Canon SX620 vs Sony A9 II
The Canon PowerShot SX620 HS and the Sony Alpha A9 II are two digital cameras that were announced, respectively, in May 2016 and October 2019. The SX620 is a fixed lens compact, while the A9 II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX620) and a full frame (A9 II) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX620 HS and the Sony Alpha A9 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon SX620 and the Sony A9 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The SX620 can be obtained in three different colors (black, silver, red), while the A9 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A9 II is considerably larger (124 percent) than the Canon SX620. It is noteworthy in this context that the A9 II is splash and dust-proof, while the SX620 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX620 has a lens built in, whereas the A9 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A9 II and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the SX620 gets 295 shots out of its Canon NB-13L battery, while the A9 II can take 690 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A9 II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX620 | 97 mm | 57 mm | 28 mm | 182 g | 295 | n | May 2016 | 279 | ebay.com | |
2. | Sony A9 II | 129 mm | 96 mm | 76 mm | 678 g | 690 | Y | Oct 2019 | 4,499 | amazon.com | |
3. | Canon SX430 | 104 mm | 69 mm | 85 mm | 323 g | 195 | n | Jan 2017 | 299 | ebay.com | |
4. | Canon G9 X Mark II | 98 mm | 58 mm | 31 mm | 206 g | 235 | n | Jan 2017 | 529 | ebay.com | |
5. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | 399 | ebay.com | |
6. | Canon SX420 | 104 mm | 69 mm | 85 mm | 325 g | 195 | n | Jan 2016 | 299 | ebay.com | |
7. | Canon SX540 | 120 mm | 82 mm | 92 mm | 442 g | 205 | n | Jan 2016 | 399 | ebay.com | |
8. | Canon SX720 | 110 mm | 64 mm | 36 mm | 270 g | 250 | n | Feb 2016 | 379 | ebay.com | |
9. | Canon G9 X | 98 mm | 58 mm | 31 mm | 209 g | 220 | n | Oct 2015 | 529 | ebay.com | |
10. | Canon SX410 | 104 mm | 69 mm | 85 mm | 325 g | 185 | n | Feb 2015 | 279 | ebay.com | |
11. | Canon SX610 | 105 mm | 61 mm | 27 mm | 191 g | 270 | n | Jan 2015 | 249 | ebay.com | |
12. | Canon SX710 | 113 mm | 66 mm | 35 mm | 269 g | 230 | n | Jan 2015 | 349 | ebay.com | |
13. | Sony A7S III | 127 mm | 97 mm | 81 mm | 699 g | 600 | Y | Jul 2020 | 3,499 | amazon.com | |
14. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | 1,799 | amazon.com | |
15. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | 3,499 | ebay.com | |
16. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
17. | Sony A9 | 127 mm | 96 mm | 63 mm | 673 g | 650 | Y | Apr 2017 | 4,499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX620 was launched at a lower price than the A9 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX620 features a 1/2.3-inch sensor and the Sony A9 II a full frame sensor. The sensor area in the A9 II is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the SX620 has a native 4:3 aspect ratio, while the one in the A9 II offers a 3:2 aspect.
With 24MP, the A9 II offers a higher resolution than the SX620 (20.2MP), but the A9 II nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.18μm for the SX620) due to its larger sensor. Moreover, the A9 II is a much more recent model (by 3 years and 4 months) than the SX620, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX620 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A9 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A9 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon SX620 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The A9 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot SX620 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Sony Alpha A9 II are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the SX620 is build around a BSI-CMOS sensor, while the A9 II uses a Stacked BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX620 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.4 | 11.8 | 838 | 49 | |
2. | Sony A9 II | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.0 | 3434 | 93 | |
3. | Canon SX430 | 1/2.3 | 19.9 | 5152 | 3864 | 720/25p | 20.5 | 11.9 | 900 | 49 | |
4. | Canon G9 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.9 | 12.5 | 522 | 65 | |
5. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
6. | Canon SX420 | 1/2.3 | 19.9 | 5152 | 3864 | 720/25p | 20.3 | 11.7 | 806 | 48 | |
7. | Canon SX540 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.3 | 11.7 | 806 | 48 | |
8. | Canon SX720 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.3 | 11.8 | 817 | 48 | |
9. | Canon G9 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.5 | 12.3 | 495 | 63 | |
10. | Canon SX410 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.2 | 11.6 | 720 | 47 | |
11. | Canon SX610 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.2 | 11.6 | 712 | 47 | |
12. | Canon SX710 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.2 | 11.6 | 712 | 47 | |
13. | Sony A7S III | Full Frame | 12.0 | 4240 | 2832 | 4K/120p | 23.7 | 13.9 | 2520 | 86 | |
14. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
15. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
16. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
17. | Sony A9 | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 24.9 | 13.3 | 3517 | 92 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A9 II provides a better video resolution than the SX620. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A9 II has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX620 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX620, the Sony A9 II, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX620 | none | n | 3.0 / 922 | fixed | n | 1/2000s | 2.5/s | Y | Y | |
2. | Sony A9 II | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
3. | Canon SX430 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 0.5/s | Y | Y | |
4. | Canon G9 X Mark II | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 8.2/s | Y | Y | |
5. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
6. | Canon SX420 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 0.5/s | Y | Y | |
7. | Canon SX540 | none | n | 3.0 / 461 | fixed | n | 1/2000s | 5.9/s | Y | Y | |
8. | Canon SX720 | none | n | 3.0 / 922 | fixed | n | 1/3200s | 5.9/s | Y | Y | |
9. | Canon G9 X | none | n | 3.0 / 1040 | fixed | Y | 1/2000s | 6.0/s | Y | Y | |
10. | Canon SX410 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 0.5/s | Y | Y | |
11. | Canon SX610 | none | n | 3.0 / 922 | fixed | n | 1/2000s | 2.5/s | Y | Y | |
12. | Canon SX710 | none | n | 3.0 / 922 | fixed | n | 1/3200s | 6.0/s | Y | Y | |
13. | Sony A7S III | 9440 | n | 3.0 / 1440 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
14. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
15. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
17. | Sony A9 | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 20.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The SX620 has one, while the A9 II does not. While the built-in flash of the SX620 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A9 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A9 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX620 and the A9 II write their files to SDXC cards. The A9 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX620 only has one slot. The A9 II supports UHS-II cards (on both slots), while the SX620 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX620 HS and Sony Alpha A9 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX620 | - | mono / mono | - | - | micro | 2.0 | Y | Y | - | |
2. | Sony A9 II | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
3. | Canon SX430 | - | mono / mono | - | - | - | 2.0 | Y | Y | - | |
4. | Canon G9 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
6. | Canon SX420 | - | mono / mono | - | - | - | 2.0 | Y | Y | - | |
7. | Canon SX540 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
8. | Canon SX720 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
9. | Canon G9 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
10. | Canon SX410 | - | stereo / mono | - | - | - | 2.0 | - | - | - | |
11. | Canon SX610 | - | - / - | - | - | micro | 2.0 | Y | Y | - | |
12. | Canon SX710 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
13. | Sony A7S III | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
14. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
15. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
16. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
17. | Sony A9 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y |
It is notable that the A9 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX620 does not feature such a mic input.
Studio photographers will appreciate that the Sony A9 II (unlike the SX620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A9 II is a recent model that features in the current product line-up of Sony. In contrast, the SX620 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the SX620 from Canon. Further information on the features and operation of the SX620 and A9 II can be found, respectively, in the Canon SX620 Manual (free pdf) or the online Sony A9 II Manual.
Review summary
So how do things add up? Which of the two cameras – the Canon SX620 or the Sony A9 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon PowerShot SX620 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the A9 II requires a separate lens.
- More compact: Is smaller (97x57mm vs 129x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A9 II).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in May 2016).
Advantages of the Sony Alpha A9 II:
- More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 922k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (20 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (690 versus 295) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 3 years and 4 months of technical progress since the SX620 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A9 II is the clear winner of the contest (29 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX620 and the Sony A9 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX620 or the A9 II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX620 | .. | .. | .. | .. | .. | 4/5 | May 2016 | 279 | ebay.com | |
2. | Sony A9 II | .. | .. | 5/5 | 90/100 | 5/5 | 5/5 | Oct 2019 | 4,499 | amazon.com | |
3. | Canon SX430 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Jan 2017 | 299 | ebay.com | |
4. | Canon G9 X Mark II | 4/5 | .. | 4/5 | 75/100 | 4.5/5 | 4.5/5 | Jan 2017 | 529 | ebay.com | |
5. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | 399 | ebay.com | |
6. | Canon SX420 | .. | .. | .. | .. | .. | 3/5 | Jan 2016 | 299 | ebay.com | |
7. | Canon SX540 | .. | .. | .. | .. | .. | .. | Jan 2016 | 399 | ebay.com | |
8. | Canon SX720 | .. | + | .. | .. | 4/5 | 4.5/5 | Feb 2016 | 379 | ebay.com | |
9. | Canon G9 X | 3.5/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2015 | 529 | ebay.com | |
10. | Canon SX410 | .. | o | .. | .. | .. | .. | Feb 2015 | 279 | ebay.com | |
11. | Canon SX610 | .. | .. | .. | .. | 4/5 | 4/5 | Jan 2015 | 249 | ebay.com | |
12. | Canon SX710 | .. | + | .. | .. | 4/5 | 3.5/5 | Jan 2015 | 349 | ebay.com | |
13. | Sony A7S III | 4.5/5 | + + | 5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2020 | 3,499 | amazon.com | |
14. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | 1,799 | amazon.com | |
15. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | 3,499 | ebay.com | |
16. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
17. | Sony A9 | 5/5 | + + | 4.8/5 | 89/100 | 5/5 | 5/5 | Apr 2017 | 4,499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon SX620 vs Sony A9 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon SX620 | Sony A9 II |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 25-625mm f/3.2-6.6 | Sony E mount lenses |
Launch Date | May 2016 | October 2019 |
Launch Price | USD 279 | USD 4,499 |
Sensor Specs | Canon SX620 | Sony A9 II |
Sensor Technology | BSI-CMOS | Stacked BSI-CMOS |
Sensor Format | 1/2.3" Sensor | Full Frame Sensor |
Sensor Size | 6.17 x 4.55 mm | 35.6 x 23.8 mm |
Sensor Area | 28.0735 mm2 | 847.28 mm2 |
Sensor Diagonal | 7.7 mm | 42.8 mm |
Crop Factor | 5.6x | 1.0x |
Sensor Resolution | 20.2 Megapixels | 24 Megapixels |
Image Resolution | 5184 x 3888 pixels | 6000 x 4000 pixels |
Pixel Pitch | 1.18 μm | 5.94 μm |
Pixel Density | 71.80 MP/cm2 | 2.83 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/30p Video | 4K/30p Video |
ISO Setting | 80 - 3,200 ISO | 100 - 51,200 ISO |
ISO Boost | no Enhancement | 50 - 204,800 ISO |
Image Processor | DIGIC 4+ | BIONZ X |
DXO Sensor Quality (score) | .. | 93 |
DXO Color Depth (bits) | .. | 25.0 |
DXO Dynamic Range (EV) | .. | 14.0 |
DXO Low Light (ISO) | .. | 3434 |
Screen Specs | Canon SX620 | Sony A9 II |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.78x | |
Viewfinder Resolution | 3686k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 922k dots | 1440k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon SX620 | Sony A9 II |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/8000s |
Continuous Shooting | 2.5 shutter flaps/s | 20 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Dual UHS-II |
Connectivity Specs | Canon SX620 | Sony A9 II |
External Flash | no Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.1 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | NFC built-in | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Canon SX620 | Sony A9 II |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon NB-13L | Sony NP-FZ100 |
Battery Life (CIPA) | 295 shots per charge | 690 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
97 x 57 x 28 mm (3.8 x 2.2 x 1.1 in) |
129 x 96 x 76 mm (5.1 x 3.8 x 3.0 in) |
Camera Weight | 182 g (6.4 oz) | 678 g (23.9 oz) |
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