Canon T3 vs Fujifilm GFX 50S

The Canon EOS Rebel T3 (called Canon 1100D in some regions) and the Fujifilm GFX 50S are two digital cameras that were revealed to the public, respectively, in February 2011 and September 2016. The T3 is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T3) and a medium format (GFX 50S) sensor. The Canon has a resolution of 12.2 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon T3		Fujifilm GFX 50S
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
12.2 MP – APS-C sensor		51.1 MP – Medium Format sensor
720/30p Video		1080/30p Video
ISO 100-6,400		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Viewfinder optional
2.7" LCD – 230k dots		3.2" LCD – 2360k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
3 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
700 shots per battery charge		400 shots per battery charge
130 x 100 x 78 mm, 495 g		148 x 94 x 91 mm, 740 g

Check T3 offers at
ebay.com
Check GFX 50S offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T3 and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon T3 and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (7 percent) than the Canon T3. Moreover, the GFX 50S is substantially heavier (49 percent) than the T3. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the T3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the T3 gets 700 shots out of its Canon LP-E10 battery, while the GFX 50S can take 400 images on a single charge of its Fujifilm NP-T125 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon T3	130 mm	100 mm	78 mm	495 g	700	n	Feb 2011	449	ebay.com
2.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
3.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	399	amazon.com
4.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	449	ebay.com
5.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
6.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	799	ebay.com
7.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
8.		Canon T3i	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	599	ebay.com
9.		Canon T2i	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	699	ebay.com
10.		Canon XS	126 mm	98 mm	65 mm	502 g	500	n	Jun 2008	449	ebay.com
11.		Canon XSi	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	799	ebay.com
12.		Canon XTi	127 mm	84 mm	65 mm	556 g	370	n	Aug 2006	799	ebay.com
13.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
14.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
15.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
16.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
17.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T3 was launched at a markedly lower price (by 93 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon T3 features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 350 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the T3 has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

With 51.1MP, the GFX 50S offers a higher resolution than the T3 (12.2MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 5.15μm for the T3) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 5 years and 7 months) than the T3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon T3 are 21.4 x 14.2 inches or 54.3 x 36.2 cm for good quality, 17.1 x 11.4 inches or 43.4 x 28.9 cm for very good quality, and 14.2 x 9.5 inches or 36.2 x 24.1 cm for excellent quality prints.

The Canon EOS Rebel T3 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon T3	APS-C	12.2	4272	2848	720/30p	21.9	11.0	755	62
2.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
3.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
4.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
5.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
6.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
7.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
8.		Canon T3i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
9.		Canon T2i	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
10.		Canon XS	APS-C	10.1	3888	2592	none	22.0	10.9	719	62
11.		Canon XSi	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
12.		Canon XTi	APS-C	10.1	3888	2592	none	22.1	11.0	664	62
13.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
14.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
15.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
16.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
17.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 50S provides a better video resolution than the T3. It can shoot movie footage at 1080/30p, while the Canon is limited to 720/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the T3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The adjacent table lists some of the other core features of the Canon T3 and Fujifilm GFX 50S along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon T3	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
2.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
3.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
4.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
5.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
6.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
7.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon T3i	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
9.		Canon T2i	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
10.		Canon XS	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon XSi	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
12.		Canon XTi	optical	n	2.5 / 230	fixed	n	1/4000s	3.0/s	Y	n
13.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
14.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
15.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
16.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
17.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The T3 has one, while the GFX 50S does not. While the built-in flash of the T3 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the T3 and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the T3 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the T3 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T3 and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon T3	Y	stereo / mono	-	-	mini	2.0	-	-	-
2.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
3.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
4.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
5.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
6.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Canon T3i	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Canon T2i	Y	stereo / -	Y	-	mini	2.0	-	-	-
10.		Canon XS	Y	- / -	-	-	-	2.0	-	-	-
11.		Canon XSi	Y	- / -	-	-	mini	2.0	-	-	-
12.		Canon XTi	Y	- / -	-	-	-	2.0	-	-	-
13.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
14.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
15.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
16.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
17.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-

It is notable that the GFX 50S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T3 does not provide wifi capability.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the T3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the T3 and the GFX 50S have been discontinued, but can regularly be found used on ebay. The T3 was replaced by the Canon T5, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the T3 and GFX 50S can be found, respectively, in the Canon T3 Manual (free pdf) or the online Fujifilm GFX 50S Manual.

Review summary

So what is the bottom line? Is the Canon T3 better than the Fujifilm GFX 50S or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Canon EOS Rebel T3:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Less heavy: Is lighter (by 245g or 33 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (700 versus 400) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2011).

Advantages of the Fujifilm GFX 50S:

• More detail: Has more megapixels (51.1 vs 12.2MP), which boosts linear resolution by 101%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 230k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 5 years and 7 months of technical progress since the T3 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (24 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon T3 and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the T3 or the GFX 50S perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon T3	..	80/100	..	69/100	4/5	4.5/5	Feb 2011	449	ebay.com
2.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
3.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	399	amazon.com
4.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	449	ebay.com
5.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
6.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	799	ebay.com
7.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
8.		Canon T3i	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	599	ebay.com
9.		Canon T2i	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	699	ebay.com
10.		Canon XS	..	82/100	..	+ +	3.5/5	4.5/5	Jun 2008	449	ebay.com
11.		Canon XSi	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	799	ebay.com
12.		Canon XTi	..	+ +	..	+ +	o	4/5	Aug 2006	799	ebay.com
13.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
14.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
15.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
16.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
17.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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