Canon SX530 vs Panasonic GH5
The Canon PowerShot SX530 HS and the Panasonic Lumix DC-GH5 are two digital cameras that were officially introduced, respectively, in January 2015 and January 2017. The SX530 is a fixed lens compact, while the GH5 is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX530) and a Four Thirds (GH5) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX530 HS and the Panasonic Lumix DC-GH5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX530 and the Panasonic GH5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5 is notably larger (38 percent) than the Canon SX530. It is noteworthy in this context that the GH5 is splash and dust-proof, while the SX530 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX530 has a lens built in, whereas the GH5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH5 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon SX530||120 mm||82 mm||92 mm||442 g||210||n||Jan 2015||429|
|2.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|3.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|4.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|5.||Canon SX720||110 mm||64 mm||36 mm||270 g||250||n||Feb 2016||379|
|6.||Canon SX520||120 mm||82 mm||92 mm||441 g||210||n||Jul 2014||399|
|7.||Canon SX700||113 mm||66 mm||35 mm||269 g||250||n||Feb 2014||349|
|8.||Canon SX60||128 mm||93 mm||114 mm||650 g||340||n||Sep 2014||549|
|9.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|10.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|11.||Nikon L840||113 mm||78 mm||96 mm||538 g||590||n||Feb 2015||299|
|12.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|13.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|14.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|15.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|16.||Panasonic FZ100||124 mm||82 mm||92 mm||540 g||410||n||Jul 2010||499|
|17.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX530 was launched at a lower price than the GH5, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX530 features a 1/2.3-inch sensor and the Panasonic GH5 a Four Thirds sensor. The sensor area in the GH5 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 20.2MP, the GH5 offers a higher resolution than the SX530 (15.9MP), but the GH5 nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 1.33μm for the SX530) due to its larger sensor. Moreover, the GH5 is a much more recent model (by 2 years) than the SX530, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic GH5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH5 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon SX530 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon PowerShot SX530 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DC-GH5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|2.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|12.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|13.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|14.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|15.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH5 provides a better video resolution than the SX530. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GH5 has an electronic viewfinder (3680k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX530 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX530, the Panasonic GH5, and comparable cameras.
|12.||Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The SX530 has one, while the GH5 does not. While the built-in flash of the SX530 is not very powerful, it can at times be useful as a fill-in light.The GH5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SX530 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX530 and the GH5 write their files to SDXC cards. The GH5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX530 only has one slot. The GH5 supports UHS-II cards (on both slots), while the SX530 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX530 HS and Panasonic Lumix DC-GH5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|12.||Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
It is notable that the GH5 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX530 does not feature such a mic input.
Studio photographers will appreciate that the Panasonic GH5 (unlike the SX530) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GH5 is a recent model that features in the current product line-up of Panasonic. In contrast, the SX530 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX530 was succeeded by the Canon SX540. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon SX530 and the Panasonic GH5? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX530 HS:
- Ready to shoot: Has a lens built-in, whereas the GH5 requires a separate lens.
- More compact: Is smaller (120x82mm vs 139x98mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GH5).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2015).
Reasons to prefer the Panasonic Lumix DC-GH5:
- More detail: Has more megapixels (20.2 vs 15.9MP), which boosts linear resolution by 13%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 461k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 1.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (410 versus 210) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Was introduced somewhat (2 years) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GH5 is the clear winner of the contest (29 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX530 and the Panasonic GH5 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX530 or the GH5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon SX530||..||+ +||..||4/5||4/5||Jan 2015||429|
|2.||Panasonic GH5||4.5/5||+ +||85/100||4.5/5||5/5||Jan 2017||1,999|
|3.||Canon T6||4/5||o||73/100||4/5||4/5||Mar 2016||449|
|4.||Canon SX540||..||..||..||..||..||Jan 2016||399|
|5.||Canon SX720||..||+||..||4/5||4.5/5||Feb 2016||379|
|6.||Canon SX520||..||+||..||3.5/5||3.5/5||Jul 2014||399|
|7.||Canon SX700||..||+ +||..||4/5||4/5||Feb 2014||349|
|8.||Canon SX60||3/5||+ +||75/100||4/5||4.5/5||Sep 2014||549|
|9.||Canon T5||3/5||+||..||4/5||4.5/5||Feb 2014||449|
|10.||Nikon D500||5/5||+ +||91/100||4.5/5||5/5||Jan 2016||1,999|
|11.||Nikon L840||..||+ +||..||3.5/5||4/5||Feb 2015||299|
|12.||Olympus E-M1 II||5/5||+ +||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|13.||Panasonic G9||..||+ +||85/100||5/5||5/5||Nov 2017||1,699|
|14.||Panasonic G85||..||+ +||84/100||5/5||4.5/5||Sep 2016||899|
|15.||Panasonic GH4||5/5||+ +||85/100||5/5||5/5||Feb 2014||1,499|
|16.||Panasonic FZ100||..||+||..||4.5/5||4.5/5||Jul 2010||499|
|17.||Sony HX90V||4/5||+ +||..||4/5||4.5/5||Apr 2015||429|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon SX530 vs Panasonic GH5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX530||Panasonic GH5|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-1200mm f/3.4-6.5||Micro Four Thirds lenses|
|Launch Date||January 2015||January 2017|
|Launch Price||USD 429||USD 1,999|
|Sensor Specs||Canon SX530||Panasonic GH5|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||20.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||1.33 μm||3.34 μm|
|Pixel Density||56.73 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4K/60p Video|
|ISO Setting||100 - 3,200 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||DIGIC 4+||Venus 10|
|DXO Sensor Quality (score)||..||77|
|DXO Color Depth (bits)||..||23.9|
|DXO Dynamic Range (EV)||..||13.0|
|DXO Low Light (ISO)||..||807|
|Screen Specs||Canon SX530||Panasonic GH5|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3680k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||461k dots||1620k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX530||Panasonic GH5|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||1.6 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Dual UHS-II|
|Connectivity Specs||Canon SX530||Panasonic GH5|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX530||Panasonic GH5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||210 shots per charge||410 shots per charge|
120 x 82 x 92 mm
(4.7 x 3.2 x 3.6 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||442 g (15.6 oz)||725 g (25.6 oz)|
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