Canon SX510 vs Nikon D500
The Canon PowerShot SX510 HS and the Nikon D500 are two digital cameras that were announced, respectively, in August 2013 and January 2016. The SX510 is a fixed lens compact, while the D500 is a DSLR. The cameras are based on a 1/2.3-inch (SX510) and an APS-C (D500) sensor. The Canon has a resolution of 15.9 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon SX510||Nikon D500|
|Fixed lens compact camera||Digital single lens reflex|
|24-720mm f/3.4-5.8||Nikon F mount lenses|
|15.9 MP, 1/2.3" Sensor||20.7 MP, APS-C Sensor|
|1080/24p Video||4K/30p Video|
|ISO 80-3200||ISO 100-51200 (50-1640000)|
|No viewfinder, LCD framing||Optical viewfinder|
|3.0" LCD, 461k dots||3.2" LCD, 2359k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|3.8 shutter flaps per second||10 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|250 shots per battery charge||1240 shots per battery charge|
|104 x 70 x 80 mm, 349 g||147 x 115 x 81 mm, 860 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot SX510 HS and the Nikon D500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon SX510 and the Nikon D500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D500 is considerably larger (132 percent) than the Canon SX510. It is noteworthy in this context that the D500 is splash and dust-proof, while the SX510 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the SX510 has a lens built in, whereas the D500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D500 and their specifications in the Nikon Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon SX510»||4.1 in||2.8 in||3.1 in||12.3 oz||250||n||Aug 2013||249||Canon SX510|
|Nikon D500«||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Canon SX420« »||4.1 in||2.7 in||3.3 in||11.5 oz||195||n||Jan 2016||299||Canon SX420|
|Canon SX410« »||4.1 in||2.7 in||3.3 in||11.5 oz||185||n||Feb 2015||279||Canon SX410|
|Canon SX520« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jul 2014||399||Canon SX520|
|Canon SX700« »||4.4 in||2.6 in||1.4 in||9.5 oz||250||n||Feb 2014||349||Canon SX700|
|Canon SX600« »||4.1 in||2.4 in||1.0 in||6.6 oz||290||n||Jan 2014||249||Canon SX600|
|Canon SX400« »||4.1 in||2.7 in||3.1 in||11.0 oz||190||n||Jul 2014||249||Canon SX400|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||Canon SX60|
|Canon SX500« »||4.1 in||2.8 in||3.1 in||12.0 oz||195||n||Aug 2012||329||Canon SX500|
|Nikon A1000« »||4.5 in||2.8 in||1.6 in||11.6 oz||250||n||Jan 2019||429||Nikon A1000|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||Nikon D3400|
|Nikon D5500« »||4.9 in||3.8 in||2.8 in||14.8 oz||820||n||Jan 2015||899||Nikon D5500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||Nikon D7200|
|Nikon D300S« »||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||Nikon D300S|
|Sony H200« »||4.8 in||3.3 in||3.4 in||18.7 oz||240||n||Jan 2013||249||Sony H200|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The SX510 was launched at a lower price than the D500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon SX510 features a 1/2.3-inch sensor and the Nikon D500 an APS-C sensor. The sensor area in the D500 is 1218 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the SX510 has a native 4:3 aspect ratio, while the one in the D500 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20.7MP, the D500 offers a higher resolution than the SX510 (15.9MP), but the D500 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 1.33μm for the SX510) due to its larger sensor. Moreover, the D500 is a much more recent model (by 2 years and 4 months) than the SX510, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D500 for good quality output (200 dots per inch) amounts to 27.8 x 18.6 inch or 70.7 x 47.1 cm, for very good quality (250 dpi) 22.3 x 14.8 inch or 56.6 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inch or 47.1 x 31.4 cm. The corresponding values for the Canon SX510 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Canon PowerShot SX510 HS has a native sensitivity range from ISO 80 to ISO 3200. The corresponding ISO settings for the Nikon D500 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-1640000.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon SX510||1/2.3||15.9||4608||3456||1080/24p||..||..||..||..||Canon SX510|
|Nikon D500||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Canon SX420||1/2.3||19.9||5152||3864||720/25p||..||..||..||..||Canon SX420|
|Canon SX410||1/2.3||19.9||5152||3864||720/30p||..||..||..||..||Canon SX410|
|Canon SX520||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Canon SX520|
|Canon SX700||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Canon SX700|
|Canon SX600||1/2.3||15.9||4608||3456||1080/30p||..||..||..||..||Canon SX600|
|Canon SX400||1/2.3||15.9||4608||3456||720/30p||..||..||..||..||Canon SX400|
|Canon SX60||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon SX500||1/2.3||15.9||4608||3456||720/30p||..||..||..||..||Canon SX500|
|Nikon A1000||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon A1000|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D3400||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Nikon D5500||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1438||84||Nikon D5500|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D300S||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Sony H200||1/2.3||15.2||5184||2930||720/30p||..||..||..||..||Sony H200|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D500 provides a better video resolution than the SX510. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/24p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the SX510 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon SX510, the Nikon D500, and comparable cameras.
|Canon SX510||none||n||3.0||461||fixed||n||1/1600s||3.8||Y||Y||Canon SX510|
|Nikon D500||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Canon SX420||none||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX420|
|Canon SX410||none||n||3.0||230||fixed||n||1/4000s||0.5||Y||Y||Canon SX410|
|Canon SX520||none||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX520|
|Canon SX700||none||n||3.0||922||fixed||n||1/3200s||8.5||Y||Y||Canon SX700|
|Canon SX600||none||n||3.0||461||fixed||n||1/2000s||3.9||Y||Y||Canon SX600|
|Canon SX400||none||n||3.0||230||fixed||n||1/1600s||0.8||Y||Y||Canon SX400|
|Canon SX60||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon SX500||none||n||3.0||461||fixed||n||1/1600s||0.8||Y||Y||Canon SX500|
|Nikon A1000||1166||n||3.0||1036||tilting||Y||1/4000s||7.0||Y||Y||Nikon A1000|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D3400||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Nikon D5500||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5500|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D300S||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Sony H200||none||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
One difference between the cameras concerns the presence of an on-board flash. The SX510 has one, while the D500 does not. While the built-in flash of the SX510 is not very powerful, it can at times be useful as a fill-in light.
The Nikon D500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The SX510 writes its imaging data to SDXC cards, while the D500 uses SDHC or XQD cards. The D500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the SX510 only has one slot. The D500 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the SX510 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot SX510 HS and Nikon D500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon SX510||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon SX510|
|Nikon D500||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Canon SX420||-||mono||mono||-||-||none||2.0||Y||Y||-||Canon SX420|
|Canon SX410||-||stereo||mono||-||-||none||2.0||-||-||-||Canon SX410|
|Canon SX520||-||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX520|
|Canon SX700||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon SX700|
|Canon SX600||-||mono||mono||-||-||micro||2.0||Y||Y||-||Canon SX600|
|Canon SX400||-||stereo||mono||-||-||none||2.0||-||-||-||Canon SX400|
|Canon SX60||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon SX500||-||stereo||mono||-||-||none||2.0||-||-||-||Canon SX500|
|Nikon A1000||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon A1000|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D3400||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Nikon D5500||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5500|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D300S||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Sony H200||-||mono||mono||-||-||none||2.0||-||-||-||Sony H200|
It is notable that the D500 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The SX510 does not feature such a mic input.
Studio photographers will appreciate that the Nikon D500 (unlike the SX510) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The D500 is a recent model that features in the current product line-up of Nikon. In contrast, the SX510 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the SX510 was succeeded by the Canon SX520. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So how do things add up? Which of the two cameras – the Canon SX510 or the Nikon D500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon PowerShot SX510 HS:
- Ready to shoot: Comes with a built-in lens, while the D500 requires a separate lens.
- More compact: Is smaller (104x70mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D500).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in August 2013).
Reasons to prefer the Nikon D500:
- More detail: Has more megapixels (20.7 vs 15.9MP), which boosts linear resolution by 16%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 461k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1600s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3.8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (1240 versus 250) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 2 years and 4 months of technical progress since the SX510 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D500 is the clear winner of the contest (28 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon SX510 and the Nikon D500 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the SX510 or the D500. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 60D vs Canon SX510
- Canon 700D vs Nikon D500
- Canon SX510 vs Olympus E-P2
- Canon SX510 vs Panasonic GX9
- Canon SX510 vs Pentax K-3
- Canon SX510 vs Sony A68
- Fujifilm X-H1 vs Nikon D500
- Leica C-LUX vs Nikon D500
- Leica M-E Typ 240 vs Nikon D500
- Nikon D500 vs Nikon D7000
- Nikon D500 vs Olympus E-PL1
- Nikon D500 vs Panasonic L1
Specifications: Canon SX510 vs Nikon D500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon SX510||Nikon D500|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||24-720mm f/3.4-5.8||Nikon F mount lenses|
|Launch Date||August 2013||January 2016|
|Launch Price||USD 249||USD 1999|
|Sensor Specs||Canon SX510||Nikon D500|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.5 x 15.7 mm|
|Sensor Area||28.0735 mm2||368.95 mm2|
|Sensor Diagonal||7.7 mm||28.3 mm|
|Sensor Resolution||15.9 Megapixels||20.7 Megapixels|
|Image Resolution||4608 x 3456 pixels||5568 x 3712 pixels|
|Pixel Pitch||1.33 μm||4.22 μm|
|Pixel Density||56.73 MP/cm2||5.60 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/24p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||100-51200 ISO|
|ISO Boost||no Enhancement||50-1640000 ISO|
|Image Processor||DIGIC 4||EXPEED 5|
|DXO Sensor Quality (score)||..||83|
|DXO Color Depth (bits)||..||24.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1324|
|Screen Specs||Canon SX510||Nikon D500|
|Viewfinder Type||No viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||461k dots||2359k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon SX510||Nikon D500|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||3.8 shutter flaps/s||10 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon SX510||Nikon D500|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon SX510||Nikon D500|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||250 shots per charge||1240 shots per charge|
104 x 70 x 80 mm
(4.1 x 2.8 x 3.1 in)
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
|Camera Weight||349 g (12.3 oz)||860 g (30.3 oz)|
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