Canon SX70 vs Fujifilm X-Pro3
The Canon PowerShot SX70 HS and the Fujifilm X-Pro3 are two digital cameras that were announced, respectively, in September 2018 and October 2019. The SX70 is a fixed lens compact, while the X-Pro3 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX70) and an APS-C (X-Pro3) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Fujifilm provides 26 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX70 HS and the Fujifilm X-Pro3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX70 and the Fujifilm X-Pro3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro3 can be obtained in two different colors (black, silver), while the SX70 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro3 is somewhat larger (1 percent) than the Canon SX70. It is noteworthy in this context that the X-Pro3 is splash and dust-proof, while the SX70 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX70 has a lens built in, whereas the X-Pro3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro3 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the SX70 gets 325 shots out of its LP-E12 battery, while the X-Pro3 can take 440 images on a single charge of its NP-W126S power pack. The power pack in the X-Pro3 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549|
|2.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399|
|4.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|5.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|6.||Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|9.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|10.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|11.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|12.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|13.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899|
|14.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|15.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|16.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|17.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX70 was launched at a lower price than the X-Pro3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX70 features a 1/2.3-inch sensor and the Fujifilm X-Pro3 an APS-C sensor. The sensor area in the X-Pro3 is 1214 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX70 has a native 4:3 aspect ratio, while the one in the X-Pro3 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
With 26MP, the X-Pro3 offers a higher resolution than the SX70 (20.2MP), but the X-Pro3 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.18μm for the SX70) due to its larger sensor. Moreover, the X-Pro3 is a somewhat more recent model (by 1 year and 1 month) than the SX70, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-Pro3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro3 for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Canon SX70 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The X-Pro3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot SX70 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Fujifilm X-Pro3 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 80-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro3 offers a substantially higher resolution than the one in the SX70 (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Canon SX70, the Fujifilm X-Pro3, and comparable cameras.
|1.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0/s||Y||Y|
|2.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|4.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|5.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon 800D||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|7.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|8.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1/s||Y||n|
|9.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|10.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|11.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0/s||Y||n|
|12.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|13.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|14.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|15.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0/s||n||n|
|16.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|17.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The SX70 has one, while the X-Pro3 does not. While the built-in flash of the SX70 is not very powerful, it can at times be useful as a fill-in light.The SX70 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-Pro3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX70 and the X-Pro3 write their files to SDXC cards. The X-Pro3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX70 only has one slot. The X-Pro3 supports UHS-II cards (on both slots), while the SX70 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX70 HS and Fujifilm X-Pro3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 800D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|10.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|11.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|12.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|13.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|14.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|16.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the X-Pro3 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The SX70 does not feature such an accessory-socket.
Studio photographers will appreciate that the Fujifilm X-Pro3 (unlike the SX70) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX70 and the X-Pro3 are recent models that are part of the current product line-up. The SX70 replaced the earlier Canon SX60 , while the X-Pro3 followed on from the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Is the Canon SX70 better than the Fujifilm X-Pro3 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot SX70 HS:
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the X-Pro3 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in September 2018).
Arguments in favor of the Fujifilm X-Pro3:
- More detail: Has more megapixels (26 vs 20.2MP), which boosts linear resolution by 16%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (440 versus 325) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 1 month) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro3 is the clear winner of the contest (22 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX70 and the Fujifilm X-Pro3 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SX70 or the X-Pro3 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549|
|2.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399|
|4.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|5.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|6.||Canon 800D||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|7.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|8.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|9.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399|
|10.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|11.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|12.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|13.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899|
|14.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|15.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|16.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|17.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G1 X Mark II vs Canon SX70
- Canon RP vs Fujifilm X-Pro3
- Canon SX400 vs Canon SX70
- Canon SX540 vs Fujifilm X-Pro3
- Canon SX70 vs Leica D-LUX Typ 109
- Canon SX70 vs Nikon D2Xs
- Canon SX70 vs Pentax K-3
- Canon SX70 vs Sony A58
- Fujifilm X-Pro3 vs Fujifilm X-T10
- Fujifilm X-Pro3 vs Kodak AZ901
- Fujifilm X-Pro3 vs Ricoh GR III
- Fujifilm X-Pro3 vs Sony RX100 V
Specifications: Canon SX70 vs Fujifilm X-Pro3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX70||Fujifilm X-Pro3|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||21-1365mm f/3.4-6.5||Fujifilm X mount lenses|
|Launch Date||September 2018||October 2019|
|Launch Price||USD 549||USD 1,799|
|Sensor Specs||Canon SX70||Fujifilm X-Pro3|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.6 x 15.6 mm|
|Sensor Area||28.0735 mm2||368.16 mm2|
|Sensor Diagonal||7.7 mm||28.3 mm|
|Sensor Resolution||20.2 Megapixels||26 Megapixels|
|Image Resolution||5184 x 3888 pixels||6240 x 4160 pixels|
|Pixel Pitch||1.18 μm||3.76 μm|
|Pixel Density||71.80 MP/cm2||7.05 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||160 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 51,200 ISO|
|Image Processor||DIGIC 8||X-Processor 4|
|Screen Specs||Canon SX70||Fujifilm X-Pro3|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2360k dots||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||1620k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX70||Fujifilm X-Pro3|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon SX70||Fujifilm X-Pro3|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon SX70||Fujifilm X-Pro3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||325 shots per charge||440 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
127 x 91 x 117 mm
(5.0 x 3.6 x 4.6 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||608 g (21.4 oz)||497 g (17.5 oz)|
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