moreover, the GX1 is substantially lighter (45 percent) than the T4i. In this context, it is worth noting that neither the T4i nor the GX1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T4i) and the Micro Four Thirds Lens Catalog (GX1). Mirrorless cameras, such as the GX1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|2.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
|3.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|4.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|5.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|6.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|7.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|8.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|9.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|10.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|11.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|12.||Canon Rebel||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|13.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|14.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|15.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|16.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX1 was launched at a somewhat lower price (by 18 percent) than the T4i, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T4i features an APS-C sensor and the Panasonic GX1 a Four Thirds sensor. The sensor area in the GX1 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T4i has a native 3:2 aspect ratio, while the one in the GX1 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 17.9MP, the T4i offers a higher resolution than the GX1 (15.8MP), but the T4i nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.77μm for the GX1) due to its larger sensor. Moreover, the T4i is a somewhat more recent model (by 7 months) than the GX1, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T4i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T4i for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GX1 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The T4i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T4i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-GX1 are ISO 160 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the T4i has a notably higher overall DXO score than the GX1 (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.9 bits higher color depth, 0.6 EV in additional dynamic range, and 0 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|13.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|14.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|15.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|16.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GX1 provides a faster frame rate than the T4i. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the T4i has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GX1 relies on live view and the rear LCD for framing. That said, the GX1 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Canon T4i and Panasonic GX1 along with similar information for a selection of comparators.
|1.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|3.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|4.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|7.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|8.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|9.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|10.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Canon Rebel||optical||n||1.8 / 118||fixed||n||1/4000s||2.5/s||Y||n|
|13.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0/s||Y||n|
|15.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|16.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0/s||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
Concerning the storage of imaging data, both the T4i and the GX1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T4i and Panasonic Lumix DMC-GX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|2.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|4.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|5.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|6.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|7.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|8.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|9.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|10.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon Rebel||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|14.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the T4i has a microphone port, which is missing on the GX1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the T4i and the GX1 have been discontinued, but can regularly be found used on eBay. The GX1 was replaced by the Panasonic GX7, while the T4i was followed by the Canon T5i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is the Canon T4i better than the Panasonic GX1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS Rebel T4i:
- More detail: Offers more megapixels (17.9 vs 15.8MP) with a 8% higher linear resolution.
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.6 EV of extra DR).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 4.2 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (440 versus 320) on a single battery charge.
- More modern: Is somewhat more recent (announced 7 months after the GX1).
Arguments in favor of the Panasonic Lumix DMC-GX1:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More compact: Is smaller (116x68mm vs 133x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 257g or 45 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in November 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the T4i is the clear winner of the match-up (12 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T4i and the Panasonic GX1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the T4i and the GX1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|2.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699|
|3.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|4.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|5.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|6.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|7.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|8.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|9.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|10.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|11.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|12.||Canon Rebel||..||..||..||+ +||..||..||Aug 2003||899|
|13.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|14.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|15.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|16.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Panasonic GX1
- Canon 250D vs Panasonic GX1
- Canon G3 X vs Panasonic GX1
- Canon T4i vs Canon T5
- Canon T4i vs Canon T7i
- Canon T4i vs Leica D-LUX 5
- Canon T4i vs Olympus E-410
- Canon T4i vs Olympus E-P5
- Canon T4i vs Panasonic G9
- Canon T7i vs Panasonic GX1
- Hasselblad X1D II vs Panasonic GX1
- Nikon D4S vs Panasonic GX1
Specifications: Canon T4i vs Panasonic GX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T4i||Panasonic GX1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2012||November 2011|
|Launch Price||USD 849||USD 699|
|Sensor Specs||Canon T4i||Panasonic GX1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||15.8 Megapixels|
|Image Resolution||5184 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||4.31 μm||3.77 μm|
|Pixel Density||5.39 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||160 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 5||Venus FHD|
|DXO Sensor Quality (score)||62||55|
|DXO Color Depth (bits)||21.7||20.8|
|DXO Dynamic Range (EV)||11.2||10.6|
|DXO Low Light (ISO)||722||703|
|Screen Specs||Canon T4i||Panasonic GX1|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon T4i||Panasonic GX1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||4.2 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon T4i||Panasonic GX1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon T4i||Panasonic GX1|
|Battery Life (CIPA)||440 shots per charge||320 shots per charge|
133 x 100 x 79 mm
(5.2 x 3.9 x 3.1 in)
116 x 68 x 39 mm
(4.6 x 2.7 x 1.5 in)
|Camera Weight||575 g (20.3 oz)||318 g (11.2 oz)|
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