Canon SX530 vs Panasonic S1H
The Canon PowerShot SX530 HS and the Panasonic Lumix DC-S1H are two digital cameras that were officially introduced, respectively, in January 2015 and May 2019. The SX530 is a fixed lens compact, while the S1H is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX530) and a full frame (S1H) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX530 HS and the Panasonic Lumix DC-S1H? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX530 and the Panasonic S1H are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1H is considerably larger (75 percent) than the Canon SX530. It is noteworthy in this context that the S1H is splash and dust-proof, while the SX530 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX530 has a lens built in, whereas the S1H is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the SX530 gets 210 shots out of its NB-6LH battery, while the S1H can take 400 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1H can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon SX530||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429||ebay.com|
|2.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||amazon.com|
|3.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449||ebay.com|
|4.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399||ebay.com|
|5.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379||ebay.com|
|6.||Canon SX520||120 mm||82 mm||92 mm||441 g||210||n||Jul 2014||399||ebay.com|
|7.||Canon SX700||113 mm||66 mm||35 mm||269 g||250||n||Feb 2014||349||ebay.com|
|8.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549||ebay.com|
|9.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||ebay.com|
|10.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895||amazon.com|
|11.||Nikon L840||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299||ebay.com|
|12.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999||amazon.com|
|13.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||amazon.com|
|14.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||amazon.com|
|15.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499||ebay.com|
|16.||Sigma fp||113 mm||70 mm||45 mm||422 g||280||Y||Jul 2019||1,899||amazon.com|
|17.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The SX530 was launched at a lower price than the S1H, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX530 features a 1/2.3-inch sensor and the Panasonic S1H a full frame sensor. The sensor area in the S1H is 2925 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the SX530 has a native 4:3 aspect ratio, while the one in the S1H offers a 3:2 aspect.
With 24MP, the S1H offers a higher resolution than the SX530 (15.9MP), but the S1H nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 1.33μm for the SX530) due to its larger sensor. Moreover, the S1H is a much more recent model (by 4 years and 4 months) than the SX530, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX530 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic S1H implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1H for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon SX530 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
Unlike the SX530, the S1H has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot SX530 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DC-S1H are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the SX530 is build around a BSI-CMOS sensor, while the S1H uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|10.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|12.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|13.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|14.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|16.||Sigma fp||Full Frame||24.0||6000||4000||4K/30p||25.2||14.2||2829||94|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the S1H provides a better video resolution than the SX530. It can shoot movie footage at 6K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the S1H has an electronic viewfinder (5760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX530 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX530, the Panasonic S1H, and comparable cameras.
|1.||Canon SX530||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|2.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|3.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9/s||Y||Y|
|5.||Canon SX720||none||n||3.0 / 922||fixed||n||1/3200s||5.9/s||Y||Y|
|6.||Canon SX520||none||n||3.0 / 461||fixed||n||1/2000s||1.6/s||Y||Y|
|7.||Canon SX700||none||n||3.0 / 922||fixed||n||1/3200s||8.5/s||Y||Y|
|8.||Canon SX60||922||n||3.0 / 922||swivel||n||1/2000s||6.4/s||Y||Y|
|9.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|11.||Nikon L840||none||n||3.0 / 921||tilting||n||1/4000s||7.4/s||Y||Y|
|12.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|13.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|14.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|15.||Panasonic FZ100||202||n||3.0 / 460||swivel||n||1/2000s||11.0/s||Y||Y|
|16.||Sigma fp||optional||n||3.2 / 2100||fixed||Y||1/8000s||12.0/s||n||n|
|17.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The SX530 has one, while the S1H does not. While the built-in flash of the SX530 is not very powerful, it can at times be useful as a fill-in light.The S1H has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SX530 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1H is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1H has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX530 and the S1H write their files to SDXC cards. The S1H features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX530 only has one slot. The S1H supports UHS-II cards (on both slots), while the SX530 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX530 HS and Panasonic Lumix DC-S1H and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon SX530||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|2.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon SX720||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|6.||Canon SX520||-||stereo / mono||-||-||mini||2.0||-||-||-|
|7.||Canon SX700||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|8.||Canon SX60||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|9.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|11.||Nikon L840||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|12.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|13.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|15.||Panasonic FZ100||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sigma fp||Y||stereo / mono||Y||-||micro||3.1||-||-||-|
|17.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the S1H has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX530 does not feature such a mic input.
Studio photographers will appreciate that the Panasonic S1H (unlike the SX530) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1H is a recent model that features in the current product line-up of Panasonic. In contrast, the SX530 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the SX530 was succeeded by the Canon SX540. Further information on the features and operation of the SX530 and S1H can be found, respectively, in the Canon SX530 Manual (free pdf) or the online Panasonic S1H Manual.
So how do things add up? Is the Canon SX530 better than the Panasonic S1H or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon PowerShot SX530 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has a lens built-in, whereas the S1H requires a separate lens.
- More compact: Is smaller (120x82mm vs 151x114mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the S1H).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2015).
Arguments in favor of the Panasonic Lumix DC-S1H:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (6K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2330k vs 461k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 1.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 210) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 4 years and 4 months of technical progress since the SX530 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the S1H is the clear winner of the contest (33 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX530 and the Panasonic S1H place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX530 or the S1H. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX530||..||+ +||..||..||4/5||4/5||Jan 2015||429||ebay.com|
|2.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999||amazon.com|
|3.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449||ebay.com|
|4.||Canon SX540||..||..||..||..||..||..||Jan 2016||399||ebay.com|
|5.||Canon SX720||..||+||..||..||4/5||4.5/5||Feb 2016||379||ebay.com|
|6.||Canon SX520||..||+||..||..||3.5/5||3.5/5||Jul 2014||399||ebay.com|
|7.||Canon SX700||..||+ +||..||..||4/5||4/5||Feb 2014||349||ebay.com|
|8.||Canon SX60||3/5||+ +||..||75/100||4/5||4.5/5||Sep 2014||549||ebay.com|
|9.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449||ebay.com|
|10.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895||amazon.com|
|11.||Nikon L840||..||+ +||..||..||3.5/5||4/5||Feb 2015||299||ebay.com|
|12.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999||amazon.com|
|13.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499||amazon.com|
|14.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699||amazon.com|
|15.||Panasonic FZ100||..||+||..||..||4.5/5||4.5/5||Jul 2010||499||ebay.com|
|16.||Sigma fp||4/5||..||4/5||..||4/5||4.5/5||Jul 2019||1,899||amazon.com|
|17.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon R5 vs Panasonic S1H
- Canon S120 vs Canon SX530
- Canon SX530 vs Fujifilm X-H1
- Canon SX530 vs Nikon D5200
- Canon SX530 vs Panasonic GM1
- Canon SX530 vs Sony NEX-F3
- Canon SX530 vs Sony RX0
- Fujifilm X-E3 vs Panasonic S1H
- Fujifilm X-T2 vs Panasonic S1H
- Leica Q3 vs Panasonic S1H
- Leica SL2-S vs Panasonic S1H
- Panasonic GX7 vs Panasonic S1H
Specifications: Canon SX530 vs Panasonic S1H
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX530||Panasonic S1H|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Leica L mount lenses|
|Launch Date||January 2015||May 2019|
|Launch Price||USD 429||USD 3,999|
|Sensor Specs||Canon SX530||Panasonic S1H|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.6 x 23.8 mm|
|Sensor Area||28.0735 mm2||847.28 mm2|
|Sensor Diagonal||7.7 mm||42.8 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.33 μm||5.94 μm|
|Pixel Density||56.73 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||6K/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 51,200 ISO|
|ISO Boost||no Enhancement||50 - 204,800 ISO|
|Image Processor||DIGIC 4+||Venus|
|Screen Specs||Canon SX530||Panasonic S1H|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||461k dots||2330k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX530||Panasonic S1H|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||1.6 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon SX530||Panasonic S1H|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX530||Panasonic S1H|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||210 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
120 x 82 x 92 mm
(4.7 x 3.2 x 3.6 in)
151 x 114 x 110 mm
(5.9 x 4.5 x 4.3 in)
|Camera Weight||442 g (15.6 oz)||1052 g (37.1 oz)|
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