Canon SX70 vs Fujifilm GFX 50R
The Canon PowerShot SX70 HS and the Fujifilm GFX 50R are two digital cameras that were revealed to the public in September 2018. The SX70 is a fixed lens compact, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX70) and a medium format (GFX 50R) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX70 HS and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX70 and the Fujifilm GFX 50R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is notably larger (35 percent) than the Canon SX70. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the SX70 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX70 has a lens built in, whereas the GFX 50R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon SX70||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549||amazon.com|
|2.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499||amazon.com|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||amazon.com|
|4.||Canon SX430||104 mm||69 mm||85 mm||323 g||195||n||Jan 2017||299||amazon.com|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||ebay.com|
|6.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||amazon.com|
|7.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||ebay.com|
|8.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|9.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|10.||Canon SX1||128 mm||88 mm||88 mm||615 g||..||n||Sep 2008||599||ebay.com|
|11.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999||amazon.com|
|12.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499||ebay.com|
|13.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750||amazon.com|
|14.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||amazon.com|
|15.||Nikon B700||125 mm||85 mm||107 mm||565 g||350||n||Feb 2016||499||ebay.com|
|16.||Panasonic FZ80||130 mm||94 mm||119 mm||616 g||330||n||Jan 2017||399||amazon.com|
|17.||Sony HX400V||130 mm||93 mm||103 mm||660 g||300||n||Feb 2014||499||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX70 was launched at a lower price than the GFX 50R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX70 features a 1/2.3-inch sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 5086 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50R offers a higher resolution than the SX70 (20.2MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.18μm for the SX70) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon SX70 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The Canon PowerShot SX70 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the SX70 is build around a BSI-CMOS sensor, while the GFX 50R uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||25.7||14.4||3169||98|
|6.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|8.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|11.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||25.9||14.8||3456||100|
|12.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||25.4||14.1||2977||96|
|13.||Hasselblad X1D II||Medium Format||51.3||8272||6200||1080/25p||25.7||14.5||3234||99|
|14.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the SX70 provides a higher video resolution than the GFX 50R. It can shoot video footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50R offers a substantially higher resolution than the one in the SX70 (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Canon SX70, the Fujifilm GFX 50R, and comparable cameras.
|1.||Canon SX70||2360||n||3.0 / 922||swivel||n||1/2000s||10.0/s||Y||Y|
|2.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0/s||n||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|4.||Canon SX430||none||n||3.0 / 230||fixed||n||1/4000s||0.5/s||Y||Y|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|6.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|7.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|8.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|9.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|10.||Canon SX1||202||n||2.8 / 230||swivel||n||1/3200s||4.0/s||Y||Y|
|11.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||Y|
|12.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0/s||n||n|
|13.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7/s||n||n|
|14.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|15.||Nikon B700||921||n||3.0 / 921||swivel||n||1/4000s||5.0/s||Y||Y|
|16.||Panasonic FZ80||1166||n||3.0 / 1040||fixed||Y||1/2000s||10.0/s||Y||Y|
|17.||Sony HX400V||210||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The SX70 has one, while the GFX 50R does not. While the built-in flash of the SX70 is not very powerful, it can at times be useful as a fill-in light.The SX70 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50R does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX70 and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX70 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the SX70 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX70 HS and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX70||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon SX430||-||mono / mono||-||-||-||2.0||Y||Y||-|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|7.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|9.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|10.||Canon SX1||Y||stereo / mono||-||-||YES||2.0||-||-||-|
|11.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|12.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|13.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|14.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|15.||Nikon B700||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Panasonic FZ80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Sony HX400V||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the GFX 50R has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The SX70 does not feature such an accessory-socket.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the SX70) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX70 and the GFX 50R are recent models that are part of the current product line-up. The SX70 replaced the earlier Canon SX60 , while the GFX 50R does not have a direct predecessor. Further information on the features and operation of the SX70 and GFX 50R can be found, respectively, in the Canon SX70 Manual (free pdf) or the online Fujifilm GFX 50R Manual.
So how do things add up? Is the Canon SX70 better than the Fujifilm GFX 50R or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot SX70 HS:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GFX 50R requires a separate lens.
- More compact: Is smaller (127x91mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 50R).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
Arguments in favor of the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 20.2MP), which boosts linear resolution by 59%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 325) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50R is the clear winner of the contest (21 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX70 and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the SX70 or the GFX 50R perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX70||..||+ +||3.5/5||..||3.5/5||3.5/5||Sep 2018||549||amazon.com|
|2.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499||amazon.com|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399||amazon.com|
|4.||Canon SX430||..||..||..||..||3.5/5||3.5/5||Jan 2017||299||amazon.com|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899||ebay.com|
|6.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||amazon.com|
|7.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399||ebay.com|
|8.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|9.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|10.||Canon SX1||..||+ +||..||+||..||3.5/5||Sep 2008||599||ebay.com|
|11.||Fujifilm GFX 50S II||5/5||..||5/5||87/100||..||5/5||Sep 2021||3,999||amazon.com|
|12.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499||ebay.com|
|13.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750||amazon.com|
|14.||Leica Q2||..||..||4.5/5||84/100||4.5/5||4/5||Mar 2019||4,995||amazon.com|
|15.||Nikon B700||..||+||..||..||4/5||4/5||Feb 2016||499||ebay.com|
|16.||Panasonic FZ80||..||+ +||..||..||4.5/5||4.5/5||Jan 2017||399||amazon.com|
|17.||Sony HX400V||4/5||+ +||..||..||4/5||4/5||Feb 2014||499||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark III vs Canon SX70
- Canon 760D vs Canon SX70
- Canon M6 Mark II vs Fujifilm GFX 50R
- Canon R6 Mark II vs Fujifilm GFX 50R
- Canon S120 vs Canon SX70
- Canon SL3 vs Canon SX70
- Canon SX70 vs Leica S2
- Canon SX70 vs Nikon D3
- Fujifilm GFX 50R vs Pentax K-500
- Fujifilm GFX 50R vs Sony A7 II
- Fujifilm GFX 50R vs Sony NEX-5N
- Fujifilm GFX 50R vs Sony ZV-E10
Specifications: Canon SX70 vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX70||Fujifilm GFX 50R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||21-1365mm f/3.4-6.5||Fujifilm G mount lenses|
|Launch Date||September 2018||September 2018|
|Launch Price||USD 549||USD 4,499|
|Sensor Specs||Canon SX70||Fujifilm GFX 50R|
|Sensor Format||1/2.3" Sensor||Medium Format Sensor|
|Sensor Size||6.17 x 4.55 mm||44.0 x 33.0 mm|
|Sensor Area||28.0735 mm2||1452 mm2|
|Sensor Diagonal||7.7 mm||55 mm|
|Sensor Resolution||20.2 Megapixels||51.1 Megapixels|
|Image Resolution||5184 x 3888 pixels||8256 x 6192 pixels|
|Pixel Pitch||1.18 μm||5.33 μm|
|Pixel Density||71.80 MP/cm2||3.52 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 8||X Processor Pro|
|Screen Specs||Canon SX70||Fujifilm GFX 50R|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||922k dots||2360k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX70||Fujifilm GFX 50R|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon SX70||Fujifilm GFX 50R|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon SX70||Fujifilm GFX 50R|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||325 shots per charge||400 shots per charge|
127 x 91 x 117 mm
(5.0 x 3.6 x 4.6 in)
161 x 97 x 66 mm
(6.3 x 3.8 x 2.6 in)
|Camera Weight||608 g (21.4 oz)||775 g (27.3 oz)|
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