Canon SX510 vs Sony RX100 VI
The Canon PowerShot SX510 HS and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were announced, respectively, in August 2013 and June 2018. Both the SX510 and the RX100 VI are fixed lens compact cameras that are based on a 1/2.3-inch (SX510) and an one-inch (RX100 VI) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX510||Sony RX100 VI|
|Fixed lens compact camera||Fixed lens compact camera|
|24-720mm f/3.4-5.8||24-200mm f/2.8-4.5|
|15.9 MP, 1/2.3" Sensor||20 MP, 1" Sensor|
|1080/24p Video||4K/30p Video|
|ISO 80-3200||ISO 125-12800 (80-25600)|
|No viewfinder, LCD framing||Electronic viewfinder (2359k dots)|
|3.0" LCD, 461k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3.8 shutter flaps per second||24 shutter flaps per second|
|250 shots per battery charge||240 shots per battery charge|
|104 x 70 x 80 mm, 349 g||102 x 58 x 43 mm, 301 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX510 HS and the Sony Cyber-shot DSC-RX100 VI? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon SX510 and the Sony RX100 VI are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is notably smaller (19 percent) than the Canon SX510. Moreover, the RX100 VI is markedly lighter (14 percent) than the SX510.
Concerning battery life, the SX510 gets 250 shots out of its NB-6LH battery, while the RX100 VI can take 240 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 VI can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon SX510»||4.1 in||2.8 in||3.1 in||12.3 oz||250||n||Aug 2013||249||-||Canon SX510|
|Sony RX100 VI«||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||-||Sony RX100 VI|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon SX420« »||4.1 in||2.7 in||3.3 in||11.5 oz||195||n||Jan 2016||299||Canon SX420|
|Canon SX410« »||4.1 in||2.7 in||3.3 in||11.5 oz||185||n||Feb 2015||279||-||Canon SX410|
|Canon SX530« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jan 2015||429||-||Canon SX530|
|Canon SX520« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jul 2014||399||-||Canon SX520|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Nikon A1000« »||4.5 in||2.8 in||1.6 in||11.6 oz||250||n||Jan 2019||429||Nikon A1000|
|Ricoh WG-60« »||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony RX100 VII« »||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199||Sony RX100 VII|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Sony H200« »||4.8 in||3.3 in||3.4 in||18.7 oz||240||n||Jan 2013||249||Sony H200|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The SX510 was launched at a markedly lower price (by 79 percent) than the RX100 VI, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX510 features a 1/2.3-inch sensor and the Sony RX100 VI an one-inch sensor. The sensor area in the RX100 VI is 314 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.7. The sensor in the SX510 has a native 4:3 aspect ratio, while the one in the RX100 VI offers a 3:2 aspect.
With 20MP, the RX100 VI offers a higher resolution than the SX510 (15.9MP), but the RX100 VI nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 1.33μm for the SX510) due to its larger sensor. Moreover, the RX100 VI is a much more recent model (by 4 years and 9 months) than the SX510, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the SX510 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX100 VI implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 VI for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon SX510 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The RX100 VI has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot SX510 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VI are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon SX510»||1/2.3||15.9||4608||3456||1080/24p||-||-||-||-||Canon SX510|
|Sony RX100 VI«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon SX420« »||1/2.3||19.9||5152||3864||720/25p||-||-||-||-||Canon SX420|
|Canon SX410« »||1/2.3||19.9||5152||3864||720/25p||-||-||-||-||Canon SX410|
|Canon SX530« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX530|
|Canon SX520« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX520|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Nikon A1000« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon A1000|
|Ricoh WG-60« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Ricoh WG-60|
|Sony RX100 VII« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VII|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
|Sony H200« »||1/2.3||15.2||5184||2930||720/30p||-||-||-||-||Sony H200|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX100 VI provides a better video resolution than the SX510. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX100 VI has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the SX510 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX510, the Sony RX100 VI, and comparable cameras.
|Canon SX510»||-||n||3.0||461||fixed||n||1/1600s||3.8||Y||Y||Canon SX510|
|Sony RX100 VI«||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon SX420« »||-||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX420|
|Canon SX410« »||-||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX410|
|Canon SX530« »||-||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX530|
|Canon SX520« »||-||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX520|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Nikon A1000« »||1166||n||3.0||1036||tilting||Y||1/4000s||7.0||Y||Y||Nikon A1000|
|Ricoh WG-60« »||-||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony RX100 VII« »||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y||Sony RX100 VII|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y||Sony RX100 V|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
|Sony H200« »||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The RX100 VI has a touchscreen, while the SX510 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The RX100 VI has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the SX510 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VI is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Both the SX510 and the RX100 VI have zoom lenses built in. The SX510 has a 24-720mm f/3.4-5.8 optic and the RX100 VI offers a 24-200mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Canon and Sony provide the same view at the wide-angle end, but the Sony has less tele-photo reach at the long end. The RX100 VI offers the faster maximum aperture.
The SX510 writes its imaging data to SDXC cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. The RX100 VI supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the SX510 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX510 HS and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX510»||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon SX510|
|Sony RX100 VI«||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon SX420« »||-||mono||mono||-||-||-||2.0||Y||Y||-||Canon SX420|
|Canon SX410« »||-||stereo||mono||-||-||-||2.0||-||-||-||Canon SX410|
|Canon SX530« »||-||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon SX530|
|Canon SX520« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX520|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Nikon A1000« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon A1000|
|Ricoh WG-60« »||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony RX100 VII« »||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony RX100 VII|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
|Sony H200« »||-||mono||mono||-||-||-||2.0||-||-||-||Sony H200|
Both the SX510 and the RX100 VI have been discontinued, but can regularly be found used on eBay. The SX510 was replaced by the Canon SX520, while the RX100 VI was followed by the Sony RX100 VII. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is there a clear favorite between the Canon SX510 and the Sony RX100 VI? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot SX510 HS:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2013).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VI:
- More detail: Has more megapixels (20 vs 15.9MP), which boosts linear resolution by 14%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 461k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1600s) to freeze action.
- Faster burst: Shoots at higher frequency (24 vs 3.8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.4).
- More compact: Is smaller (102x58mm vs 104x70mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 48g or 14 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 4 years and 9 months of technical progress since the SX510 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the RX100 VI is the clear winner of the contest (23 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX510 and the Sony RX100 VI place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the SX510 and the RX100 VI in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon SX510»||+ +||-||4.5/5||-||4/5||Aug 2013||249||-||Canon SX510|
|Sony RX100 VI«||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||-||Sony RX100 VI|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon SX420« »||-||-||-||-||-||Jan 2016||299||Canon SX420|
|Canon SX410« »||o||-||-||-||-||Feb 2015||279||-||Canon SX410|
|Canon SX530« »||+ +||-||4/5||-||4/5||Jan 2015||429||-||Canon SX530|
|Canon SX520« »||+||-||3.5/5||-||3.5/5||Jul 2014||399||-||Canon SX520|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Nikon A1000« »||-||-||3.5/5||-||3/5||Jan 2019||429||Nikon A1000|
|Ricoh WG-60« »||-||-||-||-||-||Oct 2018||279||Ricoh WG-60|
|Sony RX100 VII« »||-||-||4/5||-||-||Jul 2019||1,199||Sony RX100 VII|
|Sony RX100 V« »||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Sony H200« »||-||-||3.5/5||-||3.5/5||Jan 2013||249||Sony H200|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon SX510 vs Panasonic FZ82
- Canon SX510 vs Sony RX100 V
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- Panasonic G90 vs Sony RX100 VI
Specifications: Canon SX510 vs Sony RX100 VI
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX510||Sony RX100 VI|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-720mm f/3.4-5.8||24-200mm f/2.8-4.5|
|Launch Date||August 2013||June 2018|
|Launch Price||USD 249||USD 1199|
|Sensor Specs||Canon SX510||Sony RX100 VI|
|Sensor Format||1/2.3" Sensor||1" Sensor|
|Sensor Size||6.17 x 4.55 mm||13.2 x 8.8 mm|
|Sensor Area||28.0735 mm2||116.16 mm2|
|Sensor Diagonal||7.7 mm||15.9 mm|
|Sensor Resolution||15.9 Megapixels||20 Megapixels|
|Image Resolution||4608 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||1.33 μm||2.41 μm|
|Pixel Density||56.73 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||125-12800 ISO|
|ISO Boost||no Enhancement||80-25600 ISO|
|Image Processor||DIGIC 4||BIONZ X|
|Screen Specs||Canon SX510||Sony RX100 VI|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||461k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX510||Sony RX100 VI|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/1600/s||1/2000/s|
|Continuous Shooting||3.8 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon SX510||Sony RX100 VI|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX510||Sony RX100 VI|
|Battery Life (CIPA)||250 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
104 x 70 x 80 mm
(4.1 x 2.8 x 3.1 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||349 g (12.3 oz)||301 g (10.6 oz)|
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