Canon SX620 vs Fujifilm GFX 100
The Canon PowerShot SX620 HS and the Fujifilm GFX 100 are two digital cameras that were revealed to the public, respectively, in May 2016 and May 2019. The SX620 is a fixed lens compact, while the GFX 100 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX620) and a medium format (GFX 100) sensor. The Canon has a resolution of 20.2 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX620||Fujifilm GFX 100|
|Fixed lens compact camera||Mirrorless system camera|
|25-625mm f/3.2-6.6||Fujifilm G mount lenses|
|20.2 MP, 1/2.3" Sensor||101.8 MP, Medium Format Sensor|
|1080/30p Video||4K/30p Video|
|ISO 80-3,200||ISO 100-12,800 (50 - 102,400)|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0 LCD, 922k dots||3.2 LCD, 2360k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|2.5 shutter flaps per second||5 shutter flaps per second|
|Lens-based stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|295 shots per battery charge||800 shots per battery charge|
|97 x 57 x 28 mm, 182 g||156 x 144 x 75 mm, 1320 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX620 HS and the Fujifilm GFX 100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon SX620 and the Fujifilm GFX 100. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The SX620 can be obtained in three different colors (black, silver, red), while the GFX 100 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 is considerably larger (306 percent) than the Canon SX620. It is noteworthy in this context that the GFX 100 is splash and dust-proof, while the SX620 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX620 has a lens built in, whereas the GFX 100 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the SX620 gets 295 shots out of its NB-13L battery, while the GFX 100 can take 800 images on a single charge of its NP-T125 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the GFX 100 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SX620||3.8 in||2.2 in||1.1 in||6.4 oz||295||n||May 2016||279|
|Fujifilm GFX 100||6.1 in||5.7 in||3.0 in||46.6 oz||800||Y||May 2019||9,999|
|Canon G9 X Mark II||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529|
|Canon SX730||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399|
|Canon SX420||4.1 in||2.7 in||3.3 in||11.5 oz||195||n||Jan 2016||299|
|Canon SX540||4.7 in||3.2 in||3.6 in||15.6 oz||205||n||Jan 2016||399|
|Canon SX720||4.3 in||2.5 in||1.4 in||9.5 oz||250||n||Feb 2016||379|
|Canon G9 X||3.9 in||2.3 in||1.2 in||7.4 oz||220||n||Oct 2015||529|
|Canon SX410||4.1 in||2.7 in||3.3 in||11.5 oz||185||n||Feb 2015||279|
|Canon SX610||4.1 in||2.4 in||1.1 in||6.7 oz||270||n||Jan 2015||249|
|Canon SX710||4.4 in||2.6 in||1.4 in||9.5 oz||230||n||Jan 2015||349|
|Canon SX600||4.1 in||2.4 in||1.0 in||6.6 oz||290||n||Jan 2014||249|
|Fujifilm X-H1||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899|
|Fujifilm GFX 50R||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499|
|Fujifilm GFX 50S||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499|
|Pentax 645Z||6.1 in||4.6 in||4.8 in||54.7 oz||650||Y||Apr 2014||8,499|
|Pentax 645D||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX620 was launched at a lower price than the GFX 100, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX620 features a 1/2.3-inch sensor and the Fujifilm GFX 100 a medium format sensor. The sensor area in the GFX 100 is 5046 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors.
With 101.8MP, the GFX 100 offers a higher resolution than the SX620 (20.2MP), but the GFX 100 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.18μm for the SX620) due to its larger sensor. Moreover, the GFX 100 is a much more recent model (by 3 years) than the SX620, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon SX620 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot SX620 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Fujifilm GFX 100 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon G9 X||1-inch||20.0||5472||3648||1080/60p||21.5||12.3||495||63|
|Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GFX 100 provides a better video resolution than the SX620. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. The SX620 and the GFX 100 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The following table reports on some other key feature differences and similarities of the Canon SX620, the Fujifilm GFX 100, and comparable cameras.
|Fujifilm GFX 100||optional||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y|
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|Canon G9 X||none||n||3.0||1040||fixed||Y||1/2000s||6.0||Y||Y|
|Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The SX620 has one, while the GFX 100 does not. While the built-in flash of the SX620 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX620 and the GFX 100 write their files to SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX620 only has one slot. The GFX 100 supports UHS-II cards (on both slots), while the SX620 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX620 HS and Fujifilm GFX 100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Fujifilm GFX 100||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|Canon G9 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
It is notable that the GFX 100 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX620 does not feature such a mic input.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the SX620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX620 and the GFX 100 are recent models that are part of the current product line-up. The SX620 replaced the earlier Canon SX610, while the GFX 100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon SX620 and the Fujifilm GFX 100? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX620 HS:
- Ready to shoot: Has a lens built-in, whereas the GFX 100 requires a separate lens.
- More compact: Is smaller (97x57mm vs 156x144mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 100).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in May 2016).
Reasons to prefer the Fujifilm GFX 100:
- More detail: Has more megapixels (101.8 vs 20.2MP), which boosts linear resolution by 125%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 922k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (800 versus 295) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 3 years of technical progress since the SX620 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the contest (30 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX620 and the Fujifilm GFX 100 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX620 or the GFX 100. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX620||..||..||..||..||4/5||May 2016||279|
|Fujifilm GFX 100||+ +||90/100||5/5||4.5/5||4.5/5||May 2019||9,999|
|Canon G9 X Mark II||..||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529|
|Canon SX730||+||..||4/5||..||4/5||Apr 2017||399|
|Canon SX420||..||..||..||..||3/5||Jan 2016||299|
|Canon SX540||..||..||..||..||..||Jan 2016||399|
|Canon SX720||+||..||4/5||..||4.5/5||Feb 2016||379|
|Canon G9 X||+ +||..||4.5/5||4/5||4.5/5||Oct 2015||529|
|Canon SX410||o||..||..||..||..||Feb 2015||279|
|Canon SX610||..||..||4/5||..||4/5||Jan 2015||249|
|Canon SX710||+||..||4/5||..||3.5/5||Jan 2015||349|
|Canon SX600||+||..||4/5||..||4/5||Jan 2014||249|
|Fujifilm X-H1||+||86/100||4.5/5||..||4.5/5||Feb 2018||1,899|
|Fujifilm GFX 50R||..||84/100||4.5/5||4.5/5||4.5/5||Sep 2018||4,499|
|Fujifilm GFX 50S||..||85/100||5/5||5/5||4.5/5||Sep 2016||6,499|
|Pentax 645Z||..||..||4.5/5||5/5||5/5||Apr 2014||8,499|
|Pentax 645D||..||..||..||4.5/5||..||Mar 2010||9,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 600D vs Canon SX620
- Canon D30 vs Fujifilm GFX 100
- Canon M50 vs Canon SX620
- Canon SX530 vs Fujifilm GFX 100
- Canon SX620 vs Leica M-E Typ 240
- Canon SX620 vs Samsung NX1
- Canon SX620 vs Sony A5000
- Fujifilm GFX 100 vs Nikon D5000
- Fujifilm GFX 100 vs Olympus TG-6
- Fujifilm GFX 100 vs Panasonic GX9
- Fujifilm GFX 100 vs Ricoh WG-6
- Fujifilm GFX 100 vs Sony H200
Specifications: Canon SX620 vs Fujifilm GFX 100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX620||Fujifilm GFX 100|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||25-625mm f/3.2-6.6||Fujifilm G mount lenses|
|Launch Date||May 2016||May 2019|
|Launch Price||USD 279||USD 9,999|
|Sensor Specs||Canon SX620||Fujifilm GFX 100|
|Sensor Format||1/2.3" Sensor||Medium Format Sensor|
|Sensor Size||6.17 x 4.55 mm||43.8 x 32.9 mm|
|Sensor Area||28.0735 mm2||1441.02 mm2|
|Sensor Diagonal||7.7 mm||54.8 mm|
|Sensor Resolution||20.2 Megapixels||101.8 Megapixels|
|Image Resolution||5184 x 3888 pixels||11648 x 8736 pixels|
|Pixel Pitch||1.18 μm||3.76 μm|
|Pixel Density||71.80 MP/cm2||7.06 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||80 - 3,200 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC 4+||X-Processor 4|
|Screen Specs||Canon SX620||Fujifilm GFX 100|
|Viewfinder Type||no viewfinder||Viewfinder optional|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||922k dots||2360k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX620||Fujifilm GFX 100|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||2.5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon SX620||Fujifilm GFX 100|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX620||Fujifilm GFX 100|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||295 shots per charge||800 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
97 x 57 x 28 mm
(3.8 x 2.2 x 1.1 in)
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
|Camera Weight||182 g (6.4 oz)||1320 g (46.6 oz)|
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