Canon SX70 vs Panasonic GF6
The Canon PowerShot SX70 HS and the Panasonic Lumix DMC-GF6 are two digital cameras that were revealed to the public, respectively, in September 2018 and April 2013. The SX70 is a fixed lens compact, while the GF6 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX70) and a Four Thirds (GF6) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX70 HS and the Panasonic Lumix DMC-GF6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon SX70 and the Panasonic GF6. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF6 can be obtained in four different colors (black, brown, red, white), while the SX70 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF6 is considerably smaller (38 percent) than the Canon SX70. In this context, it is worth noting that neither the SX70 nor the GF6 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX70 has a lens built in, whereas the GF6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GF6 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the SX70 gets 325 shots out of its Canon LP-E12 battery, while the GF6 can take 340 images on a single charge of its Panasonic DMW-BLG10 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX70 | 127 mm | 91 mm | 117 mm | 608 g | 325 | n | Sep 2018 | 549 | amazon.com | |
2. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Canon SX430 | 104 mm | 69 mm | 85 mm | 323 g | 195 | n | Jan 2017 | 299 | ebay.com | |
5. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | 899 | ebay.com | |
6. | Canon G9 X Mark II | 98 mm | 58 mm | 31 mm | 206 g | 235 | n | Jan 2017 | 529 | ebay.com | |
7. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | 399 | ebay.com | |
8. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
9. | Canon SX1 | 128 mm | 88 mm | 88 mm | 615 g | .. | n | Sep 2008 | 599 | ebay.com | |
10. | Nikon B700 | 125 mm | 85 mm | 107 mm | 565 g | 350 | n | Feb 2016 | 499 | ebay.com | |
11. | Panasonic FZ80 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | 399 | ebay.com | |
12. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | 499 | ebay.com | |
13. | Panasonic G6 | 122 mm | 85 mm | 71 mm | 390 g | 340 | n | Apr 2013 | 599 | ebay.com | |
14. | Panasonic GF5 | 108 mm | 67 mm | 37 mm | 267 g | 360 | n | Apr 2012 | 499 | ebay.com | |
15. | Panasonic G3 | 115 mm | 84 mm | 47 mm | 336 g | 270 | n | May 2011 | 599 | ebay.com | |
16. | Panasonic G1 | 124 mm | 84 mm | 45 mm | 360 g | 410 | n | Sep 2008 | 599 | ebay.com | |
17. | Sony HX400V | 130 mm | 93 mm | 103 mm | 660 g | 300 | n | Feb 2014 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX70 features a 1/2.3-inch sensor and the Panasonic GF6 a Four Thirds sensor. The sensor area in the GF6 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the Canon SX70 offers a higher resolution of 20.2 megapixels, compared with 15.8 MP of the Panasonic GF6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.77μm for the GF6). However, it should be noted that the SX70 is much more recent (by 5 years and 5 months) than the GF6, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the SX70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon SX70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX70 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic GF6 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The Canon PowerShot SX70 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-GF6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
In terms of underlying technology, the SX70 is build around a BSI-CMOS sensor, while the GF6 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1063 | 51 | |
2. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Canon SX430 | 1/2.3 | 19.9 | 5152 | 3864 | 720/25p | 20.5 | 11.9 | 900 | 49 | |
5. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
6. | Canon G9 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.9 | 12.5 | 522 | 65 | |
7. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
8. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
9. | Canon SX1 | 1/2.3 | 10.0 | 3648 | 2736 | 1080/30p | 19.0 | 10.3 | 144 | 35 | |
10. | Nikon B700 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.4 | 11.8 | 818 | 48 | |
11. | Panasonic FZ80 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
12. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
13. | Panasonic G6 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.3 | 11.5 | 639 | 61 | |
14. | Panasonic GF5 | Four Thirds | 12.0 | 4000 | 3000 | 1080/60i | 20.5 | 10.0 | 573 | 50 | |
15. | Panasonic G3 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 21.0 | 10.6 | 667 | 56 | |
16. | Panasonic G1 | Four Thirds | 12.0 | 4000 | 3000 | none | 21.1 | 10.3 | 463 | 53 | |
17. | Sony HX400V | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the SX70 provides a higher video resolution than the GF6. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the SX70 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GF6 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX70, the Panasonic GF6, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX70 | 2360 | n | 3.0 / 922 | swivel | n | 1/2000s | 10.0/s | Y | Y | |
2. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Canon SX430 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 0.5/s | Y | Y | |
5. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
6. | Canon G9 X Mark II | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 8.2/s | Y | Y | |
7. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
8. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
9. | Canon SX1 | 202 | n | 2.8 / 230 | swivel | n | 1/3200s | 4.0/s | Y | Y | |
10. | Nikon B700 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 5.0/s | Y | Y | |
11. | Panasonic FZ80 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
12. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
13. | Panasonic G6 | 1440 | n | 3.0 / 1036 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
14. | Panasonic GF5 | none | n | 3.0 / 920 | fixed | Y | 1/4000s | 4.0/s | Y | n | |
15. | Panasonic G3 | 1440 | n | 3.0 / 460 | swivel | Y | 1/4000s | 4.0/s | Y | n | |
16. | Panasonic G1 | 1440 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
17. | Sony HX400V | 210 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GF6 has a touchscreen, while the SX70 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.Concerning the storage of imaging data, both the SX70 and the GF6 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX70 HS and Panasonic Lumix DMC-GF6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX70 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
2. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Canon SX430 | - | mono / mono | - | - | - | 2.0 | Y | Y | - | |
5. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
6. | Canon G9 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
7. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
8. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
9. | Canon SX1 | Y | stereo / mono | - | - | YES | 2.0 | - | - | - | |
10. | Nikon B700 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
11. | Panasonic FZ80 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
12. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
13. | Panasonic G6 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
14. | Panasonic GF5 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
15. | Panasonic G3 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
16. | Panasonic G1 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
17. | Sony HX400V | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the SX70 has a microphone port, which is missing on the GF6. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The SX70 is a recent model that features in the current product line-up of Canon. In contrast, the GF6 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the GF6 was succeeded by the Panasonic GF7. Further information on the features and operation of the SX70 and GF6 can be found, respectively, in the Canon SX70 Manual (free pdf) or the online Panasonic GF6 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Canon SX70 or the Panasonic GF6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot SX70 HS:
- More detail: Offers more megapixels (20.2 vs 15.8MP) with a 13% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 4.2 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GF6 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years and 5 months of technical progress since the GF6 launch.
Arguments in favor of the Panasonic Lumix DMC-GF6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (111x65mm vs 127x91mm) and will fit more readily into a bag.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in April 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the GF6 comes out slightly ahead of the SX70 (12 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX70 and the Panasonic GF6 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX70 or the GF6. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX70 | .. | + + | 3.5/5 | .. | 3.5/5 | 3.5/5 | Sep 2018 | 549 | amazon.com | |
2. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Canon SX430 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Jan 2017 | 299 | ebay.com | |
5. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | 899 | ebay.com | |
6. | Canon G9 X Mark II | 4/5 | .. | 4/5 | 75/100 | 4.5/5 | 4.5/5 | Jan 2017 | 529 | ebay.com | |
7. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | 399 | ebay.com | |
8. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
9. | Canon SX1 | .. | + + | .. | + | .. | 3.5/5 | Sep 2008 | 599 | ebay.com | |
10. | Nikon B700 | .. | + | .. | .. | 4/5 | 4/5 | Feb 2016 | 499 | ebay.com | |
11. | Panasonic FZ80 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | 399 | ebay.com | |
12. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 499 | ebay.com | |
13. | Panasonic G6 | 4/5 | + + | .. | .. | 5/5 | 4.5/5 | Apr 2013 | 599 | ebay.com | |
14. | Panasonic GF5 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Apr 2012 | 499 | ebay.com | |
15. | Panasonic G3 | 3/5 | + + | .. | 75/100 | 4.5/5 | 5/5 | May 2011 | 599 | ebay.com | |
16. | Panasonic G1 | .. | + + | .. | 70/100 | 4/5 | 4.5/5 | Sep 2008 | 599 | ebay.com | |
17. | Sony HX400V | 4/5 | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 4000D vs Panasonic GF6
- Canon SX70 vs Nikon D3200
- Canon SX70 vs Nikon D80
- Canon SX70 vs Nikon P1000
- Canon SX70 vs Panasonic FZ80
- Canon SX70 vs Panasonic LX100 II
- Canon SX70 vs Sony HX80
- Canon T2i vs Panasonic GF6
- Fujifilm X-A3 vs Panasonic GF6
- Panasonic GF6 vs Ricoh GR II
- Panasonic GF6 vs Sony RX100 III
- Panasonic GF6 vs Zeiss ZX1
Specifications: Canon SX70 vs Panasonic GF6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon SX70 | Panasonic GF6 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 21-1365mm f/3.4-6.5 | Micro Four Thirds lenses |
Launch Date | September 2018 | April 2013 |
Launch Price | USD 549 | USD 499 |
Sensor Specs | Canon SX70 | Panasonic GF6 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | Four Thirds Sensor |
Sensor Size | 6.17 x 4.55 mm | 17.3 x 13.0 mm |
Sensor Area | 28.0735 mm2 | 224.9 mm2 |
Sensor Diagonal | 7.7 mm | 21.6 mm |
Crop Factor | 5.6x | 2.0x |
Sensor Resolution | 20.2 Megapixels | 15.8 Megapixels |
Image Resolution | 5184 x 3888 pixels | 4592 x 3448 pixels |
Pixel Pitch | 1.18 μm | 3.77 μm |
Pixel Density | 71.80 MP/cm2 | 7.04 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/60i Video |
ISO Setting | 100 - 3,200 ISO | 160 - 12,800 ISO |
ISO Boost | no Enhancement | 160 - 25,600 ISO |
Image Processor | DIGIC 8 | Venus FHD |
DXO Sensor Quality (score) | .. | 54 |
DXO Color Depth (bits) | .. | 20.7 |
DXO Dynamic Range (EV) | .. | 10.6 |
DXO Low Light (ISO) | .. | 622 |
Screen Specs | Canon SX70 | Panasonic GF6 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 1040k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon SX70 | Panasonic GF6 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 10 shutter flaps/s | 4.2 shutter flaps/s |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Canon SX70 | Panasonic GF6 |
External Flash | no Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Body Specs | Canon SX70 | Panasonic GF6 |
Battery Type | Canon LP-E12 | Panasonic DMW-BLG10 |
Battery Life (CIPA) | 325 shots per charge | 340 shots per charge |
Body Dimensions |
127 x 91 x 117 mm (5.0 x 3.6 x 4.6 in) |
111 x 65 x 38 mm (4.4 x 2.6 x 1.5 in) |
Camera Weight | 608 g (21.4 oz) | 323 g (11.4 oz) |
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