Canon SX520 vs Panasonic LX7

The Canon PowerShot SX520 HS and the Panasonic Lumix DMC-LX7 are two digital cameras that were announced, respectively, in July 2014 and July 2012. Both the SX520 and the LX7 are fixed lens compact cameras that are based on a 1/2.3-inch (SX520) and a 1/1.7-inch (LX7) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon SX520		Panasonic LX7
Fixed lens compact camera		Fixed lens compact camera
24-1008mm f/3.4-6		24-90mm f/1.4-2.3
15.9 MP – 1/2.3" sensor		10 MP – 1/1.7" sensor
1080/30p Video		1080/60p Video
ISO 100-3,200		ISO 80-6,400 (80 - 12,800)
No viewfinder, LCD framing		Viewfinder optional
3.0" LCD – 461k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
1.6 shutter flaps per second		11 shutter flaps per second
210 shots per battery charge		330 shots per battery charge
120 x 82 x 92 mm, 441 g		111 x 68 x 46 mm, 298 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX520 HS and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon SX520 and the Panasonic LX7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the SX520 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably smaller (23 percent) than the Canon SX520. Moreover, the LX7 is markedly lighter (32 percent) than the SX520. In this context, it is worth noting that neither the SX520 nor the LX7 are weather-sealed.

Concerning battery life, the SX520 gets 210 shots out of its Canon NB-6LH battery, while the LX7 can take 330 images on a single charge of its Panasonic DMW-BCJ13 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon SX520	120 mm	82 mm	92 mm	441 g	210	n	Jul 2014	399	ebay.com
2.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
3.		Canon 1200D	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
4.		Canon 1300D	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	449	ebay.com
5.		Canon 4000D	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	399	amazon.com
6.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
7.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
8.		Canon SX510	104 mm	70 mm	80 mm	349 g	250	n	Aug 2013	249	ebay.com
9.		Canon SX530	120 mm	82 mm	92 mm	442 g	210	n	Jan 2015	429	ebay.com
10.		Canon SX540	120 mm	82 mm	92 mm	442 g	205	n	Jan 2016	399	ebay.com
11.		Canon SX700	113 mm	66 mm	35 mm	269 g	250	n	Feb 2014	349	ebay.com
12.		Canon SX710	113 mm	66 mm	35 mm	269 g	230	n	Jan 2015	349	ebay.com
13.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
14.		Nikon B600	122 mm	82 mm	99 mm	500 g	280	n	Jan 2019	349	ebay.com
15.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
16.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
17.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX520 was launched at a somewhat lower price (by 20 percent) than the LX7, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon SX520 features a 1/2.3-inch sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 50 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

Despite having a smaller sensor, the Canon SX520 offers a higher resolution of 15.9 megapixels, compared with 10 MP of the Panasonic LX7. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.33μm versus 2.05μm for the LX7). However, it should be noted that the SX520 is much more recent (by 2 years) than the LX7, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the SX520 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon SX520 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the SX520 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Canon PowerShot SX520 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.

In terms of underlying technology, the SX520 is build around a BSI-CMOS sensor, while the LX7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon SX520	1/2.3	15.9	4608	3456	1080/30p	20.1	11.5	672	46
2.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
3.		Canon 1200D	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
4.		Canon 1300D	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
5.		Canon 4000D	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
6.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
7.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
8.		Canon SX510	1/2.3	15.9	4608	3456	1080/24p	20.0	11.3	586	45
9.		Canon SX530	1/2.3	15.9	4608	3456	1080/30p	20.2	11.6	712	47
10.		Canon SX540	1/2.3	20.2	5184	3888	1080/60p	20.3	11.7	806	48
11.		Canon SX700	1/2.3	15.9	4608	3456	1080/60p	20.1	11.4	629	45
12.		Canon SX710	1/2.3	20.2	5184	3888	1080/60p	20.2	11.6	712	47
13.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
14.		Nikon B600	1/2.3	15.9	4608	3456	1080/30p	20.7	12.2	1095	52
15.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
16.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
17.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX7 provides a faster frame rate than the SX520. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The SX520 and the LX7 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The following table reports on some other key feature differences and similarities of the Canon SX520, the Panasonic LX7, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon SX520	none	n	3.0 / 461	fixed	n	1/2000s	1.6/s	Y	Y
2.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
3.		Canon 1200D	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
4.		Canon 1300D	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
5.		Canon 4000D	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
6.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
7.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
8.		Canon SX510	none	n	3.0 / 461	fixed	n	1/1600s	3.8/s	Y	Y
9.		Canon SX530	none	n	3.0 / 461	fixed	n	1/2000s	1.6/s	Y	Y
10.		Canon SX540	none	n	3.0 / 461	fixed	n	1/2000s	5.9/s	Y	Y
11.		Canon SX700	none	n	3.0 / 922	fixed	n	1/3200s	8.5/s	Y	Y
12.		Canon SX710	none	n	3.0 / 922	fixed	n	1/3200s	6.0/s	Y	Y
13.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
14.		Nikon B600	none	n	3.0 / 921	fixed	n	1/4000s	7.4/s	Y	Y
15.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
16.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
17.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Both the SX520 and the LX7 have zoom lenses built in. The SX520 has a 24-1008mm f/3.4-6 optic and the LX7 offers a 24-90mm f/1.4-2.3 (focal lengths in full frame equivalent terms). Hence, the Canon and Panasonic provide the same view at the wide-angle end, but the Panasonic has less tele-photo reach at the long end. The LX7 offers the faster maximum aperture.

Concerning the storage of imaging data, both the SX520 and the LX7 write their files to SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX520 HS and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon SX520	-	stereo / mono	-	-	mini	2.0	-	-	-
2.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon 1200D	Y	mono / mono	-	-	mini	2.0	-	-	-
4.		Canon 1300D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
5.		Canon 4000D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
6.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
7.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
8.		Canon SX510	-	stereo / mono	-	-	mini	2.0	Y	-	-
9.		Canon SX530	-	stereo / mono	-	-	mini	2.0	Y	Y	-
10.		Canon SX540	-	stereo / mono	-	-	mini	2.0	Y	Y	-
11.		Canon SX700	-	stereo / mono	-	-	micro	2.0	Y	Y	-
12.		Canon SX710	-	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Nikon B600	-	stereo / mono	-	-	micro	2.0	Y	-	Y
15.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-

It is notable that the LX7 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The SX520 does not feature such an accessory-socket.

Both the SX520 and the LX7 have been discontinued, but can regularly be found used on ebay. The LX7 was replaced by the Panasonic LX10, while the SX520 was followed by the Canon SX530. Further information on the features and operation of the SX520 and LX7 can be found, respectively, in the Canon SX520 Manual (free pdf) or the online Panasonic LX7 Manual.

Review summary

So what is the bottom line? Is the Canon SX520 better than the Panasonic LX7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Canon PowerShot SX520 HS:

• More detail: Offers more megapixels (15.9 vs 10MP) with a 26% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
• More affordable: Was introduced into a lower priced segment (20 percent cheaper at launch).
• More modern: Reflects 2 years of technical progress since the LX7 launch.

Arguments in favor of the Panasonic Lumix DMC-LX7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
• More detailed LCD: Has a higher resolution rear screen (920k vs 461k dots).
• Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
• Faster burst: Shoots at higher frequency (11 vs 1.6 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/3.4).
• More compact: Is smaller (111x68mm vs 120x82mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 143g or 32 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (330 versus 210) out of a single battery charge.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• More heavily discounted: Has been around for much longer (launched in July 2012).

If the count of individual advantages (bullet points above) is taken as a guide, the LX7 is the clear winner of the contest (18 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon SX520 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX520 or the LX7. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon SX520	..	+	..	..	3.5/5	3.5/5	Jul 2014	399	ebay.com
2.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
3.		Canon 1200D	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
4.		Canon 1300D	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	449	ebay.com
5.		Canon 4000D	2.5/5	o	3/5	..	3.5/5	3.5/5	Feb 2018	399	amazon.com
6.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
7.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
8.		Canon SX510	..	+ +	..	..	4.5/5	4/5	Aug 2013	249	ebay.com
9.		Canon SX530	..	+ +	..	..	4/5	4/5	Jan 2015	429	ebay.com
10.		Canon SX540	..	..	..	..	..	..	Jan 2016	399	ebay.com
11.		Canon SX700	..	+ +	..	..	4/5	4/5	Feb 2014	349	ebay.com
12.		Canon SX710	..	+	..	..	4/5	3.5/5	Jan 2015	349	ebay.com
13.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
14.		Nikon B600	..	+	..	..	3.5/5	3/5	Jan 2019	349	ebay.com
15.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
16.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
17.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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