Canon SX520 vs Fujifilm GFX 50R
The Canon PowerShot SX520 HS and the Fujifilm GFX 50R are two digital cameras that were revealed to the public, respectively, in July 2014 and September 2018. The SX520 is a fixed lens compact, while the GFX 50R is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (SX520) and a medium format (GFX 50R) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Fujifilm provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX520 HS and the Fujifilm GFX 50R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon SX520 and the Fujifilm GFX 50R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50R is considerably larger (59 percent) than the Canon SX520. It is noteworthy in this context that the GFX 50R is splash and dust-proof, while the SX520 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX520 has a lens built in, whereas the GFX 50R is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the SX520 gets 210 shots out of its Canon NB-6LH battery, while the GFX 50R can take 400 images on a single charge of its Fujifilm NP-T125 power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX520 | 120 mm | 82 mm | 92 mm | 441 g | 210 | n | Jul 2014 | 399 | ebay.com | |
2. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
3. | Canon 4000D | 129 mm | 102 mm | 77 mm | 436 g | 500 | n | Feb 2018 | 399 | amazon.com | |
4. | Canon 1300D | 129 mm | 101 mm | 78 mm | 485 g | 500 | n | Mar 2016 | 449 | ebay.com | |
5. | Canon SX540 | 120 mm | 82 mm | 92 mm | 442 g | 205 | n | Jan 2016 | 399 | ebay.com | |
6. | Canon 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
7. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | ebay.com | |
8. | Canon SX530 | 120 mm | 82 mm | 92 mm | 442 g | 210 | n | Jan 2015 | 429 | ebay.com | |
9. | Canon SX710 | 113 mm | 66 mm | 35 mm | 269 g | 230 | n | Jan 2015 | 349 | ebay.com | |
10. | Canon SX700 | 113 mm | 66 mm | 35 mm | 269 g | 250 | n | Feb 2014 | 349 | ebay.com | |
11. | Canon 1200D | 130 mm | 100 mm | 78 mm | 480 g | 500 | n | Feb 2014 | 449 | ebay.com | |
12. | Canon SX60 | 128 mm | 93 mm | 114 mm | 650 g | 340 | n | Sep 2014 | 549 | ebay.com | |
13. | Canon SX510 | 104 mm | 70 mm | 80 mm | 349 g | 250 | n | Aug 2013 | 249 | ebay.com | |
14. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
15. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
16. | Leica Q2 | 130 mm | 80 mm | 92 mm | 718 g | 370 | Y | Mar 2019 | 4,995 | amazon.com | |
17. | Nikon B600 | 122 mm | 82 mm | 99 mm | 500 g | 280 | n | Jan 2019 | 349 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX520 was launched at a lower price than the GFX 50R, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon SX520 features a 1/2.3-inch sensor and the Fujifilm GFX 50R a medium format sensor. The sensor area in the GFX 50R is 5086 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 0.79. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 51.1MP, the GFX 50R offers a higher resolution than the SX520 (15.9MP), but the GFX 50R nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 1.33μm for the SX520) due to its larger sensor. Moreover, the GFX 50R is a much more recent model (by 4 years and 1 month) than the SX520, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm GFX 50R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50R for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon SX520 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon PowerShot SX520 HS has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Fujifilm GFX 50R are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the SX520 is build around a BSI-CMOS sensor, while the GFX 50R uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX520 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.1 | 11.5 | 672 | 46 | |
2. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
3. | Canon 4000D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.4 | 695 | 63 | |
4. | Canon 1300D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 781 | 66 | |
5. | Canon SX540 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.3 | 11.7 | 806 | 48 | |
6. | Canon 5DS | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.4 | 2381 | 87 | |
7. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.4 | 2308 | 86 | |
8. | Canon SX530 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.2 | 11.6 | 712 | 47 | |
9. | Canon SX710 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.2 | 11.6 | 712 | 47 | |
10. | Canon SX700 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
11. | Canon 1200D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.3 | 724 | 63 | |
12. | Canon SX60 | 1/2.3 | 14.2 | 4608 | 3072 | 1080/60p | 19.2 | 10.8 | 127 | 39 | |
13. | Canon SX510 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/24p | 20.0 | 11.3 | 586 | 45 | |
14. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
15. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
16. | Leica Q2 | Full Frame | 46.7 | 8368 | 5584 | 4K/30p | 26.4 | 13.5 | 2491 | 96 | |
17. | Nikon B600 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.7 | 12.2 | 1095 | 52 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/30p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GFX 50R has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX520 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX520, the Fujifilm GFX 50R, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX520 | none | n | 3.0 / 461 | fixed | n | 1/2000s | 1.6/s | Y | Y | |
2. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
3. | Canon 4000D | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
4. | Canon 1300D | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Canon SX540 | none | n | 3.0 / 461 | fixed | n | 1/2000s | 5.9/s | Y | Y | |
6. | Canon 5DS | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
7. | Canon 5DS R | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 5.0/s | n | n | |
8. | Canon SX530 | none | n | 3.0 / 461 | fixed | n | 1/2000s | 1.6/s | Y | Y | |
9. | Canon SX710 | none | n | 3.0 / 922 | fixed | n | 1/3200s | 6.0/s | Y | Y | |
10. | Canon SX700 | none | n | 3.0 / 922 | fixed | n | 1/3200s | 8.5/s | Y | Y | |
11. | Canon 1200D | optical | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
12. | Canon SX60 | 922 | n | 3.0 / 922 | swivel | n | 1/2000s | 6.4/s | Y | Y | |
13. | Canon SX510 | none | n | 3.0 / 461 | fixed | n | 1/1600s | 3.8/s | Y | Y | |
14. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
15. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
16. | Leica Q2 | 3680 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | n | Y | |
17. | Nikon B600 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.4/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The SX520 has one, while the GFX 50R does not. While the built-in flash of the SX520 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50R is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the SX520 and the GFX 50R write their files to SDXC cards. The GFX 50R features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX520 only has one slot. The GFX 50R supports UHS-II cards (on both slots), while the SX520 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX520 HS and Fujifilm GFX 50R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX520 | - | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
3. | Canon 4000D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon 1300D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
5. | Canon SX540 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
6. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
7. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
8. | Canon SX530 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
9. | Canon SX710 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
10. | Canon SX700 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
11. | Canon 1200D | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
12. | Canon SX60 | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
13. | Canon SX510 | - | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
14. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
15. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
16. | Leica Q2 | Y | stereo / mono | - | - | - | - | Y | - | Y | |
17. | Nikon B600 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y |
It is notable that the GFX 50R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the SX520 does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm GFX 50R (unlike the SX520) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the SX520 and the GFX 50R have been discontinued, but can regularly be found used on ebay. The SX520 was replaced by the Canon SX530, while the GFX 50R does not have a direct successor. Further information on the features and operation of the SX520 and GFX 50R can be found, respectively, in the Canon SX520 Manual (free pdf) or the online Fujifilm GFX 50R Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Canon SX520 and the Fujifilm GFX 50R? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX520 HS:
- Ready to shoot: Has a lens built-in, whereas the GFX 50R requires a separate lens.
- More compact: Is smaller (120x82mm vs 161x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GFX 50R).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in July 2014).
Reasons to prefer the Fujifilm GFX 50R:
- More detail: Has more megapixels (51.1 vs 15.9MP), which boosts linear resolution by 79%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 461k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (3 vs 1.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 210) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 4 years and 1 month of technical progress since the SX520 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50R is the clear winner of the contest (27 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX520 and the Fujifilm GFX 50R place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX520 or the GFX 50R. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon SX520 | .. | + | .. | .. | 3.5/5 | 3.5/5 | Jul 2014 | 399 | ebay.com | |
2. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
3. | Canon 4000D | 2.5/5 | o | 3/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 399 | amazon.com | |
4. | Canon 1300D | 4/5 | o | 4/5 | 73/100 | 4/5 | 4/5 | Mar 2016 | 449 | ebay.com | |
5. | Canon SX540 | .. | .. | .. | .. | .. | .. | Jan 2016 | 399 | ebay.com | |
6. | Canon 5DS | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
7. | Canon 5DS R | 5/5 | + | .. | 83/100 | 5/5 | 4.5/5 | Feb 2015 | 3,699 | ebay.com | |
8. | Canon SX530 | .. | + + | .. | .. | 4/5 | 4/5 | Jan 2015 | 429 | ebay.com | |
9. | Canon SX710 | .. | + | .. | .. | 4/5 | 3.5/5 | Jan 2015 | 349 | ebay.com | |
10. | Canon SX700 | .. | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | 349 | ebay.com | |
11. | Canon 1200D | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Feb 2014 | 449 | ebay.com | |
12. | Canon SX60 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Sep 2014 | 549 | ebay.com | |
13. | Canon SX510 | .. | + + | .. | .. | 4.5/5 | 4/5 | Aug 2013 | 249 | ebay.com | |
14. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
15. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
16. | Leica Q2 | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4/5 | Mar 2019 | 4,995 | amazon.com | |
17. | Nikon B600 | .. | + | .. | .. | 3.5/5 | 3/5 | Jan 2019 | 349 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 80D vs Canon SX520
- Canon S120 vs Canon SX520
- Canon SX520 vs Fujifilm X-E1
- Canon SX520 vs Olympus E-330
- Canon SX520 vs Olympus E-M10 III
- Canon SX520 vs Olympus E-PL5
- Fujifilm GFX 50R vs Fujifilm X-A3
- Fujifilm GFX 50R vs Fujifilm X-E2
- Fujifilm GFX 50R vs Fujifilm X-T30
- Fujifilm GFX 50R vs Nikon D100
- Fujifilm GFX 50R vs Sigma fp L
- Fujifilm GFX 50R vs Sony A5000
Specifications: Canon SX520 vs Fujifilm GFX 50R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon SX520 | Fujifilm GFX 50R |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 24-1008mm f/3.4-6 | Fujifilm G mount lenses |
Launch Date | July 2014 | September 2018 |
Launch Price | USD 399 | USD 4,499 |
Sensor Specs | Canon SX520 | Fujifilm GFX 50R |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | Medium Format Sensor |
Sensor Size | 6.17 x 4.55 mm | 44.0 x 33.0 mm |
Sensor Area | 28.0735 mm2 | 1452 mm2 |
Sensor Diagonal | 7.7 mm | 55 mm |
Crop Factor | 5.6x | 0.79x |
Sensor Resolution | 15.9 Megapixels | 51.1 Megapixels |
Image Resolution | 4608 x 3456 pixels | 8256 x 6192 pixels |
Pixel Pitch | 1.33 μm | 5.33 μm |
Pixel Density | 56.73 MP/cm2 | 3.52 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/30p Video | 1080/30p Video |
ISO Setting | 100 - 3,200 ISO | 100 - 12,800 ISO |
ISO Boost | no Enhancement | 50 - 102,400 ISO |
Image Processor | DIGIC 4+ | X Processor Pro |
Screen Specs | Canon SX520 | Fujifilm GFX 50R |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.77x | |
Viewfinder Resolution | 3690k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 461k dots | 2360k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon SX520 | Fujifilm GFX 50R |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/4000s |
Continuous Shooting | 1.6 shutter flaps/s | 3 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | Dual UHS-II |
Connectivity Specs | Canon SX520 | Fujifilm GFX 50R |
External Flash | no Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Canon SX520 | Fujifilm GFX 50R |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon NB-6LH | Fujifilm NP-T125 |
Battery Life (CIPA) | 210 shots per charge | 400 shots per charge |
Body Dimensions |
120 x 82 x 92 mm (4.7 x 3.2 x 3.6 in) |
161 x 97 x 66 mm (6.3 x 3.8 x 2.6 in) |
Camera Weight | 441 g (15.6 oz) | 775 g (27.3 oz) |
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