Canon T1i vs Panasonic G9
The Canon EOS Rebel T1i (called Canon 500D in some regions) and the Panasonic Lumix DC-G9 are two digital cameras that were announced, respectively, in March 2009 and November 2017. The T1i is a DSLR, while the G9 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T1i) and a Four Thirds (G9) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T1i and the Panasonic Lumix DC-G9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T1i and the Panasonic G9. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G9 is somewhat larger (5 percent) than the Canon T1i. Moreover, the G9 is markedly heavier (27 percent) than the T1i. It is noteworthy in this context that the G9 is splash and dust-proof, while the T1i does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T1i) and the Micro Four Thirds Lens Catalog (G9). Mirrorless cameras, such as the G9, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The power pack in the G9 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||ebay.com|
|2.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||amazon.com|
|3.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||amazon.com|
|4.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449||ebay.com|
|5.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||ebay.com|
|6.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|7.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849||ebay.com|
|8.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599||ebay.com|
|9.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699||ebay.com|
|10.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||ebay.com|
|11.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799||ebay.com|
|12.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899||ebay.com|
|13.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||ebay.com|
|14.||Panasonic G9 II||134 mm||102 mm||90 mm||658 g||390||Y||Sep 2023||1,899||amazon.com|
|15.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699||amazon.com|
|16.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|17.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The T1i was launched at a markedly lower price (by 53 percent) than the G9, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T1i features an APS-C sensor and the Panasonic G9 a Four Thirds sensor. The sensor area in the G9 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T1i has a native 3:2 aspect ratio, while the one in the G9 offers a 4:3 aspect.
Despite having a smaller sensor, the G9 offers a higher resolution of 20.2 megapixels, compared with 15.1 MP of the T1i. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.69μm for the T1i). However, it should be noted that the G9 is much more recent (by 8 years and 7 months) than the T1i, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G9 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic G9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G9 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon T1i are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
Unlike the T1i, the G9 has the capacity to capture high quality composite images (80.6MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS Rebel T1i has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DC-G9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|13.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|14.||Panasonic G9 II||Four Thirds||25.0||5776||4336||5.7K/60p||23.4||13.5||1710||78|
|15.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|16.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|17.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G9 provides a better video resolution than the T1i. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/20p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G9 has an electronic viewfinder (3680k dots), while the T1i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G9 offers a wider field of view (100%) than the one in the T1i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G9 has a higher magnification (0.83x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon T1i and Panasonic G9 along with similar information for a selection of comparators.
|1.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|2.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|3.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|9.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|10.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|11.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|13.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|14.||Panasonic G9 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||10.0/s||n||Y|
|15.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|16.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|17.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The T1i has one, while the G9 does not. While the built-in flash of the T1i is not very powerful, it can at times be useful as a fill-in light.The G9 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the T1i does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The T1i writes its imaging data to SDHC cards, while the G9 uses SDXC cards. The G9 features dual card slots, which can be very useful in case a memory card fails. In contrast, the T1i only has one slot. The G9 supports UHS-II cards (on both slots), while the T1i cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T1i and Panasonic Lumix DC-G9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|3.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|10.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|14.||Panasonic G9 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|16.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|17.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
It is notable that the G9 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the T1i does not provide wifi capability.
Studio photographers will appreciate that the Panasonic G9 (unlike the T1i) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G9 is a recent model that features in the current product line-up of Panasonic. In contrast, the T1i has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the T1i was succeeded by the Canon T2i. Further information on the features and operation of the T1i and G9 can be found, respectively, in the Canon T1i Manual (free pdf) or the online Panasonic G9 Manual.
So what is the bottom line? Which of the two cameras – the Canon T1i or the Panasonic G9 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Rebel T1i:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 138g or 21 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2009).
Advantages of the Panasonic Lumix DC-G9:
- More detail: Has more megapixels (20.2 vs 15.1MP), which boosts linear resolution by 13%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/20p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 3.4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 8 years and 7 months of technical progress since the T1i launch.
If the number of relative strengths (bullet points above) is taken as a guide, the G9 is the clear winner of the contest (30 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T1i and the Panasonic G9 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the T1i and the G9 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799||ebay.com|
|2.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699||amazon.com|
|3.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399||amazon.com|
|4.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449||ebay.com|
|5.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749||ebay.com|
|6.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|7.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849||ebay.com|
|8.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599||ebay.com|
|9.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699||ebay.com|
|10.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799||ebay.com|
|11.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799||ebay.com|
|12.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899||ebay.com|
|13.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999||ebay.com|
|14.||Panasonic G9 II||..||..||..||..||..||..||Sep 2023||1,899||amazon.com|
|15.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699||amazon.com|
|16.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|17.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 60D vs Panasonic G9
- Canon T1i vs Nikon D200
- Canon T1i vs Nikon D4S
- Canon T1i vs Nikon D500
- Canon T1i vs Panasonic GX850
- Canon T1i vs Sony NEX-3N
- Canon T1i vs Sony NEX-5N
- Fujifilm X-T200 vs Panasonic G9
- Nikon Z8 vs Panasonic G9
- Olympus E-M5 III vs Panasonic G9
- Panasonic G9 vs Sony H400
- Panasonic G9 vs Sony NEX-3N
Specifications: Canon T1i vs Panasonic G9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T1i||Panasonic G9|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2009||November 2017|
|Launch Price||USD 799||USD 1,699|
|Sensor Specs||Canon T1i||Panasonic G9|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||15.1 Megapixels||20.2 Megapixels|
|Image Resolution||4752 x 3168 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.69 μm||3.34 μm|
|Pixel Density||4.53 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/20p Video||4K/60p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 12,800 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 4||Venus 10|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.7||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||663||..|
|Screen Specs||Canon T1i||Panasonic G9|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3680k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon T1i||Panasonic G9|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3.4 shutter flaps/s||20 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDHC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon T1i||Panasonic G9|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon T1i||Panasonic G9|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
137 x 97 x 92 mm
(5.4 x 3.8 x 3.6 in)
|Camera Weight||520 g (18.3 oz)||658 g (23.2 oz)|
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