Canon SX60 vs Sony A7R
The Canon PowerShot SX60 HS and the Sony Alpha A7R are two digital cameras that were announced, respectively, in September 2014 and October 2013. The SX60 is a fixed lens compact, while the A7R is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX60) and a full frame (A7R) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Sony provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX60||Sony A7R|
|Fixed lens compact camera||Mirrorless system camera|
|21-1365mm f/3.4-6.5||Sony E mount lenses|
|14.2 MP, 1/2.3" Sensor||36.2 MP, Full Frame Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-3200 (100-6400)||ISO 100-25600 (50-51200)|
|Electronic viewfinder (922k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 1230k dots|
|Swivel screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|6.4 shutter flaps per second||4 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|340 shots per battery charge||340 shots per battery charge|
|128 x 93 x 114 mm, 650 g||127 x 94 x 48 mm, 465 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX60 HS and the Sony Alpha A7R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon SX60 vs Sony A7R
The physical size and weight of the Canon SX60 and the Sony A7R are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon SX60 and the Sony A7R are of equal size. It is noteworthy in this context that the A7R is splash and dust-proof, while the SX60 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX60 has a lens built in, whereas the A7R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R and their specifications in the Sony FE Lens Catalog.
The power pack in the A7R can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon SX60»||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Sony A7R«||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Nikon P900« »||5.5 in||4.1 in||5.4 in||31.7 oz||360||n||Mar 2015||599||-||Nikon P900|
|Nikon D810« »||5.7 in||4.8 in||3.2 in||34.6 oz||1200||Y||Jun 2014||3,299||-||Nikon D810|
|Panasonic FZ300« »||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ300|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Sony HX400V« »||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX60 was launched at a lower price than the A7R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon SX60 vs Sony A7R
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX60 features a 1/2.3-inch sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the SX60 has a native 4:3 aspect ratio, while the one in the A7R offers a 3:2 aspect.
With 36.2MP, the A7R offers a higher resolution than the SX60 (14.2MP), but the A7R nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 1.40μm for the SX60) due to its larger sensor. However, the SX60 is a somewhat more recent model (by 10 months) than the A7R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inch or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inch or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inch or 62.3 x 41.6 cm. The corresponding values for the Canon SX60 are 23 x 15.4 inch or 58.5 x 39 cm for good quality, 18.4 x 12.3 inch or 46.8 x 31.2 cm for very good quality, and 15.4 x 10.2 inch or 39 x 26 cm for excellent quality prints.
The Canon PowerShot SX60 HS has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-6400. The corresponding ISO settings for the Sony Alpha A7R are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R offers substantially better image quality than the SX60 (overall score 56 points higher). The advantage is based on 6.4 bits higher color depth, 3.3 EV in additional dynamic range, and 4.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SX60»||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Sony A7R«||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
|Canon SX70« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX70|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Nikon P900« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Nikon P900|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Panasonic FZ300« »||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Sony HX400V« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Feature comparison: Canon SX60 vs Sony A7R
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R offers a substantially higher resolution than the one in the SX60 (2400k vs 922k dots). The following table reports on some other key feature differences and similarities of the Canon SX60, the Sony A7R, and comparable cameras.
|Canon SX60»||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Sony A7R«||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
|Canon SX70« »||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Nikon P900« »||921||n||3.0||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P900|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Panasonic FZ300« »||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ300|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
|Sony HX400V« »||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
One difference between the cameras concerns the presence of an on-board flash. The SX60 has one, while the A7R does not. While the built-in flash of the SX60 is not very powerful, it can at times be useful as a fill-in light.The SX60 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A7R does not have a selfie-screen.
The SX60 writes its imaging data to SDXC cards, while the A7R uses SDXC or Memory Stick PRO Duo cards. The A7R supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX60 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Canon SX60 vs Sony A7R
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX60 HS and Sony Alpha A7R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX60»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Sony A7R«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
|Canon SX70« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Nikon P900« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon P900|
|Nikon D810« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Panasonic FZ300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Sony HX400V« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
Both the SX60 and the A7R have been discontinued, but can regularly be found used on eBay. The A7R was replaced by the Sony A7R II, while the SX60 was followed by the Canon SX70. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary: Canon SX60 vs Sony A7R
So what is the bottom line? Is there a clear favorite between the Canon SX60 and the Sony A7R? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon PowerShot SX60 HS:
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6.4 vs 4 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the A7R requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 10 months after the A7R).
Arguments in favor of the Sony Alpha A7R:
- More detail: Has more megapixels (36.2 vs 14.2MP), which boosts linear resolution by 60%.
- Better image quality: Scores substantially higher (56 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (6.4 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (4.4 stops ISO advantage).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 922k dots).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in October 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the A7R is the clear winner of the contest (13 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX60 and the Sony A7R place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the SX60 or the A7R perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Canon SX60 vs Sony A7R
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX60»||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Sony A7R«||+ +||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
|Canon SX70« »||-||-||3.5/5||-||3.5/5||Sep 2018||549||Canon SX70|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Nikon P900« »||-||77/100||4/5||4.5/5||4/5||Mar 2015||599||-||Nikon P900|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-||Nikon D810|
|Panasonic FZ300« »||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ300|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Sony HX400V« »||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D vs Sony A7R
- Canon 7D vs Sony A7R II
- Canon SX60 vs Fujifilm X100F
- Leica Digilux 3 vs Sony A7R III
- Leica M10 vs Sony A7R
- Nikon D5100 vs Sony A7R II
- Nikon D5200 vs Sony A7R III
- Olympus E-PL8 vs Sony A7R
- Panasonic FZ2500 vs Sony A7R II
- Panasonic GX7 vs Sony A7R III
- Panasonic GX85 vs Sony A7R
- Ricoh GR II vs Sony A7R II
Specifications: Canon SX60 vs Sony A7R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX60||Sony A7R|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||21-1365mm f/3.4-6.5||Sony E mount lenses|
|Launch Date||September 2014||October 2013|
|Launch Price||USD 549||USD 2299|
|Sensor Specs||Canon SX60||Sony A7R|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.9 x 24.0 mm|
|Sensor Area||28.0735 mm2||861.6 mm2|
|Sensor Diagonal||7.7 mm||43.2 mm|
|Sensor Resolution||14.2 Megapixels||36.2 Megapixels|
|Image Resolution||4608 x 3072 pixels||7360 x 4912 pixels|
|Pixel Pitch||1.40 μm||4.88 μm|
|Pixel Density||50.42 MP/cm2||4.20 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-3200 ISO||100-25600 ISO|
|ISO Boost||100-6400 ISO||50-51200 ISO|
|Image Processor||DIGIC 6||BIONZ X|
|DXO Sensor Quality (score)||39||95|
|DXO Color Depth (bits)||19.2||25.6|
|DXO Dynamic Range (EV)||10.8||14.1|
|DXO Low Light (ISO)||127||2746|
|Screen Specs||Canon SX60||Sony A7R|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||922k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||1230k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon SX60||Sony A7R|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||6.4 shutter flaps/s||4 shutter flaps/s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX60||Sony A7R|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon SX60||Sony A7R|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||NB-10L power pack||NP-FW50 power pack|
|Battery Life (CIPA)||340 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
128 x 93 x 114 mm
(5.0 x 3.7 x 4.5 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||650 g (22.9 oz)||465 g (16.4 oz)|
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