Canon T3 vs Panasonic LX100
The Canon EOS Rebel T3 (called Canon 1100D in some regions) and the Panasonic Lumix DMC-LX100 are two digital cameras that were officially introduced, respectively, in February 2011 and September 2014. The T3 is a DSLR, while the LX100 is a fixed lens compact. The cameras are based on an APS-C (T3) and a Four Thirds (LX100) sensor. The Canon has a resolution of 12.2 megapixels, whereas the Panasonic provides 12.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T3 and the Panasonic Lumix DMC-LX100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T3 and the Panasonic LX100. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The LX100 can be obtained in two different colors (black, silver), while the T3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX100 is considerably smaller (42 percent) than the Canon T3. In this context, it is worth noting that neither the T3 nor the LX100 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX100 has a lens built in, whereas the T3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T3 and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|2.||Panasonic LX100||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|5.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|6.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|7.||Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|8.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|10.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|11.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|12.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|13.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|14.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999|
|15.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|16.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|17.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T3 features an APS-C sensor and the Panasonic LX100 a Four Thirds sensor. The sensor area in the LX100 is 43 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.2. The sensor in the T3 has a native 3:2 aspect ratio, while the one in the LX100 offers a 4:3 aspect. The LX100 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the LX100 offers a slightly higher resolution of 12.7 megapixels, compared with 12.2 MP of the T3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.82μm versus 5.15μm for the T3). However, it should be noted that the LX100 is much more recent (by 3 years and 7 months) than the T3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Canon EOS Rebel T3 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-LX100 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the LX100 has a markedly higher DXO score than the T3 (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.4 bits higher color depth, 1.5 EV in additional dynamic range, and 0.4 stops of reduced low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Panasonic LX100||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|4.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|6.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|14.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|16.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|17.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX100 provides a better video resolution than the T3. It can shoot movie footage at 4K/30p, while the Canon is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the LX100 has an electronic viewfinder (2764k dots), while the T3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the LX100 offers a wider field of view (100%) than the one in the T3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the LX100 has a higher magnification (0.70x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T3 and Panasonic LX100 along with similar information for a selection of comparators.
|1.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|2.||Panasonic LX100||2764||n||3.0 / 921||fixed||n||1/4000s||11.0||n||Y|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon G1 X Mark II||optional||n||3.0 / 1040||tilting||Y||1/4000s||5.2||Y||Y|
|5.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|6.||Canon G1 X||optical||n||3.0 / 922||swivel||n||1/4000s||1.9||Y||Y|
|7.||Canon SX50||202||n||3.0 / 461||swivel||n||1/2000s||2.2||Y||Y|
|8.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7||Y||n|
|10.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|11.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|13.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|14.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0||n||Y|
|15.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0||Y||Y|
|16.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|17.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The T3 has one, while the LX100 does not. While the built-in flash of the T3 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T3 and the LX100 write their files to SDXC cards. The LX100 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T3 and Panasonic Lumix DMC-LX100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic LX100||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon G1 X Mark II||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|6.||Canon G1 X||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX50||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|8.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|11.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|17.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
It is notable that the LX100 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T3 does not provide wifi capability.
The LX100 is a recent model that features in the current product line-up of Panasonic. In contrast, the T3 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T3 was succeeded by the Canon T5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon T3 or the Panasonic LX100 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Rebel T3:
- Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (700 versus 300) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More heavily discounted: Has been available for much longer (launched in February 2011).
Advantages of the Panasonic Lumix DMC-LX100:
- Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.5 EV of extra DR).
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 230k dots).
- Faster burst: Shoots at higher frequency (11 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the T3 requires a separate lens.
- More compact: Is smaller (115x66mm vs 130x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the T3).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years and 7 months of technical progress since the T3 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the LX100 is the clear winner of the contest (20 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T3 and the Panasonic LX100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the T3 or the LX100. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|2.||Panasonic LX100||5/5||+ +||..||85/100||5/5||5/5||Sep 2014||899|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon G1 X Mark II||3/5||+||..||77/100||4/5||4.5/5||Feb 2014||799|
|5.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|6.||Canon G1 X||5/5||+||..||76/100||4/5||4.5/5||Jan 2012||799|
|7.||Canon SX50||3/5||+ +||..||72/100||4.5/5||4.5/5||Sep 2012||429|
|8.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|10.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|11.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|12.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|13.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|14.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999|
|15.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899|
|16.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|17.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark II vs Canon T3
- Canon 7D II vs Canon T3
- Canon M6 vs Panasonic LX100
- Canon SX620 vs Canon T3
- Canon SX70 vs Panasonic LX100
- Canon T3 vs Nikon D50
- Canon T3 vs Sony A850
- Canon T3 vs Sony NEX-C3
- Fujifilm GFX 100 vs Panasonic LX100
- Nikon D90 vs Panasonic LX100
- Panasonic LX100 vs Panasonic TZ95
- Panasonic LX100 vs Sony RX1R
Specifications: Canon T3 vs Panasonic LX100
|Camera Model||Canon T3||Panasonic LX100|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-75mm f/1.7-2.8|
|Launch Date||February 2011||September 2014|
|Launch Price||USD 449||USD 899|
|Sensor Specs||Canon T3||Panasonic LX100|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.0 x 14.7 mm||15.7 x 11.8 mm|
|Sensor Area||323.4 mm2||185.26 mm2|
|Sensor Diagonal||26.5 mm||19.6 mm|
|Sensor Resolution||12.2 Megapixels||12.7 Megapixels|
|Image Resolution||4272 x 2848 pixels||4112 x 3088 pixels|
|Pixel Pitch||5.15 μm||3.82 μm|
|Pixel Density||3.76 MP/cm2||6.85 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||DIGIC 4||Venus|
|DXO Sensor Quality (score)||62||67|
|DXO Color Depth (bits)||21.9||22.3|
|DXO Dynamic Range (EV)||11.0||12.5|
|DXO Low Light (ISO)||755||553|
|Screen Specs||Canon T3||Panasonic LX100|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon T3||Panasonic LX100|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T3||Panasonic LX100|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon T3||Panasonic LX100|
|Battery Life (CIPA)||700 shots per charge||300 shots per charge|
130 x 100 x 78 mm
(5.1 x 3.9 x 3.1 in)
115 x 66 x 55 mm
(4.5 x 2.6 x 2.2 in)
|Camera Weight||495 g (17.5 oz)||393 g (13.9 oz)|