Canon SX720 vs Fujifilm X-Pro1
The Canon PowerShot SX720 HS and the Fujifilm X-Pro1 are two digital cameras that were officially introduced, respectively, in February 2016 and January 2012. The SX720 is a fixed lens compact, while the X-Pro1 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX720) and an APS-C (X-Pro1) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX720||Fujifilm X-Pro1|
|Fixed lens compact camera||Mirrorless system camera|
|24-960mm f/3.3-6.9||Fujifilm X mount lenses|
|20.2 MP, 1/2.3" Sensor||16 MP, APS-C Sensor|
|1080/60p Video||1080/24p Video|
|ISO 80-3200||ISO 200-6400 (100-25600)|
|No viewfinder, LCD framing||Electronic viewfinder (1440k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|5.9 shutter flaps per second||6 shutter flaps per second|
|250 shots per battery charge||300 shots per battery charge|
|110 x 64 x 36 mm, 270 g||140 x 82 x 43 mm, 450 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX720 HS and the Fujifilm X-Pro1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SX720 and the Fujifilm X-Pro1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SX720 can be obtained in two different colors (black, red), while the X-Pro1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro1 is considerably larger (63 percent) than the Canon SX720. In this context, it is worth noting that neither the SX720 nor the X-Pro1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX720 has a lens built in, whereas the X-Pro1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro1 and their specifications in the Fujinon X Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon SX720»||4.3 in||2.5 in||1.4 in||9.5 oz||250||n||Feb 2016||379||-||Canon SX720|
|Fujifilm X-Pro1«||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon G7 X Mark II« »||4.2 in||2.4 in||1.7 in||11.3 oz||265||n||Feb 2016||699||-||Canon G7 X Mark II|
|Canon SX420« »||4.1 in||2.7 in||3.3 in||11.5 oz||195||n||Jan 2016||299||Canon SX420|
|Canon SX540« »||4.7 in||3.2 in||3.6 in||15.6 oz||205||n||Jan 2016||399||Canon SX540|
|Canon SX410« »||4.1 in||2.7 in||3.3 in||11.5 oz||185||n||Feb 2015||279||-||Canon SX410|
|Canon SX710« »||4.4 in||2.6 in||1.4 in||9.5 oz||230||n||Jan 2015||349||-||Canon SX710|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X100S« »||5.0 in||2.9 in||2.1 in||15.7 oz||330||n||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic ZS70|
|Sony HX80« »||4.0 in||2.3 in||1.4 in||8.6 oz||390||n||Mar 2016||349||Sony HX80|
|Sony HX90V« »||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429||Sony HX90V|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX720 was launched at a lower price than the X-Pro1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX720 features a 1/2.3-inch sensor and the Fujifilm X-Pro1 an APS-C sensor. The sensor area in the X-Pro1 is 1214 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX720 has a native 4:3 aspect ratio, while the one in the X-Pro1 offers a 3:2 aspect.
Despite having a smaller sensor, the Canon SX720 offers a higher resolution of 20.2 megapixels, compared with 16 MP of the Fujifilm X-Pro1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.80μm for the X-Pro1). However, it should be noted that the SX720 is much more recent (by 4 years and 1 month) than the X-Pro1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Canon SX720 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX720 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Fujifilm X-Pro1 are 24.5 x 16.3 inch or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inch or 41.5 x 27.6 cm for excellent quality prints.
The Canon PowerShot SX720 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Fujifilm X-Pro1 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon SX720»||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX720|
|Fujifilm X-Pro1«||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon G7 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G7 X Mark II|
|Canon SX420« »||1/2.3||19.9||5152||3864||720/25p||-||-||-||-||Canon SX420|
|Canon SX540« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX540|
|Canon SX410« »||1/2.3||19.9||5152||3864||720/25p||-||-||-||-||Canon SX410|
|Canon SX710« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX710|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X100S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100S|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Sony HX80« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX80|
|Sony HX90V« »||1/2.3||18.0||4896||3672||1080/60p||-||-||-||-||Sony HX90V|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the SX720 provides a higher frame rate than the X-Pro1. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/24p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro1 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX720 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX720, the Fujifilm X-Pro1, and comparable cameras.
|Canon SX720»||-||n||3.0||922||fixed||n||1/3200s||5.9||Y||Y||Canon SX720|
|Fujifilm X-Pro1«||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon G7 X Mark II« »||-||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y||Canon G7 X Mark II|
|Canon SX420« »||-||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX420|
|Canon SX540« »||-||n||3.0||461||fixed||n||1/2000s||5.9||Y||Y||Canon SX540|
|Canon SX410« »||-||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX410|
|Canon SX710« »||-||n||3.0||922||fixed||n||1/3200s||6.0||Y||Y||Canon SX710|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X100S« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100S|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic ZS70|
|Sony HX80« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX80|
|Sony HX90V« »||638||n||3.0||921||tilting||n||1/2000s||10.0||Y||Y||Sony HX90V|
One difference between the cameras concerns the presence of an on-board flash. The SX720 has one, while the X-Pro1 does not. While the built-in flash of the SX720 is not very powerful, it can at times be useful as a fill-in light.
Concerning the storage of imaging data, both the SX720 and the X-Pro1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX720 HS and Fujifilm X-Pro1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX720»||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX720|
|Fujifilm X-Pro1«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon G7 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X Mark II|
|Canon SX420« »||-||mono||mono||-||-||-||2.0||Y||Y||-||Canon SX420|
|Canon SX540« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX540|
|Canon SX410« »||-||stereo||mono||-||-||-||2.0||-||-||-||Canon SX410|
|Canon SX710« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX710|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X100S« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X100S|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-M1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Sony HX80« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX80|
|Sony HX90V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX90V|
It is notable that the SX720 offers wifi support, while the X-Pro1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the SX720) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX720 and the X-Pro1 have been discontinued, but can regularly be found used on eBay. The X-Pro1 was replaced by the Fujifilm X-Pro2, while the SX720 was followed by the Canon SX730. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Which of the two cameras – the Canon SX720 or the Fujifilm X-Pro1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX720 HS:
- More detail: Offers more megapixels (20.2 vs 16MP) with a 10% higher linear resolution.
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- Ready to shoot: Has a lens built-in, whereas the X-Pro1 requires a separate lens.
- More compact: Is smaller (110x64mm vs 140x82mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-Pro1).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 1 month of technical progress since the X-Pro1 launch.
Reasons to prefer the Fujifilm X-Pro1:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (300 versus 250) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro1 comes out slightly ahead of the SX720 (12 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX720 and the Fujifilm X-Pro1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SX720 or the X-Pro1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX720»||+||-||4/5||-||4.5/5||Feb 2016||379||-||Canon SX720|
|Fujifilm X-Pro1«||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon G7 X Mark II« »||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699||-||Canon G7 X Mark II|
|Canon SX420« »||-||-||-||-||-||Jan 2016||299||Canon SX420|
|Canon SX540« »||-||-||-||-||-||Jan 2016||399||Canon SX540|
|Canon SX410« »||o||-||-||-||-||Feb 2015||279||-||Canon SX410|
|Canon SX710« »||+||-||4/5||-||3.5/5||Jan 2015||349||-||Canon SX710|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X100S« »||+ +||81/100||4.5/5||4/5||5/5||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-M1« »||+||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Panasonic ZS70« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic ZS70|
|Sony HX80« »||-||-||-||-||-||Mar 2016||349||Sony HX80|
|Sony HX90V« »||+ +||-||4/5||-||4.5/5||Apr 2015||429||Sony HX90V|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 750D vs Canon SX720
- Canon 750D vs Fujifilm X-Pro1
- Canon SX720 vs Olympus E-1
- Canon SX720 vs Panasonic GF2
- Canon SX720 vs Sony A6500
- Canon SX720 vs Sony A850
- Canon SX720 vs Sony RX100 IV
- Canon T100 vs Fujifilm X-Pro1
- Fujifilm X-Pro1 vs Fujifilm X-T10
- Fujifilm X-Pro1 vs Panasonic GH4
- Fujifilm X-Pro1 vs Panasonic TZ95
- Fujifilm X-Pro1 vs Sony A6400
Specifications: Canon SX720 vs Fujifilm X-Pro1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX720||Fujifilm X-Pro1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-960mm f/3.3-6.9||Fujifilm X mount lenses|
|Launch Date||February 2016||January 2012|
|Launch Price||USD 379||USD 1699|
|Sensor Specs||Canon SX720||Fujifilm X-Pro1|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.6 x 15.6 mm|
|Sensor Area||28.0735 mm2||368.16 mm2|
|Sensor Diagonal||7.7 mm||28.3 mm|
|Sensor Resolution||20.2 Megapixels||16 Megapixels|
|Image Resolution||5184 x 3888 pixels||4896 x 3264 pixels|
|Pixel Pitch||1.18 μm||4.80 μm|
|Pixel Density||71.80 MP/cm2||4.34 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/24p Video|
|ISO Setting||80-3200 ISO||200-6400 ISO|
|ISO Boost||no Enhancement||100-25600 ISO|
|Image Processor||DIGIC 6||EXR Processor|
|Screen Specs||Canon SX720||Fujifilm X-Pro1|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon SX720||Fujifilm X-Pro1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/3200/s||1/4000/s|
|Continuous Shooting||5.9 shutter flaps/s||6 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon SX720||Fujifilm X-Pro1|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX720||Fujifilm X-Pro1|
|Battery Life (CIPA)||250 shots per charge||300 shots per charge|
110 x 64 x 36 mm
(4.3 x 2.5 x 1.4 in)
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
|Camera Weight||270 g (9.5 oz)||450 g (15.9 oz)|
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