Canon SX620 vs Panasonic FZ150
The Canon PowerShot SX620 HS and the Panasonic Lumix DMC-FZ150 are two digital cameras that were revealed to the public, respectively, in May 2016 and August 2011. Both the SX620 and the FZ150 are fixed lens compact cameras that are equipped with a 1/2.3-inch sensor. The Canon has a resolution of 20.2 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX620||Panasonic FZ150|
|Fixed lens compact camera||Fixed lens compact camera|
|25-625mm f/3.2-6.6||25-600mm f/2.8-5.2|
|20.2 MP, 1/2.3" Sensor||12 MP, 1/2.3" Sensor|
|1080/30p Video||1080/60p Video|
|ISO 80-3,200||ISO 100-3,200 (100 - 6,400)|
|No viewfinder, LCD framing||Electronic viewfinder (202k dots)|
|3.0 LCD, 922k dots||3.0 LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|2.5 shutter flaps per second||12 shutter flaps per second|
|295 shots per battery charge||410 shots per battery charge|
|97 x 57 x 28 mm, 182 g||124 x 82 x 92 mm, 528 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX620 HS and the Panasonic Lumix DMC-FZ150? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX620 and the Panasonic FZ150 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The SX620 can be obtained in three different colors (black, silver, red), while the FZ150 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ150 is considerably larger (84 percent) than the Canon SX620. Moreover, the FZ150 is substantially heavier (190 percent) than the SX620. In this context, it is worth noting that neither the SX620 nor the FZ150 are weather-sealed.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SX620||97 mm||57 mm||28 mm||182 g||295||n||May 2016||279|
|Panasonic FZ150||124 mm||82 mm||92 mm||528 g||410||n||Aug 2011||499|
|Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399|
|Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|Canon SX420||104 mm||69 mm||85 mm||325 g||195||n||Jan 2016||299|
|Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|Canon G9 X||98 mm||58 mm||31 mm||209 g||220||n||Oct 2015||529|
|Canon SX410||104 mm||69 mm||85 mm||325 g||185||n||Feb 2015||279|
|Canon SX610||105 mm||61 mm||27 mm||191 g||270||n||Jan 2015||249|
|Canon SX50||123 mm||87 mm||106 mm||595 g||315||n||Sep 2012||429|
|Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX620 was launched at a markedly lower price (by 44 percent) than the FZ150, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor (sometimes also referred to as "crop factor") of 5.6. Within the spectrum of camera sensors, this places the review cameras among the smaller-sensor digicams that favor affordability and compact design. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the SX620 offers a higher resolution of 20.2 megapixels, compared with 12 MP of the FZ150. This megapixels advantage translates into a 30 percent gain in linear resolution. On the other hand, these sensor specs imply that the SX620 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 1.53μm for the FZ150). In this context, it should be noted, however, that the SX620 is much more recent (by 4 years and 8 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Canon SX620 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX620 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot SX620 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ150 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ150 provides a faster frame rate than the SX620. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the FZ150 has an electronic viewfinder (202k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX620 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX620, the Panasonic FZ150, and comparable cameras.
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
Both the SX620 and the FZ150 have zoom lenses built in. The SX620 has a 25-625mm f/3.2-6.6 optic and the FZ150 offers a 25-600mm f/2.8-5.2 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The FZ150 offers the faster maximum aperture.
Concerning the storage of imaging data, both the SX620 and the FZ150 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX620 HS and Panasonic Lumix DMC-FZ150 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the SX620 offers wifi support, while the FZ150 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The SX620 is a recent model that features in the current product line-up of Canon. In contrast, the FZ150 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the FZ150 was succeeded by the Panasonic FZ200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon SX620 or the Panasonic FZ150 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot SX620 HS:
- More detail: Offers more megapixels (20.2 vs 12MP) with a 30% higher linear resolution.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (97x57mm vs 124x82mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 346g or 66 percent) and hence easier to carry around.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
- More modern: Reflects 4 years and 8 months of technical progress since the FZ150 launch.
Arguments in favor of the Panasonic Lumix DMC-FZ150:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.2).
- Longer lasting: Gets more shots (410 versus 295) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (9 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX620 and the Panasonic FZ150 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX620 or the FZ150. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX620||..||..||..||..||4/5||May 2016||279|
|Panasonic FZ150||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499|
|Canon G9 X Mark II||..||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529|
|Canon SX730||+||..||4/5||..||4/5||Apr 2017||399|
|Canon G7 X Mark II||+ +||81/100||4.5/5||4/5||4.5/5||Feb 2016||699|
|Canon SX420||..||..||..||..||3/5||Jan 2016||299|
|Canon SX540||..||..||..||..||..||Jan 2016||399|
|Canon SX720||+||..||4/5||..||4.5/5||Feb 2016||379|
|Canon G5 X||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799|
|Canon G9 X||+ +||..||4.5/5||4/5||4.5/5||Oct 2015||529|
|Canon SX410||o||..||..||..||..||Feb 2015||279|
|Canon SX610||..||..||4/5||..||4/5||Jan 2015||249|
|Canon SX50||+ +||72/100||4.5/5||..||4.5/5||Sep 2012||429|
|Panasonic FZ200||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Panasonic LX7||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499|
|Panasonic FZ100||+||..||4.5/5||..||4.5/5||Jul 2010||499|
|Panasonic LX5||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 100D vs Canon SX620
- Canon M200 vs Canon SX620
- Canon SX620 vs Canon T7
- Canon SX620 vs Nikon D2H
- Canon SX620 vs Nikon D3
- Canon SX620 vs Nikon D3200
- Canon SX620 vs Panasonic FZ100
- Canon SX620 vs Sony A7R II
- Canon SX620 vs Sony A900
- Nikon Coolpix A vs Panasonic FZ150
- Panasonic FZ150 vs Panasonic GF5
- Panasonic FZ150 vs Sony A7 III
Specifications: Canon SX620 vs Panasonic FZ150
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX620||Panasonic FZ150|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||25-625mm f/3.2-6.6||25-600mm f/2.8-5.2|
|Launch Date||May 2016||August 2011|
|Launch Price||USD 279||USD 499|
|Sensor Specs||Canon SX620||Panasonic FZ150|
|Sensor Format||1/2.3" Sensor||1/2.3" Sensor|
|Sensor Size||6.17 x 4.55 mm||6.17 x 4.55 mm|
|Sensor Area||28.0735 mm2||28.0735 mm2|
|Sensor Diagonal||7.7 mm||7.7 mm|
|Sensor Resolution||20.2 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3888 pixels||4000 x 3000 pixels|
|Pixel Pitch||1.18 μm||1.53 μm|
|Pixel Density||71.80 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||80 - 3,200 ISO||100 - 3,200 ISO|
|ISO Boost||no Enhancement||100 - 6,400 ISO|
|Image Processor||DIGIC 4+||Venus FHD|
|DXO Sensor Quality (score)||..||40|
|DXO Color Depth (bits)||..||19.4|
|DXO Dynamic Range (EV)||..||10.9|
|DXO Low Light (ISO)||..||132|
|Screen Specs||Canon SX620||Panasonic FZ150|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||922k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon SX620||Panasonic FZ150|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||12 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon SX620||Panasonic FZ150|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon SX620||Panasonic FZ150|
|Battery Life (CIPA)||295 shots per charge||410 shots per charge|
97 x 57 x 28 mm
(3.8 x 2.2 x 1.1 in)
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
|Camera Weight||182 g (6.4 oz)||528 g (18.6 oz)|
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